The Seduced Soul Reduced, and Rescued from the Subtilty, and Slavery of Satan ... By R. Junius PDF Download
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Author: R. JUNIUS ([i.e. Richard Younge?])
Publisher:
ISBN:
Category : Salvation
Languages : en
Pages : 12
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Book Description
Author: R. JUNIUS ([i.e. Richard Younge?])
Publisher:
ISBN:
Category : Salvation
Languages : en
Pages : 12
Get Book Here
Book Description
Author: R. JUNIUS
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Richard Younge
Publisher:
ISBN:
Category : Christian life
Languages : en
Pages : 12
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 840
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Book Description
Author: Union Theological Seminary (New York, N.Y.). Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 840
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 776
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Book Description
Author: University Microfilms International
Publisher: Ann Arbor, Mich. : U.M.I.
ISBN: 9780835721028
Category : Reference
Languages : en
Pages : 954
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Book Description
Author: David Ganz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110558602
Category : Religion
Languages : en
Pages : 321
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Book Description
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
Author: David R. Roediger
Publisher: Verso Books
ISBN: 1789603137
Category : Social Science
Languages : en
Pages : 336
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Book Description
An enduring history of how race and class came together to mark the course of the antebellum US and our present crisis. Roediger shows that in a nation pledged to independence, but less and less able to avoid the harsh realities of wage labor, the identity of "white" came to allow many Northern workers to see themselves as having something in common with their bosses. Projecting onto enslaved people and free Blacks the preindustrial closeness to pleasure that regimented labor denied them, "white workers" consumed blackface popular culture, reshaped languages of class, and embraced racist practices on and off the job. Far from simply preserving economic advantage, white working-class racism derived its terrible force from a complex series of psychological and ideological mechanisms that reinforced stereotypes and helped to forge the very identities of white workers in opposition to Blacks. Full of insight regarding the precarious positions of not-quite-white Irish immigrants to the US and the fate of working class abolitionism, Wages of Whiteness contributes mightily and soberly to debates over the 1619 Project and critical race theory.
Author: Patrick R. Crowley
Publisher: University of Chicago Press
ISBN: 022664829X
Category : Art
Languages : en
Pages : 337
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Book Description
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.
