The Popular Music and Entertainment Culture of Barbados PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Popular Music and Entertainment Culture of Barbados PDF full book. Access full book title The Popular Music and Entertainment Culture of Barbados by Curwen Best. Download full books in PDF and EPUB format.
Author: Curwen Best
Publisher: Scarecrow Press
ISBN: 081087749X
Category : History
Languages : en
Pages : 211
Get Book Here
Book Description
During the second half of the 20th century, the Caribbean island of Barbados emerged as a key player in the creation and nurturing of Caribbean popular music. And, yet, despite its vital role in the popularization of tuk music, the rise of spouge, and the Barbadian contribution to and transformation of other Carribean music traditions, there is still relatively little sustained critical literature that discusses the various strands of the island's music culture. Curwen Best's The Popular Music and Entertainment Culture of Barbados provides this long overdue survey of the development of Barbadian popular music and entertainment culture by focusing on pivotal phenomena, artists and movements in the evolution of Barbadian popular music and culture. Best concentrates, in particular, on transformations since 1980 and 2000 respectively, each of which marked the ushering in of new opportunities and challenges to the creation and dissemination of Barbadian popular music. His study considers the telling roles played by the expanding influence of western popular culture, the Internet, post-dancehall and post-soca aesthetics, cyberculture, digital culture, and the subterranean lure of traditional culture. Readers will find especially compelling Best's analyses of selected artists, musical genres, and phenomena, such as Gabby, Rihanna, Jackie Opel, Alison Hinds, Rupee, Red Plastic Bag, Lil' Rick, spouge, tuk, ringbang, gospel, dub/dancehall, calypso, soca, folk, alternative, hip hop, Crop Over, Jazz Festival, National Independence Festival of Creative Arts, BajanTube, party politics and entertainment, popular bands, music technology, the Internet and new frontiers of cultural expression. This book will be of significant interest to scholars, students and all those curious about Caribbean popular culture, the popular music of Barbados, and the impact of emerging technologies on cultural development in a small island state.
Author: Curwen Best
Publisher: Scarecrow Press
ISBN: 081087749X
Category : History
Languages : en
Pages : 211
Get Book Here
Book Description
During the second half of the 20th century, the Caribbean island of Barbados emerged as a key player in the creation and nurturing of Caribbean popular music. And, yet, despite its vital role in the popularization of tuk music, the rise of spouge, and the Barbadian contribution to and transformation of other Carribean music traditions, there is still relatively little sustained critical literature that discusses the various strands of the island's music culture. Curwen Best's The Popular Music and Entertainment Culture of Barbados provides this long overdue survey of the development of Barbadian popular music and entertainment culture by focusing on pivotal phenomena, artists and movements in the evolution of Barbadian popular music and culture. Best concentrates, in particular, on transformations since 1980 and 2000 respectively, each of which marked the ushering in of new opportunities and challenges to the creation and dissemination of Barbadian popular music. His study considers the telling roles played by the expanding influence of western popular culture, the Internet, post-dancehall and post-soca aesthetics, cyberculture, digital culture, and the subterranean lure of traditional culture. Readers will find especially compelling Best's analyses of selected artists, musical genres, and phenomena, such as Gabby, Rihanna, Jackie Opel, Alison Hinds, Rupee, Red Plastic Bag, Lil' Rick, spouge, tuk, ringbang, gospel, dub/dancehall, calypso, soca, folk, alternative, hip hop, Crop Over, Jazz Festival, National Independence Festival of Creative Arts, BajanTube, party politics and entertainment, popular bands, music technology, the Internet and new frontiers of cultural expression. This book will be of significant interest to scholars, students and all those curious about Caribbean popular culture, the popular music of Barbados, and the impact of emerging technologies on cultural development in a small island state.
Author: Clarence Bernard Henry
Publisher: Taylor & Francis
ISBN: 1040151922
Category : Music
Languages : en
Pages : 985
Get Book Here
Book Description
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.
Author: Scott Timcke
Publisher: University of Georgia Press
ISBN: 0820367036
Category : History
Languages : en
Pages : 461
Get Book Here
Book Description
This collection of more than a dozen essays focuses on the political dynamics of race, class, and nationalism in the contemporary Caribbean. Despite the plethora of studies on nationalism in the Caribbean, few have attempted to look at the phenomenon as a political invention that does not—and cannot—serve the interests of all: how essentialist, reductive, overdetermining nationalism is a political and conceptual confusion that forever stalls the project of universal human emancipation. Editors Scott Timcke and Shelene Gomes gather and frame chapters that, in their collective expression, help trace the process of race, class, and nationalism through the contours of a broader political, economic, and social geography. These chapters argue that notions of racial identity have changed over time, but those reformations are not independent of class rule or nationalism. By using several case studies that span the Anglo, Dutch, French, and Spanish Caribbean and focus on the development of political organizations, hardships, and ideology, each of these essays continues the struggle for liberation against elite entrenchment.
