The Preliminaries Productive of a Premunire: Or, Old England Caught in a Trap, Etc PDF Download
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Author: PRELIMINARIES.
Publisher:
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Category :
Languages : en
Pages : 40
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Author: PRELIMINARIES.
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
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Category : English literature
Languages : en
Pages : 188
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Author: British Museum. Department of Printed Books
Publisher:
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Category : English imprints
Languages : en
Pages : 626
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Author: British Museum. Dept. of Printed Books
Publisher:
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Category : English imprints
Languages : en
Pages : 1308
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Author: British Museum. Department of Printed Books
Publisher:
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Category : English literature
Languages : en
Pages : 904
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Author: J. N. Adams
Publisher: Avero Publications
ISBN:
Category : History
Languages : en
Pages : 928
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Author:
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Category : Economics
Languages : en
Pages : 524
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Author: Charles Oman
Publisher:
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Category : Great Britain
Languages : en
Pages : 792
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Author: James Anthony Froude
Publisher:
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Category : Great Britain
Languages : en
Pages : 476
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Author: Bradley J. Irish
Publisher: Northwestern University Press
ISBN: 0810136414
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
