Author: Junichiro TanizakiPublisher: Vintage
ISBN:
Category : Fiction
Languages : en
Pages : 204
Book Description
Reprint. Originally published: New York: Alfred A. Knopf, Inc., 1994.
The Reed Cutter and Captain Shigemoto's Mother
Author: Junichiro TanizakiPublisher: Vintage
ISBN:
Category : Fiction
Languages : en
Pages : 204
Book Description
Reprint. Originally published: New York: Alfred A. Knopf, Inc., 1994.
The Key & Diary of a Mad Old Man
Author: Junichiro TanizakiPublisher: Vintage
ISBN: 1400079004
Category : Fiction
Languages : en
Pages : 370
Book Description
These two modern classics by the great Japanese novelist Junichiro Tanizaki, both utilize the diary form to explore the authority that love and sex have over all. In The Key, a middle-aged professor plies his wife of thirty years with any number of stimulants, from brandy to a handsome young lover, in order to reach new heights of pleasure. Their alternating diaries record their separate adventures, but whether for themselves or each other becomes the question. Diary of a Mad Old Man records, with alternating humor and sadness, seventy-seven-year-old Utsugi’s discovery that even his stroke-ravaged body still contains a raging libido, especially in the unwitting presence of his chic, mysterious daughter-in-law.
At the House of Gathered Leaves
Author: Joshua S. MostowPublisher: University of Hawaii Press
ISBN: 0824846214
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
This collection of Japanese women’s diary literature (nikki bungaku) begins with The Takemitsu Journal (also known as The Tale of the Tōnomine Lesser Captain, c. 962), an important precursor and model for the famous Kagerō Diary, and Tales of Toyokage (c. 971), a fictionalized reworking of his own poems by Regent Koremasa himself. It also includes the first complete English translations of the Hon’in no Jiju and of the narrative section of The Collected Poems of Lady Ise. The volume concludes with the Tales of Takamura (1185-1333), which Mostow describes as a site of struggle between masculine and feminine narrative styles.
This Perversion Called Love
Author: Margherita LongPublisher: Stanford University Press
ISBN: 0804772517
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
This Perversion Called Love positions one of Japan's most canonical and best translated 20th century authors at the center of contemporary debates in feminism. Examining sexual perversion in Tanizaki's aesthetic essays, cultural criticism, cinema writings and short novels from the 1930s, it argues that Tanizaki understands human subjectivity in remarkably Freudian terms, but that he is much more critical than Freud about what it means for the possibility of love. According to Tanizaki, perversion involves not the proliferation of interesting gender positions, but rather the tragic absence of even two sexes, since femininity is only defined as man's absence, supplement, or complement. In this fascinating work, author Margherita Long reads Tanizaki with a theoretical complexity he demands but has seldom received. As a critique of the historicist and gender-focused paradigms that inform much recent work in Japanese literary and cultural studies, This Perversion Called Love offers exciting new interpretations that should spark controversy in the fields of feminist theory and critical Asian studies.
The Secret Window
Author: Anthony Hood ChambersPublisher: BRILL
ISBN: 1684173086
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
At the time of his death in 1965, at the age of 79, Tanizaki Jun’ichiro had been writing fiction, plays, essays, poems, and translations almost without interruption for more than fifty-five years. In this series of meditations on seven of Tanizaki’s novels and novellas, the renowned translator Anthony Chambers focuses on the thread of fantasy that Tanizaki weaves throughout his work. He examines Tanizaki’s subtle use of storytelling devices to evoke his characters’ alternate sense of reality and to encourage the reader’s participation in their fantasies. Employing his intimate knowledge of Tanizaki’s works, Chambers superbly evokes the beauty and truth Tanizaki’s characters find in their ideal worlds.
The Secret History of the Lord of Musashi and Arrowroot
Author: Junichiro TanizakiPublisher: Vintage
ISBN: 0375719318
Category : Fiction
Languages : en
Pages : 226
Book Description
From a Japanese master of romantic and sexual obsession come two novels that treat traditional themes with sly wit and startling psychological sophistication. In The Secret History of the Lord of Musashi, Junichir Tanizaki reimagines the exploits of a legendary samurai as a sadomasochistic dance between the hero and the wife of his enemy. Arrowroot, though set in the twentieth century, views an adult orphan’s search for his mother’s past through the translucent shoji screen of ancient literature and myth. Both works are replete with shocking juxtapositions. Severed heads become objects of erotic fixation. Foxes take on human shape. An aristocratic lady loves and pities the man she is conspiring to destroy. This supple translation reveals the full scope of Tanizaki’s gift: his confident storytelling, luminous detail, and astonishingly vital female characters.
