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Author: Judith K. Brodsky
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 326
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Book Description
"Since its inception nearly 25 years ago the Feminist Art movement has presented a challenge to mainstream modernism that has radically transformed the art world. In The Power of Feminist Art, coeditors Norma Broude and Mary D. Garrard, professors of art history at The American University in Washington, D.C., bring together many of the influential art historians, critics, and artists who participated in the events of the 1970s. Together, they have created this landmark volume, the first history and analysis documenting this fertile and dynamic period of artistic growth." "We learn about the first feminist art education programs, with artists Judy Chicago and Miriam Schapiro helping to lay the foundation; about the now legendary Womanhouse project; and about such banner exhibitions as "Women Artists: 1550-1950," organized in 1976 by art historians Linda Nochlin and Ann Sutherland Harris. We follow the development of the movement as seen in the various feminist organizations, networks, exhibitions, and publications it generated; and most particularly in the emergence of feminist art. Performance art, social protest and public art, and collaboration; exploration of such formerly taboo aesthetic areas as "Pattern and Decoration"; and subjects such as divinity and the body viewed from female perspectives are among the multiple aspects of the Feminist Art movement. The last section of the book traces the ups and downs of the movement, as experienced through the backlash of the 1980s and the resurgence of women's issues in the 1990s." "Uncompromising, probing, thoughtful, and as provocative and exciting as the period itself, The Power of Feminist Art is an immensely stunning book. Reproductions of hundreds of works of feminist art from the 1970s and beyond - by such artists as Judith Baca, Harmony Hammond, Joyce Kozloff, Barbara Kruger, Ana Mendieta, Alice Neel, Faith Ringgold, Betye Saar, Miriam Schapiro, Cindy Sherman, Nancy Spero, May Stevens, and Hannah Wilke - and the meticulously researched essays make this an invaluable source book and major contribution to American art and social history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Judith K. Brodsky
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 326
Get Book Here
Book Description
"Since its inception nearly 25 years ago the Feminist Art movement has presented a challenge to mainstream modernism that has radically transformed the art world. In The Power of Feminist Art, coeditors Norma Broude and Mary D. Garrard, professors of art history at The American University in Washington, D.C., bring together many of the influential art historians, critics, and artists who participated in the events of the 1970s. Together, they have created this landmark volume, the first history and analysis documenting this fertile and dynamic period of artistic growth." "We learn about the first feminist art education programs, with artists Judy Chicago and Miriam Schapiro helping to lay the foundation; about the now legendary Womanhouse project; and about such banner exhibitions as "Women Artists: 1550-1950," organized in 1976 by art historians Linda Nochlin and Ann Sutherland Harris. We follow the development of the movement as seen in the various feminist organizations, networks, exhibitions, and publications it generated; and most particularly in the emergence of feminist art. Performance art, social protest and public art, and collaboration; exploration of such formerly taboo aesthetic areas as "Pattern and Decoration"; and subjects such as divinity and the body viewed from female perspectives are among the multiple aspects of the Feminist Art movement. The last section of the book traces the ups and downs of the movement, as experienced through the backlash of the 1980s and the resurgence of women's issues in the 1990s." "Uncompromising, probing, thoughtful, and as provocative and exciting as the period itself, The Power of Feminist Art is an immensely stunning book. Reproductions of hundreds of works of feminist art from the 1970s and beyond - by such artists as Judith Baca, Harmony Hammond, Joyce Kozloff, Barbara Kruger, Ana Mendieta, Alice Neel, Faith Ringgold, Betye Saar, Miriam Schapiro, Cindy Sherman, Nancy Spero, May Stevens, and Hannah Wilke - and the meticulously researched essays make this an invaluable source book and major contribution to American art and social history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Norma Broude
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 318
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Book Description
Author: Norma Broude
Publisher: Univ of California Press
ISBN: 0520242521
Category : Art
Languages : en
Pages : 488
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Book Description
'Reclaiming Feminine Agency' identifies female agency as a central theme of recent feminist scholarship & offers 23 essays on artists & issues from the Renaissance to the present, written in the 1990s & after.
Author: Norma Broude
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 318
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Book Description
Author: Jo Anna Isaak
Publisher: Routledge
ISBN: 1134895275
Category : Art
Languages : en
Pages : 262
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Book Description
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Cheri Gaulke
Publisher:
ISBN: 9781468050646
Category : Art, American
Languages : en
Pages : 224
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Book Description
Feminist Art Workers: A History is the first comprehensive monograph to survey the groundbreaking work of the collaborative performance art group Feminist Art Workers. Founded in 1976 at the Woman's Building in Los Angeles, the group included Nancy Angelo, Candace Compton, Cheri Gaulke, Vanalyne Green and Laurel Klick. This 230-page publication brings together historic images, archival documents, personal recollections, and critical essays that illuminate artwork that addressed a wide range of issues including women's relationships, sexual violence, and economic rights. Often bringing their work directly to a non-art audience, Feminist Art Workers pioneered new artistic strategies such as tours, floats, phone calls and presented their work in unconventional venues such as cafeterias, conferences, buses and planes. Published by Otis College of Art and Design in conjunction with the exhibition Doin' It in Public: Feminism and Art at the Woman's Building, as part of the Getty initiative Pacific Standard Time: Art in L.A. 1945-1980. Those interested in the historical precedents of contemporary art practices such as collaboration, interactive performance and community based art will discover roots in the work of Feminist Art Workers. Contributing writers include January Parkos Arnall, Temma Balducci, Betty Ann Brown, Meiling Cheng, Marlena Doktorczyk-Donohue, Osayi Endolyn, Joanna Gardner-Huggett, Andrew D. Hottle, Jennie Klein, Tirza True Latimer, Carey Lovelace, Marie B. Shurkus, Barbara T. Smith, Anne Swartz, and Terry Wolverton. This publication is a must for contemporary art scholars, university and college libraries.
Author: Linda Nochlin
Publisher: Routledge
ISBN: 0429982623
Category : Art
Languages : en
Pages : 228
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Book Description
Women, Art, and Power?seven landmark essays on women artists and women in art history?brings together the work of almost twenty years of scholarship and speculation.
Author: Kia Vahland
Publisher: Black Dog & Leventhal
ISBN: 0762496428
Category : Art
Languages : en
Pages : 304
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Book Description
This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted. Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for centuries. Lesser known, however, is his revolutionary and empowering portrayal of the modern female centuries before the first women's liberation movements. Before da Vinci, portraits of women in Italy were still, impersonal, and mostly shown in profile. Leonardo pushed the boundaries of female depiction having several of his female subjects, including his Mona Lisa, gaze at the viewer, giving them an authority which was withheld from women at the time. Art historian and journalist Kia Vahland recounts Leonardo's entire life from April 15, 1452, as a child born out of wedlock in Vinci up through his death on May 2, 1519, in the French castle of von Cloux. Included throughout are 80 sketches and paintings showcasing Leonardo's approach to the female form (including anatomical sketches of birth) and other artwork as well as examples from other artists from the 15th and 16th centuries. Vahland explains how artists like Raphael, Giorgione, and the young Titan were influenced by da Vinci's women while Michelangelo, da Vinci's main rival, created masculine images of woman that counters Leonardo's depictions.
Author: Norma Broude
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Arlene Raven
Publisher: Routledge
ISBN: 0429980124
Category : Art
Languages : en
Pages : 385
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Book Description
From the Preface:"The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."
