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Author: John Bernard Flannagan
Publisher:
ISBN:
Category : Sculpture, American
Languages : en
Pages : 52
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Book Description
Author: John Bernard Flannagan
Publisher:
ISBN:
Category : Sculpture, American
Languages : en
Pages : 52
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Book Description
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Sculpture, American
Languages : en
Pages : 48
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Book Description
Author: John Bernard Flannagan
Publisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 38
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Book Description
Author: Karen O. Janovy
Publisher: U of Nebraska Press
ISBN: 080327629X
Category : Art
Languages : en
Pages : 299
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Book Description
"All of the 90 pieces selected from more than 350 works in the collection are presented here in full color, each accompanied by a brief discussion of the artist and his or her work by leading scholars in the field as well as authorities on the collection. The essays examine the works of sculptors represented in the Sheldon's collection, including Barlach, Brancusi, Calder, Duchamp, Moore, and Rodin, and present a concise yet comprehensive overview of pertinent scholarship that will be of value to both students and experts in the field."--BOOK JACKET.
Author: Robert Joseph Forsyth
Publisher:
ISBN:
Category :
Languages : en
Pages : 672
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Book Description
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: A. L. Freundlich
Publisher: Universal-Publishers
ISBN: 9781581127102
Category : Art
Languages : en
Pages : 242
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Book Description
Fraser is best known for his End of the Trail and Buffalo Nickel. He also is the most prolific sculptor of Federalist Washington DC. He is represented by the portal figures at the Supreme Court, and others such as facades and pediments at Commerce, National Archives, and Agriculture; The Memorial Bridge, sculptures of Hamilton and Gallatin at Treasury, and major public works in New York, Chicago, and Jefferson City. In the first 5 decades of the 21st Century, Fraser was a leading artistic force. He served on the National Commission of Fine Arts and was President of the National Sculpture Society. He was closely allied with many of the American painters and sculptors including St. Haudens and French who were his early sponsors. He was involved with the Armory Show and The Eight, a close friend of Bellows and E.A. Robinson among many. He was popular in New York society, counting among his students Gertrude Vanderbilt Whitney. Included in this book is Fraser's first Catalogue Raisonnee.
Author: John Bernard Flannagan
Publisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 128
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Book Description
Author: Penny Balkin Bach
Publisher:
ISBN: 9780877228226
Category : Art
Languages : en
Pages : 288
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Book Description
"Public art is a manifestation of how we see the world-the artist's reflection of our social, cultural, and physical environment." Thus, Penny Bach introduces this fascinating history of public art in Philadelphia, narrated throughout with surprising anecdotes, biographical sketches, and more than 450 illustrations. She explores the artistic, historical, political, and social trends and events that caused the city to acquire such a rich and diverse collection of public art. Philadelphia's tradition of public art reveals the origins of our cyclic longing for public expression: the spiritual roots of Native American culture, the utilitarian needs of the colonial period, the civic glorification of American patriotism, the planning instincts that emerged from the industrial era, and the pursuit of originality and invention in the twentieth century. Guiding the reader through a chronological tour of the city's aesthetic holdings, Public Art in Philadelphia provides a sort of history of American monumental art in microcosm and offers a way to appreciate the public art we encounter, whether it is cast, carved, built, assembled, or painted.As the nation's first capital, Philadelphia began early to commemorate heroics figures, popular leaders, patriotic ideals, and historic events. From Lazzarini's marble figure of Benjamin Franklin to Pinto's Fingerspan in Fairmount Park, form Laurel Hill Cemetery's celebrated sculpture garden to Lipchitz's controversial Government of the People, and from William Penn atop City Hall to the colorful murals by the Anti-Graffiti Network, public art has continued to enhance, define, and challenge Philadelphians' perception of their city.With perhaps the largest collection of public sculpture in the world, Philadelphia's art acquisitions span the history of the United States. Bach examines the gradual transformation over three centuries of style, theme, and reception of statues, murals, and other art forms. Shorter thematic essays make "connections" between works, ideas, artists, and civic missions. A catalogue focuses on more than 200 individual works, noting the materials, dimensions, location history, and commissioning process, and suggesting the vast range of public art. The armchair tourist, for example, can visit Dickens and Little Nell in Clark Park, the John Wanamaker's Eagle, the All Wars Memorial to Colored Soldiers and Sailors in Fairmount Park, or the Julius Erving Memorial on Ridge Avenue, among many others. A set of maps encourage readers to view the works in their public context.Public Art in Philadelphia offers a unique tour of both the familiar and the overlooked treasures that give meaning to the public environment, that reconnect art to daily life, and that remind Philadelphia's visitors and residents of what was considered important to previous generations. Author note: Penny Balkin Bach is Executive Director of the Fairmount Park Art Association, the nation's first non-profit organization dedicated to the integration of art and urban planning. She is also the author of Form and Function: Proposals for Public Art for Philadelphia.
Author: Amon Carter Museum of Western Art
Publisher: Hudson Hills
ISBN: 9781555951986
Category : Architecture
Languages : en
Pages : 300
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Book Description
"Amon G. Carter (1879-1955) is one of the legendary men of Texas history. Born in a log cabin, he was self-made, becoming Fort Worth's leading citizen and champion. He developed an interest in the art of Frederic Remington and Charles M. Russell through his friendship with Will Rogers. Carter's will provided for the establishment of a museum in Fort Worth devoted to the art of the American West. While the museum holds the most significant collection anywhere of works by Remington and Russell and is a pioneer in the field of western studies, it has evolved into one of the great museums of American art as a whole, focusing on artists working on successive frontiers, aesthetic as well as geographic. Its photography collection alone has grown to nearly one-quarter of a million objects." "The museum, designed by noted architect Philip Johnson, opened to the public in 1961. On the occasion of its fortieth anniversary, a substantially expanded building, also designed by Mr. Johnson, was inaugurated. This volume relates the museum's history and presents color and duotone illustrations of 125 of its masterworks dating from 1822 to 1998 (paintings, sculpture, prints, watercolors, pastels, drawings, and photographs), with an essay about each and a biography of each artist. It includes a number of landmark works recently added to the collection and unveiled here for the first time: paintings by John Singer Sargent, Stuart Davis, and Marsden Hartley; sculpture by Alexander Calder and Louise Nevelson; a daguerreotype by Southworth and Hawes; and photographs by Alfred Stieglitz, David Smith, Robert Adams, and Linda Connor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