The Grand Old Man and the Great Tradition
Author: Luisa BienatiPublisher: University of Michigan Press
ISBN: 0472901613
Category : Social Science
Languages : en
Pages : 177
Book Description
In 1995, on the thirtieth anniversary of Tanizaki Jun’ichirō’s death, Adriana Boscaro organized an international conference in Venice that had an unusally lasting effect on the study of this major Japanese novelist. Thanks to Boscaro’s energetic commitment, Venice became a center for Tanizaki studies that produced two volumes of conference proceedings now considered foundational for all scholarly works on Tanizaki. In the years before and after the Venice Conference, Boscaro and her students published an abundance of works on Tanizaki and translations of his writings, contributing to his literary success in Italy and internationally. The Grand Old Man and the Great Tradition honors Boscaro’s work by collecting nine essays on Tanizaki’s position in relation to the “great tradition” of Japanese classical literature. To open the collection, Edward Seidensticker contributes a provocative essay on literary styles and the task of translating Genji into a modern language. Gaye Rowley and Ibuki Kazuko also consider Tanizaki’s Genji translations, from a completely different point of view, documenting the author’s three separate translation efforts. Aileen Gatten turns to the influence of Heian narrative methods on Tanizaki’s fiction, arguing that his classicism, far from being superficial, “reflects a deep sensitivity to Heian narrative.” Tzevetana Kristeva holds a different perspective on Tanizaki’s classicism, singling out specific aspects of Tanizaki’s eroticism as the basis of comparison. The next two essays emphasize Tanizaki’s experimental engagement with the classical literary genres—Amy V. Heinrich treats the understudied poetry, and Bonaventura Ruperti considers a 1933 essay on performance arts. Taking up cinema, Roberta Novelli focuses on the novel Manji, exploring how it was recast for the screen by Masumura Yasuzō. The volume concludes with two contributions interpreting Tanizaki’s works in the light of Western and Meiji literary traditions: Paul McCarthy considers Nabokovas a point of comparison, and Jacqueline Pigeot conducts a groundbreaking comparison with a novel by Natsume Sōseki.
The New York Times Book Review
Author: Publisher:
ISBN:
Category : Books
Languages : en
Pages : 438
Book Description
Presents extended reviews of noteworthy books, short reviews, essays and articles on topics and trends in publishing, literature, culture and the arts. Includes lists of best sellers (hardcover and paperback).
Out of the Alleyway
Author: Eve ZimmermanPublisher: BRILL
ISBN: 1684174597
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
"The writer Nakagami Kenji (1946-1992) rose to fame in the mid-1970s for his vivid stories about a clan scarred by violence and poverty on the underside of the Japanese economic miracle. Drawing upon the lives, experiences, and languages of the burakumin, the outcaste communities long discriminated against in Japanese society as a defiled underclass, Nakagami’s works of fiction and nonfiction record with vitality and violence the realities—actual and imagined—of buraku culture. In this critical study of Nakagami’s life and oeuvre, Eve Zimmerman delves into the writer’s literary world, exploring the genres, forms, and themes with which Nakagami worked and experimented. These chapters trace the biographical thread running through his works while foregrounding such diverse facets of his writing as his interest in the modern possibilities of traditional myths and forms of storytelling, his deployment of shocking tropes and images, and his crafting of a unique poetic language. By bringing to the fore the literary urgency and social engagement that informed all aspects of Nakagami’s creative and intellectual production, from his works of prose and poetry to his criticism, this book argues eloquently and effectively for us to appreciate Nakagami as a distinctive and relevant voice in modern Japanese literature."
Obsessions with the Sino-Japanese Polarity in Japanese Literature
Author: Atsuko SakakiPublisher: University of Hawaii Press
ISBN: 082484064X
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Using close readings of a range of premodern and modern texts, Atsuko Sakaki focuses on the ways in which Japanese writers and readers revised—or in many cases devised—rhetoric to convey "Chineseness" and how this practice contributed to shaping a national Japanese identity. The volume begins by examining how Japanese travelers in China, and Chinese travelers in Japan, are portrayed in early literary works. An increasing awareness of the diversity of Chinese culture forms a premise for the next chapter, which looks at Japan’s objectification of the Chinese and their works of art from the eighteenth century onward. Chapter 3 examines gender as a factor in the formation and transformation of the Sino-Japanese dyad. Sakaki then continues with an investigation of early modern and modern Japanese representations of intellectuals who were marginalized for their insistence on the value of the classical Chinese canon and literary Chinese. The work concludes with an overview of writing in Chinese by early Meiji writers and the presence of Chinese in the work of modern writer Nakamura Shin’ichiro. A final summary of the book’s major themes makes use of several stories by Tanizaki Jun’ichiro.
