The Sculptural Program of the Verso of the West Façade of Reims Cathedral PDF Download
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Author: Angela Marie Proudfit
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 176
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Book Description
Author: Angela Marie Proudfit
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 176
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Book Description
Author: DonnaL. Sadler
Publisher: Routledge
ISBN: 1351552163
Category : Art
Languages : en
Pages : 299
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Book Description
Though long recognized as one of the most beautiful works from the second half of the thirteenth century, the magnificent sculptural program of the reverse fa?e at Reims Cathedral has received little in the way of scholarly attention. Interpreting the iconography in the light of Latin texts associated with the building, its history and its ceremonial use, Donna Sadler assesses the significance of the reverse fa?e in light of other thirteenth-century visual programs associated with the court of Louis IX. The book's chapters deal with the history of the cathedral and its architectural antecedents; the iconographic message of the visual program, the meaning of the reverse fa?e and how it intersects with the overall iconography; the function of the verso and how it is enhanced by the marriage of form and content; and a consideration of contemporary works linked to the court of Saint Louis, concluding with a brief look at the new roles sculpture assumes as it migrates inside cathedrals. Ultimately this book reveals how the imagery on the reverse fa?e not only conforms to a system of memory and mode of medieval narratology, but also articulates a dominant ideological position regarding the interdependence of ecclesiastical and royal powers.
Author: Donna L. Sadler
Publisher:
ISBN:
Category : Cathedrals
Languages : en
Pages : 736
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Book Description
Author: Heinz Duchhardt
Publisher: Franz Steiner Verlag
ISBN: 9783515062336
Category : History
Languages : en
Pages : 236
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Book Description
Aus dem Inhalt: E. Fr�zouls: De la maiestas populi Romani � la majest� imp�riale � B. Bedos-Rezak: Ritual in the Royal Chancery: Text, Image, and the Representation of Kingship in Medieval French Diplomas (700-1200) � S. Bagge: Kingship in Medieval Norway. Ideal and Reality � D. Sadler: The King as Subject, the King as Author: Art and Politics of Louis IX � G. Klaniczay: Representations of the Evil Ruler in the Middle Ages � G. Melville: H�rauts et h�ros � M.D. Birnbaum: Matthias Corvinus in Humanist and Popular Perspective � M.S. Flier: The Iconography of Royal Procession: Ivan the Terrible and the Muscovite Palm Sunday Ritual � L. M. Bryant: Politics, Ceremonies, and Embodiments of Majesty in Henry II's France � H. Weber: Das �Toucher Royal� in Frankreich zur Zeit Heinrichs IV. und Ludwigs XIII. � D. J. Sturdy: The Royal Touch in England � A. Wolf: Ein �Comic� fuer den Kaiser � A. Gu�ry: L'Image perdue des Rois de France (XVIIIe-XXe si�cle) � D. E. Barclay: Ritual, Ceremonial, and the �Invention� of a Monarchical Tradition in Nineteenth-Century Prussia.
Author: Jennifer M. Feltman
Publisher: Routledge
ISBN: 1315310325
Category : Art
Languages : en
Pages : 254
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Book Description
This interdisciplinary volume in the AVISTA series is the first book to focus solely on the north transept of Reims Cathedral, the portion of the gothic building that served as the canons' primary entrance to the cathedral from their adjoining cloister in the thirteenth century. Despite the importance of its sculpture and stained glass, as well as its ritual use by the canons, the north transept remains one of the least understood portions of the cathedral--in part because its sequence of construction is so complex, even improvised. Until recently, important archaeological evidence of the transept's substructures was unavailable. This is, however, no longer the case. The current volume presents this new subterranean evidence alongside careful studies of the stones above ground, analysis of the geometry used in the transept's design, iconographic and stylistic studies of its sculpture and glass, and extant medieval documents, which record events bearing upon its construction. Essays by international specialists of the cathedral's archaeology, architecture, sculpture, and stained glass address issues of the north transept's evolving design and visual programs, thereby significantly clarifying and revising the building's chronology. Essays also consider the meaning of its visual programs in light of architectural adaptation and contemporary socio-historical events--whether royal coronations or the infamous revolts of the local burghers. In addition to presenting a readily accessible state of the research on the north transept, the volume also provides a model for interdisciplinary and international collaboration in the study of medieval buildings.
Author: Meredith Parsons Lillich
Publisher: Penn State Press
ISBN: 0271037776
Category : Art
Languages : en
Pages : 366
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Book Description
"Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art"--Provided by publisher.
Author: ElizabethCarson Pastan
Publisher: Routledge
ISBN: 1351544519
Category : History
Languages : en
Pages : 611
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Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Author: Nina Rowe
Publisher: Cambridge University Press
ISBN: 0521197449
Category : Architecture
Languages : en
Pages : 345
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Book Description
This book examines the Synagoga-Ecclesia motif in the thirteenth century and argues that the figures conveyed a political message of Christian ascendancy and Jewish submission.
Author: Anne Walters Robertson
Publisher: Cambridge University Press
ISBN: 9780521418768
Category : History
Languages : en
Pages : 482
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Book Description
Table of contents
Author: Alyce A. Jordan
Publisher: Cambridge Scholars Publishing
ISBN: 1443803987
Category : Art
Languages : en
Pages : 410
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Book Description
Medieval Art and Architecture after the Middle Ages explores the endurance of and nostalgia for medieval monuments through their reception in later periods, specifically illuminating the myriad ways in which tangible and imaginary artifacts of the Middle Ages have served to articulate contemporary aspirations and anxieties. The essays in this interdisciplinary collection examine the afterlife of medieval works through their preservation, restoration, appropriation, and commodification in America, Great Britain, and across Europe from the sixteenth to the twentieth century. From the evocation of metaphors and tropes, to monumental projects of restoration and recreation—medieval visual culture has had a tremendous purchase in the construction of political, religious, and cultural practices of the Modern era. The authors assembled here engage a diverse spectrum of works, from Irish ruins and a former Florentine prison to French churches and American department stores, and an equally diverse array of media ranging from architecture and manuscripts to embroidery, monumental sculpture, and metalwork. With applications not only to the study of art and architecture, but also encompassing such varied fields as commerce, city planning, education, literature, collecting and exhibition design, this copiously illustrated anthology comprises a significant contribution to the study of medieval art and medievalism.
