Author: Steven Tötösy de Zepetnek
Publisher: Vieweg+Teubner Verlag
ISBN: 3663139093
Category : Language Arts & Disciplines
Languages : en
Pages : 201
Book Description
This work is a comparative study of nineteenth-century English-Canadian and French Canadian novel prefaces, a previously unexplored literary topic. As a study in Comparative Literature - with the application of a specific literary framework and methodology - the study conforms to theoretical and methodological postulates formulated in and prescribed by this framework when applied. This a priori postulate necessitates that the research on and the presentation of the Canadian novel preface be carried out in a specific manner, as follows. First, the study will establish the hypothesis that the preface to nineteenth-century English-Canadian and French-Canadian novels is a genre in its own right. This hypothesis will rest on the following: 1) a taxonomical survey of related terms meaning "preface"; 2) a survey of secondary Iiterature of works dealing with the preface; 3) a discussion of the theoretical framework and methodology of the Empirical Theory of Literature and its appropriateness for the study of the preface; and 4) a discussion of the process of the compilation of the corpus of nineteenth-century Canadian novel prefaces (Chapter one). In a second step, the theoretical postulate outlined in the hypothesis will be put into practice by the development and production of a preface typology (Chapter two). In a third step, further tenets of the Empirical Theory of Literature will be tested on the corpus of the prefaces (Chapter three). In a fourth step, the prefaces will be analysed following the tenets formulated in and prescribed by the systemic framework applied (Chapter four).
The Social Dimensions of Fiction
Author: Steven Tötösy de Zepetnek
Publisher: Vieweg+Teubner Verlag
ISBN: 3663139093
Category : Language Arts & Disciplines
Languages : en
Pages : 201
Book Description
This work is a comparative study of nineteenth-century English-Canadian and French Canadian novel prefaces, a previously unexplored literary topic. As a study in Comparative Literature - with the application of a specific literary framework and methodology - the study conforms to theoretical and methodological postulates formulated in and prescribed by this framework when applied. This a priori postulate necessitates that the research on and the presentation of the Canadian novel preface be carried out in a specific manner, as follows. First, the study will establish the hypothesis that the preface to nineteenth-century English-Canadian and French-Canadian novels is a genre in its own right. This hypothesis will rest on the following: 1) a taxonomical survey of related terms meaning "preface"; 2) a survey of secondary Iiterature of works dealing with the preface; 3) a discussion of the theoretical framework and methodology of the Empirical Theory of Literature and its appropriateness for the study of the preface; and 4) a discussion of the process of the compilation of the corpus of nineteenth-century Canadian novel prefaces (Chapter one). In a second step, the theoretical postulate outlined in the hypothesis will be put into practice by the development and production of a preface typology (Chapter two). In a third step, further tenets of the Empirical Theory of Literature will be tested on the corpus of the prefaces (Chapter three). In a fourth step, the prefaces will be analysed following the tenets formulated in and prescribed by the systemic framework applied (Chapter four).
Publisher: Vieweg+Teubner Verlag
ISBN: 3663139093
Category : Language Arts & Disciplines
Languages : en
Pages : 201
Book Description
This work is a comparative study of nineteenth-century English-Canadian and French Canadian novel prefaces, a previously unexplored literary topic. As a study in Comparative Literature - with the application of a specific literary framework and methodology - the study conforms to theoretical and methodological postulates formulated in and prescribed by this framework when applied. This a priori postulate necessitates that the research on and the presentation of the Canadian novel preface be carried out in a specific manner, as follows. First, the study will establish the hypothesis that the preface to nineteenth-century English-Canadian and French-Canadian novels is a genre in its own right. This hypothesis will rest on the following: 1) a taxonomical survey of related terms meaning "preface"; 2) a survey of secondary Iiterature of works dealing with the preface; 3) a discussion of the theoretical framework and methodology of the Empirical Theory of Literature and its appropriateness for the study of the preface; and 4) a discussion of the process of the compilation of the corpus of nineteenth-century Canadian novel prefaces (Chapter one). In a second step, the theoretical postulate outlined in the hypothesis will be put into practice by the development and production of a preface typology (Chapter two). In a third step, further tenets of the Empirical Theory of Literature will be tested on the corpus of the prefaces (Chapter three). In a fourth step, the prefaces will be analysed following the tenets formulated in and prescribed by the systemic framework applied (Chapter four).
