THE REEVES FAMILY - MANUFACTURERS OF SUPERFINE WATER-COLOR PAINT IN THE REGENCY PERIOD

THE REEVES FAMILY - MANUFACTURERS OF SUPERFINE WATER-COLOR PAINT IN THE REGENCY PERIOD PDF Author: Jaap den Hollander (NL)
Publisher: Art Education
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 191

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Book Description
Abstract This study describes an antique watercolor box from Reeves with 24 colors in cakes, dating around 1800. A second box from T. Reeves & Son dating between 1790-1799 is added and described. A concise chronological overview shows which family members of the Reeves’ family and their associates lead the firm during the Regency period. Old city maps of London indicate the various shop locations and a brief look is taken at early 18th century shops of color men and the production of watercolor paint in cakes. The dating of the watercolor box and its contents raise a number of questions. To position the box with contents in the correct period, an overview of available trade cards is consulted. Stamps on cakes are linked to the various family members, who led the Reeves firm in the Regency period.Based on the contents of comparable watercolor boxes relationships are established with user groups, quality criteria of the paint and color theories in the 17th and 18th century. An attempt has been made the 17th and 18th century color theories, in which light refraction, the distinguishing of colors and physical laws are important, to connect with pigments, tinctures, and mixing paint colors to make visual art works possible. Overviews of pigments and paint tincture by a number of authoritative authors in the 17th and 18th centuries are highlighted. The hidden selection rules of the colors and their conscious positioning in the box are discussed. Instructional illustrated is the visually completing of the missing paint cakes. Also included are some overviews of the selection of watercolor paint cakes in comparable boxes. The restored boxes and their contents are illustrated in a number of images. Finally, each of the 24 color cakes in the box of 1799-1800 is treated by their description in the 18th century literature. An extensive overview, with mainly 17th and 18th century sources on pigments, dyes, paint preparation, color theories, etc., is affixed. Added are contemporary authors who have written about the Reeves firm. Finally, nine attachments are available about a scheme of painting substances by Robert Dossie, the management structure of the Reeves firm till the 20th century, a pricelist of Robert Ackermann's paints in 1818, a text fragment in Ackermann’s Repository of Arts (1813), a reconstructed advertisment text in the Derby Mercury of April 10, 1794, a recepy for a binding mixture to make watercolor cakes, an article about an other way of making watercolor cakes of dough, text from W.T. Whitley about ‘Artists and their Friends in England’ during the Regency period and a list of authorities in the 18th-century literature on colors in the form of tinctures, based on natural resources and natural solvents and binders. (Last update August 15, 2023)

THE REEVES FAMILY - MANUFACTURERS OF SUPERFINE WATER-COLOR PAINT IN THE REGENCY PERIOD

THE REEVES FAMILY - MANUFACTURERS OF SUPERFINE WATER-COLOR PAINT IN THE REGENCY PERIOD PDF Author: Jaap den Hollander (NL)
Publisher: Art Education
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 191

Get Book Here

Book Description
Abstract This study describes an antique watercolor box from Reeves with 24 colors in cakes, dating around 1800. A second box from T. Reeves & Son dating between 1790-1799 is added and described. A concise chronological overview shows which family members of the Reeves’ family and their associates lead the firm during the Regency period. Old city maps of London indicate the various shop locations and a brief look is taken at early 18th century shops of color men and the production of watercolor paint in cakes. The dating of the watercolor box and its contents raise a number of questions. To position the box with contents in the correct period, an overview of available trade cards is consulted. Stamps on cakes are linked to the various family members, who led the Reeves firm in the Regency period.Based on the contents of comparable watercolor boxes relationships are established with user groups, quality criteria of the paint and color theories in the 17th and 18th century. An attempt has been made the 17th and 18th century color theories, in which light refraction, the distinguishing of colors and physical laws are important, to connect with pigments, tinctures, and mixing paint colors to make visual art works possible. Overviews of pigments and paint tincture by a number of authoritative authors in the 17th and 18th centuries are highlighted. The hidden selection rules of the colors and their conscious positioning in the box are discussed. Instructional illustrated is the visually completing of the missing paint cakes. Also included are some overviews of the selection of watercolor paint cakes in comparable boxes. The restored boxes and their contents are illustrated in a number of images. Finally, each of the 24 color cakes in the box of 1799-1800 is treated by their description in the 18th century literature. An extensive overview, with mainly 17th and 18th century sources on pigments, dyes, paint preparation, color theories, etc., is affixed. Added are contemporary authors who have written about the Reeves firm. Finally, nine attachments are available about a scheme of painting substances by Robert Dossie, the management structure of the Reeves firm till the 20th century, a pricelist of Robert Ackermann's paints in 1818, a text fragment in Ackermann’s Repository of Arts (1813), a reconstructed advertisment text in the Derby Mercury of April 10, 1794, a recepy for a binding mixture to make watercolor cakes, an article about an other way of making watercolor cakes of dough, text from W.T. Whitley about ‘Artists and their Friends in England’ during the Regency period and a list of authorities in the 18th-century literature on colors in the form of tinctures, based on natural resources and natural solvents and binders. (Last update August 15, 2023)

Good Money

Good Money PDF Author: George A. Selgin
Publisher: University of Michigan Press
ISBN: 0472116312
Category : Coinage
Languages : en
Pages : 66

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Book Description
Private Enterprise and the Foundation of Modern Coinage

Dictionary of English Furniture Makers, 1660-1840

Dictionary of English Furniture Makers, 1660-1840 PDF Author: Geoffrey W. Beard
Publisher: Routledge
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1088

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Book Description
A reference work on furniture makers active in England between 1660 and 1840. It lists makers in alphabetical order, recording biographical details, commissions, and information about signed or documented pieces, together with full supporting references.

A History of the 'Old Water-colour' Society

A History of the 'Old Water-colour' Society PDF Author: John Lewis Roget
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 484

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Book Description


Color Image Scale

Color Image Scale PDF Author: Shigenobu Kobayashi
Publisher: Kodansha Amer Incorporated
ISBN: 9784770015648
Category : Art
Languages : en
Pages : 159

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Book Description
This colour workbook for fashion, interior design and graphics, features 130asic colours and over 1000 colour combinations matched to a list of keymage-words.

A History of Advertising from the Earliest Times

A History of Advertising from the Earliest Times PDF Author: Henry Sampson
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 688

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Book Description


Art History for Filmmakers

Art History for Filmmakers PDF Author: Gillian McIver
Publisher: Bloomsbury Publishing
ISBN: 1474246206
Category : Art
Languages : en
Pages : 647

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Book Description
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

History of the Opera

History of the Opera PDF Author: Henry S. Edwards
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


The Storyteller's Thesaurus

The Storyteller's Thesaurus PDF Author: Troll Lord Games
Publisher: Troll Lord Games
ISBN: 9781936822355
Category : Reference
Languages : en
Pages : 551

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Book Description
Writers, game designers, teachers, and students ~this is the book youve been waiting for! Written by storytellers for storytellers, this volume offers an entirely new approach to word finding. Browse the pages within to see what makes this book different:

The Collected Works of William Hazlitt: A reply to Malthus. The spirit of the age, etc

The Collected Works of William Hazlitt: A reply to Malthus. The spirit of the age, etc PDF Author: William Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 460

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Book Description