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Author: Marcyliena Morgan
Publisher: Duke University Press
ISBN: 0822392127
Category : Music
Languages : en
Pages : 240
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Book Description
Project Blowed is a legendary hiphop workshop based in Los Angeles. It began in 1994 when a group of youths moved their already renowned open-mic nights from the Good Life, a Crenshaw district health food store, to the KAOS Network, an arts center in Leimert Park. The local freestyle of articulate, rapid-fire, extemporaneous delivery, the juxtaposition of meaningful words and sounds, and the way that MCs followed one another without missing a beat, quickly became known throughout the LA underground. Leimert Park has long been a center of African American culture and arts in Los Angeles, and Project Blowed inspired youth throughout the city to consider the neighborhood the epicenter of their own cultural movement. The Real Hiphop is an in-depth account of the language and culture of Project Blowed, based on the seven years Marcyliena Morgan spent observing the workshop and the KAOS Network. Morgan is a leading scholar of hiphop, and throughout the volume her ethnographic analysis of the LA underground opens up into a broader examination of the artistic and cultural value of hiphop. Morgan intersperses her observations with excerpts from interviews and transcripts of freestyle lyrics. Providing a thorough linguistic interpretation of the music, she teases out the cultural antecedents and ideologies embedded in the language, emphases, and wordplay. She discusses the artistic skills and cultural knowledge MCs must acquire to rock the mic, the socialization of hiphop culture’s core and long-term members, and the persistent focus on skills, competition, and evaluation. She brings attention to adults who provided material and moral support to sustain underground hiphop, identifies the ways that women choose to participate in Project Blowed, and vividly renders the dynamics of the workshop’s famous lyrical battles.
Author: Marcyliena Morgan
Publisher: Duke University Press
ISBN: 0822392127
Category : Music
Languages : en
Pages : 240
Get Book Here
Book Description
Project Blowed is a legendary hiphop workshop based in Los Angeles. It began in 1994 when a group of youths moved their already renowned open-mic nights from the Good Life, a Crenshaw district health food store, to the KAOS Network, an arts center in Leimert Park. The local freestyle of articulate, rapid-fire, extemporaneous delivery, the juxtaposition of meaningful words and sounds, and the way that MCs followed one another without missing a beat, quickly became known throughout the LA underground. Leimert Park has long been a center of African American culture and arts in Los Angeles, and Project Blowed inspired youth throughout the city to consider the neighborhood the epicenter of their own cultural movement. The Real Hiphop is an in-depth account of the language and culture of Project Blowed, based on the seven years Marcyliena Morgan spent observing the workshop and the KAOS Network. Morgan is a leading scholar of hiphop, and throughout the volume her ethnographic analysis of the LA underground opens up into a broader examination of the artistic and cultural value of hiphop. Morgan intersperses her observations with excerpts from interviews and transcripts of freestyle lyrics. Providing a thorough linguistic interpretation of the music, she teases out the cultural antecedents and ideologies embedded in the language, emphases, and wordplay. She discusses the artistic skills and cultural knowledge MCs must acquire to rock the mic, the socialization of hiphop culture’s core and long-term members, and the persistent focus on skills, competition, and evaluation. She brings attention to adults who provided material and moral support to sustain underground hiphop, identifies the ways that women choose to participate in Project Blowed, and vividly renders the dynamics of the workshop’s famous lyrical battles.
Author: Tricia Rose
Publisher: Civitas Books
ISBN: 0465008976
Category : Art
Languages : en
Pages : 322
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Book Description
A pioneering expert in the study of hip-hop explains why the music matters--and why the battles surrounding it are so very fierce.
Author: Vikki Tobak
Publisher: Clarkson Potter
ISBN: 0525573895
Category : Music
Languages : en
Pages : 290
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Book Description
ONE OF AMAZON'S BEST ART & PHOTOGRAPHY BOOKS 0F 2018 AN NPR AND PITCHFORK BEST MUSIC BOOK OF 2018 PICK ONE OF TIME'S 25 BEST PHOTOBOOKS OF 2018 NEW YORK TIMES, ASSOCIATED PRESS, WALLSTREET JOURNAL, ROLLING STONE, AND CHICAGO SUN HOLIDAY GIFT GUIDE PICK The perfect gift for music and photography fans, an inside look at the work of hip-hop photographers told through their most intimate diaries—their contact sheets. Featuring rare outtakes from over 100 photoshoots alongside interviews and essays from industry legends, Contact High: A Visual History of Hip-Hop takes readers on a chronological journey from old-school to alternative hip-hop and from analog to digital photography. The ultimate companion for music and photography enthusiasts, Contact High is the definitive history of hip-hop’s early days, celebrating the artists that shaped the iconic album covers, t-shirts and posters beloved by hip-hop fans today. With essays from BILL ADLER, RHEA L. COMBS, FAB 5 FREDDY, MICHAEL GONZALES, YOUNG GURU, DJ PREMIER, and RZA
Author: Eric Harvey
Publisher: University of Texas Press
ISBN: 1477323953
Category : Music
Languages : en
Pages : 358
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Book Description
Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment.
Author: Sacha Jenkins
Publisher: St. Martin's Griffin
ISBN: 1466866977
Category : Music
Languages : en
Pages : 355
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Book Description
Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.
Author: Ralph Basui Watkins
Publisher: Baker Academic
ISBN: 080103311X
Category : Music
Languages : en
Pages : 176
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Book Description
A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.
Author: M. K. Asante, Jr.
Publisher: St. Martin's Press
ISBN: 1429946350
Category : Social Science
Languages : en
Pages : 304
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Book Description
In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting "It's bigger than hip hop."
Author: Marcia Alesan Dawkins
Publisher: Praeger
ISBN: 0313398933
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
More than a decade after Eminem (aka Marshall Mathers, aka Slim Shady) disrupted mainstream hip-hop culture, he is even more hated, contested, and celebrated. His albums, autobiographies, and motion picture catapulted him into the upper echelon of American cultural icons. In Eminem: The Real Slim Shady, Dr. Marcia Alesan Dawkins, acclaimed author of Clearly Invisible: Racial Passing and the Color of Cultural Identity, offers a fresh way of looking at Eminem -- as performer, father, son, spiritual force, cultural critic, innovative businessman and polyethnic American -- that will excite those who already love the artist and inform those who want to understand him.
Author:
Publisher: Cambria Press
ISBN: 1621969118
Category :
Languages : en
Pages : 226
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Book Description
Author: Rebecca Scott
Publisher: Createspace Independent Publishing Platform
ISBN: 9781479131228
Category : Gangs
Languages : en
Pages : 0
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Book Description
Gangsters were brought into the game; not the other way around. The first real gangsters in entertainment entered the film industry via the gangster, Al Capone who co-produced the 1932 version of Scarface. In the 50s the Italian and Jewish gangs took control of R&B and rock. The entertainment industry is notorious for attracting the criminal element. After all, it is one of the few fields whereby your faults suddenly become assets. In its inception, Hip-Hop was initially, for myself and other hustlas of the time, just another hustle, a fun, fast, risk-free and relatively easy one. It was also a ticket off the streets. Once Hip-Hop showed market potential, corporate America had to, whether they liked it or not, welcome its new players. New players meant new rules. Hip-Hop was a gangsta's paradise. By the Eighties you couldn't tell the gangsters from the executives. In the Nineties the game was deep with thugs. Labels were selling more than just music. Execs and artists were getting popped. Coastal turf wars got out of control. On-record beefs and old street beefs started causing people to get beaten up and shot. All the while the cash registers kept ringing and Hip-Hop made people rich. But Hip-Hop was no longer just business, it had gotten personal.