Author: Ben Garner
Publisher: Routledge
ISBN: 1317365364
Category : Business & Economics
Languages : en
Pages : 258
Get Book Here
Book Description
There is a growing recognition of the role that culture can play in sustainable development strategies. This development has generally been welcomed, but also raises a number of questions: What are the implications in policy and practice? Who are the most influential voices in promoting a global agenda for culture and development, and to what extent has the creation of new international policy instruments reflected a consensus? More fundamentally, what is meant by "culture" in these discussions and who has the power to give particular definitions political and legal authority? The Politics of Cultural Development seeks to provide a theoretically and historically informed response to such questions, illustrated by reference to case studies (including the European Union, the Caribbean and China). Particular attention is paid to the formation of the UNESCO Convention on the Protection and the Promotion of the Diversity of Cultural Expressions, a landmark instrument in debates about culture and development. The book goes on to explore some of the practical implications that this international treaty is beginning to have for the ways that culture is (and is not) being integrated into contemporary development policy and practice. This book will be useful for students, academics and policymakers in the fields of international development, international relations, international political economy, cultural policy and cultural theory.
Author: Julia C. Obert
Publisher: Oxford University Press
ISBN: 019888124X
Category : Architecture
Languages : en
Pages : 225
Get Book Here
Book Description
The Making and Unmaking of Colonial Cities is a comparative study of architectural space in four (post-)colonial capitals: Belfast, Northern Ireland; Windhoek, Namibia; Bridgetown, Barbados; and Hanoi, Vietnam. Each chapter takes up one of these cities, outlining its history of building and urban planning under colonial rule and linking that history to its contemporary shape and scope. This genealogical information is drawn from primary source documents and archival materials. The chapters then look to local literary texts to better understand the lingering impact of colonial building practices on individuals living in (post-)colonial cities today. These texts often foreground the difficulty of moving through a city that can never feel comfortably one's own; legacies of racial segregation, buildings that disregard indigenous resources, and street names that serve as constant reminders of a history of oppression, for example, can produce feelings of anxiety, even of unbelonging, for native subjects. However, the literature also highlights ways in which the subversive wanderings of particular pedestrians--taking shortcuts, trespassing in forbidden places, diverting spaces from their intended uses--can contest 'official' topography. Bodies can therefore move against the power of a repressive regime, at least to some degree, even when that power is literally set in stone. Obert argues for the significance of these small gestures of reclamation, suggesting that we must counterpose the potential flexibility of lived space to the prohibitions of the map in order to more fully understand (post-)colonial power relations.
Author: Aminata Cairo
Publisher: Cambridge Scholars Publishing
ISBN: 1527541169
Category : Social Science
Languages : en
Pages : 295
Get Book Here
Book Description
This volume examines the theme of fusion in Caribbean dance from a wide range of perspectives, including its socio-cultural-historical formation. The contributions are drawn from a conference entitled “Caribbean Fusion Dance Works: Rituals of Modern Society”, which focused primarily on the Caribbean as a unique locale. However, chapters on dance fusions in other diasporic locations and the sustainability of dance as an art form are also included here in order to offer a sense of an inevitable and, in some instances, desirable evolution due to the globalizing forces that continue to influence dance.
Author: Zachary Pace
Publisher: Two Dollar Radio
ISBN: 1953387438
Category : Biography & Autobiography
Languages : en
Pages : 181
Get Book Here
Book Description
I Sing to Use the Waiting is a vital and affecting reflection on how popular culture can shape personal identity. With remarkable grace, candor, and a poet’s ear for prose, Zachary Pace recounts the women singers — from Cat Power to Madonna, Kim Gordon to Rihanna — who shaped them as a young person coming-of-age in rural New York, first discovering their own queer voice. Structured like a mixtape, Pace juxtaposes their coming out with the music that informed them along the way. They recount how listening to themselves sing along as a child to a Disney theme song they recorded on a boom box in 1995, was when they first realized there was an effeminate inflection to their voice. As childhood friendships splinter, Pace discusses the relationship between Whitney Houston and Robyn Crawford. Cat Power’s song “My Daddy Was a Musician” spurs a discussion of Pace’s own musician father, and their gradual estrangement. Resonant and compelling, I Sing to Use the Waiting is a deeply personal rumination on how queer stories are abundant yet often suppressed, and how music may act as a comforting balm carrying us through difficult periods and decisions.
Author: Therese Kaspersen Hadchity
Publisher: Purdue University Press
ISBN: 1557539367
Category : Art
Languages : en
Pages : 272
Get Book Here
Book Description
Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation’s commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region’s contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from “traditional” in favor of “new” media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a “postnationalist postmodernism,” which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding “Creole modernism” and explains the different guises of postnationalism in the region’s contemporary art. In section two, its momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole.
Author: Lia T. Bascomb
Publisher: Rutgers University Press
ISBN: 197880394X
Category : Art
Languages : en
Pages : 307
Get Book Here
Book Description
In Plenty and in Time of Need uses music and performance as sites of analysis for the competing ideals and realities of Barbadian national culture. The book demonstrates complex relations between national, gendered, and sexual identities in Barbados, and how these identities are represented and interpreted on a global stage.
Author: Melissa Ursula Dawn Goldsmith
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 933
Get Book Here
Book Description
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.