Social Issues in Television Fiction
Author: Lesley Henderson
Publisher: Edinburgh University Press
ISBN: 0748630899
Category : Performing Arts
Languages : en
Pages : 209
Book Description
Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made 'behind the scenes'? How do programme makers push boundaries without losing viewers? What do audiences take away from their viewing experience? Does TV fiction have a greater impact on public understandings than TV news? This exciting new book draws on unique empirical data to examine the relationship between popular television fiction and wider society.The book gives lively and engaging insights into how and why socially sensitive story lines were taken up by different TV programmes from the late 1980s to the 2000s. Drawing on a series of case studies of medicine, health, illness and social problems including breast cancer, mental distress, sexual abuse and violence it comprehensively traces the path of storylines from initial conception through to audience reception and uses contemporary examples to link practice to theory. For the first time, this book addresses production and receptio
Publisher: Edinburgh University Press
ISBN: 0748630899
Category : Performing Arts
Languages : en
Pages : 209
Book Description
Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made 'behind the scenes'? How do programme makers push boundaries without losing viewers? What do audiences take away from their viewing experience? Does TV fiction have a greater impact on public understandings than TV news? This exciting new book draws on unique empirical data to examine the relationship between popular television fiction and wider society.The book gives lively and engaging insights into how and why socially sensitive story lines were taken up by different TV programmes from the late 1980s to the 2000s. Drawing on a series of case studies of medicine, health, illness and social problems including breast cancer, mental distress, sexual abuse and violence it comprehensively traces the path of storylines from initial conception through to audience reception and uses contemporary examples to link practice to theory. For the first time, this book addresses production and receptio
Prose Fiction: An Introduction to the Semiotics of Narrative
Author: Ignasi Ribó
Publisher: Open Book Publishers
ISBN: 1783748125
Category : Education
Languages : en
Pages : 119
Book Description
This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.
Publisher: Open Book Publishers
ISBN: 1783748125
Category : Education
Languages : en
Pages : 119
Book Description
This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.
Various Dimensions of the Other in Joseph Conrad's Fiction
Author: Wiesław Krajka
Publisher:
ISBN: 9788322793138
Category :
Languages : en
Pages : 255
Book Description
This collection of studies examines the various types and uses of ideas of "the other" and othering in Joseph Conrad's fiction. It offers examinations of different aspects of the colonial other both in Africa and Latin America, including a personal reminiscence of American imperialism by a descendant of a character mentioned in Conrad's fiction. The first three papers offer insights into Conrad's artistic presentation of both the historical and concrete side of capitalism and imperialism as well as the universal aspects of these social-political-economic formations. The next four studies theorize the colonial other, from European/Western perspectives and from Third World perspectives. The final four papers concern otherness in seamanship, in terms of the imperial other and alterity, and the female as other, othering by gender. The dimensions of the other in Conrad's fiction that the collection examines are mainly colonial, imperial, and civilizational, set in the realities of geographical space of Africa, Latin America, and the Far East, the reality at sea, and the reality of gendered humanity. They are grounded in various contexts significant for Conrad's epoch: both domestic and pertaining to English and European colonial-imperial overseas expansion, and illuminated from both English/Western and Third World perspectives. Various Dimensions of the Other in Joseph Conrad's Fiction features both general theoretical arguments and distinctive methodological approaches to Conrad's oeuvre, such as historical contextualization and source studies, postcolonial theory, imagology, Levinas's theory of alterity, the Lacanian theory of jouissance, literary feminism, and personal narrative. The book is volume 29 of the series Conrad: Eastern and Western Perspectives: within this series it offers the first complex and direct treatment of multifarious incarnations of the other in Joseph Conrad's fiction. The studies included create a truly international constellation of criticism, with authors at universities in the United States of America, France, Switzerland, Ukraine, Algeria, Iran, Japan, and Poland. Owing to their unique national and cultural-literary backgrounds and perspectives upon Joseph Conrad's oeuvre, Various Dimensions of the Other in Joseph Conrad's Fiction continues and strengthens the transnational profile of the series Conrad: Eastern and Western Perspectives.
Publisher:
ISBN: 9788322793138
Category :
Languages : en
Pages : 255
Book Description
This collection of studies examines the various types and uses of ideas of "the other" and othering in Joseph Conrad's fiction. It offers examinations of different aspects of the colonial other both in Africa and Latin America, including a personal reminiscence of American imperialism by a descendant of a character mentioned in Conrad's fiction. The first three papers offer insights into Conrad's artistic presentation of both the historical and concrete side of capitalism and imperialism as well as the universal aspects of these social-political-economic formations. The next four studies theorize the colonial other, from European/Western perspectives and from Third World perspectives. The final four papers concern otherness in seamanship, in terms of the imperial other and alterity, and the female as other, othering by gender. The dimensions of the other in Conrad's fiction that the collection examines are mainly colonial, imperial, and civilizational, set in the realities of geographical space of Africa, Latin America, and the Far East, the reality at sea, and the reality of gendered humanity. They are grounded in various contexts significant for Conrad's epoch: both domestic and pertaining to English and European colonial-imperial overseas expansion, and illuminated from both English/Western and Third World perspectives. Various Dimensions of the Other in Joseph Conrad's Fiction features both general theoretical arguments and distinctive methodological approaches to Conrad's oeuvre, such as historical contextualization and source studies, postcolonial theory, imagology, Levinas's theory of alterity, the Lacanian theory of jouissance, literary feminism, and personal narrative. The book is volume 29 of the series Conrad: Eastern and Western Perspectives: within this series it offers the first complex and direct treatment of multifarious incarnations of the other in Joseph Conrad's fiction. The studies included create a truly international constellation of criticism, with authors at universities in the United States of America, France, Switzerland, Ukraine, Algeria, Iran, Japan, and Poland. Owing to their unique national and cultural-literary backgrounds and perspectives upon Joseph Conrad's oeuvre, Various Dimensions of the Other in Joseph Conrad's Fiction continues and strengthens the transnational profile of the series Conrad: Eastern and Western Perspectives.
Fiction and Social Research
Author: Anna Banks
Publisher: Rowman Altamira
ISBN: 9780761990352
Category : Social Science
Languages : en
Pages : 276
Book Description
This volume brings together writers from a variety of disciplines to explore and illustrate the possibilities of new narrative forms in social research. The book is arranged into four areas of concern: representation, subjectivity, critique, and postmodern discourse.
Publisher: Rowman Altamira
ISBN: 9780761990352
Category : Social Science
Languages : en
Pages : 276
Book Description
This volume brings together writers from a variety of disciplines to explore and illustrate the possibilities of new narrative forms in social research. The book is arranged into four areas of concern: representation, subjectivity, critique, and postmodern discourse.
The Politics of Story in Victorian Social Fiction
Author: Rosemarie Bodenheimer
Publisher: Cornell University Press
ISBN: 1501733443
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
The most telling expression of the politics of a novel, Rosemarie Bodenheimer asserts, lies not in its proclaimed social intent, its continuity with nonfictional discourse, or its truth to class experience, but in the models of social movement and transformation traced out in the thread of its narrative. The Politics of Story in Victorian Social Fiction explores the story patterns and other narrative conventions through which the industrial or social-problem novel gives fictional shape to questions that were experienced as new, unpredictable, and troubling in the Victorian age. Bodenheimer considers novels explicitly linked with the condition of England debates that preoccupied public-minded Victorians, narratives that confront such topics as the factory system, industrial and rural poverty, working-class politics, and the plight of women. Grouping well-known novels with less frequently read works according to shared narrative patterns, Bodenheimer delineates lines of influence, argument, and development within the subgenre of social fiction. Among the works she discusses are Charlotte Bronte's Shirley, Elizabeth Gaskell's North and South, two novels by Frances Trollope, Geraldine Jewsbury's Marian Withers, George Eliot's Felix Holt the Radical, Charles Dickens's Oliver Twist, and Benjamin Disraeli's Sybil.
Publisher: Cornell University Press
ISBN: 1501733443
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
The most telling expression of the politics of a novel, Rosemarie Bodenheimer asserts, lies not in its proclaimed social intent, its continuity with nonfictional discourse, or its truth to class experience, but in the models of social movement and transformation traced out in the thread of its narrative. The Politics of Story in Victorian Social Fiction explores the story patterns and other narrative conventions through which the industrial or social-problem novel gives fictional shape to questions that were experienced as new, unpredictable, and troubling in the Victorian age. Bodenheimer considers novels explicitly linked with the condition of England debates that preoccupied public-minded Victorians, narratives that confront such topics as the factory system, industrial and rural poverty, working-class politics, and the plight of women. Grouping well-known novels with less frequently read works according to shared narrative patterns, Bodenheimer delineates lines of influence, argument, and development within the subgenre of social fiction. Among the works she discusses are Charlotte Bronte's Shirley, Elizabeth Gaskell's North and South, two novels by Frances Trollope, Geraldine Jewsbury's Marian Withers, George Eliot's Felix Holt the Radical, Charles Dickens's Oliver Twist, and Benjamin Disraeli's Sybil.
The Social Dimensions of Fiction
Author: Steven Totosy de Zepetnek
Publisher:
ISBN: 9783663139102
Category :
Languages : en
Pages : 204
Book Description
Publisher:
ISBN: 9783663139102
Category :
Languages : en
Pages : 204
Book Description
Moral and Social Dimensions of William Allen White's Fiction
Author: William R. Elkins
Publisher:
ISBN:
Category : Didactic fiction, American
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Didactic fiction, American
Languages : en
Pages : 40
Book Description
Social Invisibility Is Not a Fiction It Exists
Author: Michelle Dilhara
Publisher:
ISBN: 9781692768461
Category :
Languages : en
Pages : 53
Book Description
The book Social Invisibility is not a Fiction it Exists is a result of sociology experiments and researches done with many sociology professionals to uncover the link between the brain and behavior of isolated individuals in the society. The research of the book was done with Thilina Dhanushka Abewickrama ,Emeritus Professor Antonette Perera , Dr. Parakrama Warnasuriya and Professor Waruna Chandrakeerthi, on Human Behavioral Psychology with regard to Social Invisibility and Social Exclusion. The social media research of the book was done with Thilina Dhanushka Abewickrama, an Internet entrepreneur and author, to predict how humans behave, related to their mind when they are isolated. More than 5000 individuals participated for the social media research done online with Thilina Dhanushka Abewickrama .The research contains key information on how victims of social invisibility and social exclusion are mentally and physically affected, how their brains and actions respond when they are being marginalized from the society. And also the book provides implementations of how social invisibility can be minimized. Primary implementations of The invisible to visible movement is more focused on elderly to create a hub for networking and improving communications with the current society .
Publisher:
ISBN: 9781692768461
Category :
Languages : en
Pages : 53
Book Description
The book Social Invisibility is not a Fiction it Exists is a result of sociology experiments and researches done with many sociology professionals to uncover the link between the brain and behavior of isolated individuals in the society. The research of the book was done with Thilina Dhanushka Abewickrama ,Emeritus Professor Antonette Perera , Dr. Parakrama Warnasuriya and Professor Waruna Chandrakeerthi, on Human Behavioral Psychology with regard to Social Invisibility and Social Exclusion. The social media research of the book was done with Thilina Dhanushka Abewickrama, an Internet entrepreneur and author, to predict how humans behave, related to their mind when they are isolated. More than 5000 individuals participated for the social media research done online with Thilina Dhanushka Abewickrama .The research contains key information on how victims of social invisibility and social exclusion are mentally and physically affected, how their brains and actions respond when they are being marginalized from the society. And also the book provides implementations of how social invisibility can be minimized. Primary implementations of The invisible to visible movement is more focused on elderly to create a hub for networking and improving communications with the current society .
Egypt, Islam, and the Arabs
Author: Israel Gershoni
Publisher: Oxford University Press
ISBN: 0195364864
Category : History
Languages : en
Pages : 365
Book Description
Throughout the 20th century, Egyptian nationalism has alternately revolved around three primary axes: a local Egyptian territorial nationalism, a sense of Arab ethnic-linguistic nationalism, and an identification with the wider Muslim community. This detailed study is devoted to the first major phase in the perennial debate over nationalism in modern Egypt--the territorial nationalism dominant in Egypt in the early 20th century. The first section of the book examines the effects of World War I and its aftermath, which temporarily gave rise to an exclusively Egyptianist national orientation in Egypt. Subsequent sections consider the intellectual and political dimensions of Egyptian interwar years. Egypt, Islam and the Arabs is the first volume in a new Oxford series, Studies in Middle Eastern History. The General Editors of the series are Bernard Lewis of Princeton University, Itamar Rabinovich of Tel Aviv University, and Roger M. Savory of the University of Toronto.
Publisher: Oxford University Press
ISBN: 0195364864
Category : History
Languages : en
Pages : 365
Book Description
Throughout the 20th century, Egyptian nationalism has alternately revolved around three primary axes: a local Egyptian territorial nationalism, a sense of Arab ethnic-linguistic nationalism, and an identification with the wider Muslim community. This detailed study is devoted to the first major phase in the perennial debate over nationalism in modern Egypt--the territorial nationalism dominant in Egypt in the early 20th century. The first section of the book examines the effects of World War I and its aftermath, which temporarily gave rise to an exclusively Egyptianist national orientation in Egypt. Subsequent sections consider the intellectual and political dimensions of Egyptian interwar years. Egypt, Islam and the Arabs is the first volume in a new Oxford series, Studies in Middle Eastern History. The General Editors of the series are Bernard Lewis of Princeton University, Itamar Rabinovich of Tel Aviv University, and Roger M. Savory of the University of Toronto.