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Author: Nicholas Carnes
Publisher: University Press of Kansas
ISBN: 070063388X
Category : Political Science
Languages : en
Pages : 436
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Book Description
The Marvel Cinematic Universe (MCU) is the most expansive and widely viewed fictional narrative in the history of cinema. In 2009, Disney purchased Marvel Entertainment for $4 billion, including its subsidiary film production company, Marvel Studios. Since then, the MCU—the collection of multimedia Marvel Studios products that share a single fictional storyline—has grown from two feature films to thirty interconnected movies, nine streaming Disney+ series, a half dozen short films, and more than thirty print titles. By 2022, eight of the twenty-five highest grossing films of all time are MCU movies. The MCU is a deeply political universe. Intentionally or not, the MCU sends fans scores of messages about a wide range of subjects related to government, public policy, and society. Some are overt, like the contentious debate about government and accountability at the heart of Captain America: Civil War. More often, however, the politics of the MCU are subtle, like the changing role of women from supporting characters (like Black Widow in Iron Man 2) to leading heroes (like Black Widow in Black Widow). The MCU is not only a product of contemporary politics, but many of its stories seem to be direct responses to the problems of the day. Racial injustice, environmental catastrophe, and political misinformation are not just contemporary social ills, they are also key thematic elements of recent MCU blockbusters. In The Politics of the Marvel Cinematic Universe, more than twenty-five leading scholars examine these complex themes. Part one explores how political issues are depicted in the origin stories; part two examines how the MCU depicts classic political themes like government and power; and part three explores questions of diversity and representation in the MCU. The volume’s various chapters examine a wide range of topics: Black Panther and the “racial contract,” Captain America and the political philosophy of James Madison, Dr. Strange and colonial imperialism, S.H.I.E.L.D. and civil-military relations, Spider-Man and environmentalism, and Captain Marvel and second-wave feminism. The Politics of the Marvel Cinematic Universe is the first book to look expansively at politics in the MCU and ask the question, “What lessons are this entertainment juggernaut teaching audiences about politics, society, power, gender, and inequality?”
Author: Nicholas Carnes
Publisher: University Press of Kansas
ISBN: 070063388X
Category : Political Science
Languages : en
Pages : 436
Get Book Here
Book Description
The Marvel Cinematic Universe (MCU) is the most expansive and widely viewed fictional narrative in the history of cinema. In 2009, Disney purchased Marvel Entertainment for $4 billion, including its subsidiary film production company, Marvel Studios. Since then, the MCU—the collection of multimedia Marvel Studios products that share a single fictional storyline—has grown from two feature films to thirty interconnected movies, nine streaming Disney+ series, a half dozen short films, and more than thirty print titles. By 2022, eight of the twenty-five highest grossing films of all time are MCU movies. The MCU is a deeply political universe. Intentionally or not, the MCU sends fans scores of messages about a wide range of subjects related to government, public policy, and society. Some are overt, like the contentious debate about government and accountability at the heart of Captain America: Civil War. More often, however, the politics of the MCU are subtle, like the changing role of women from supporting characters (like Black Widow in Iron Man 2) to leading heroes (like Black Widow in Black Widow). The MCU is not only a product of contemporary politics, but many of its stories seem to be direct responses to the problems of the day. Racial injustice, environmental catastrophe, and political misinformation are not just contemporary social ills, they are also key thematic elements of recent MCU blockbusters. In The Politics of the Marvel Cinematic Universe, more than twenty-five leading scholars examine these complex themes. Part one explores how political issues are depicted in the origin stories; part two examines how the MCU depicts classic political themes like government and power; and part three explores questions of diversity and representation in the MCU. The volume’s various chapters examine a wide range of topics: Black Panther and the “racial contract,” Captain America and the political philosophy of James Madison, Dr. Strange and colonial imperialism, S.H.I.E.L.D. and civil-military relations, Spider-Man and environmentalism, and Captain Marvel and second-wave feminism. The Politics of the Marvel Cinematic Universe is the first book to look expansively at politics in the MCU and ask the question, “What lessons are this entertainment juggernaut teaching audiences about politics, society, power, gender, and inequality?”
Author: Terence McSweeney
Publisher: Columbia University Press
ISBN: 0231851227
Category : Performing Arts
Languages : en
Pages : 527
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Book Description
We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, Terence McSweeney asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of their era.
Author: Julian C. Chambliss
Publisher: McFarland
ISBN: 1476664188
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
The Marvel Cinematic Universe--comprised of films, broadcast television and streaming series and digital shorts--has generated considerable fan engagement with its emphasis on socially relevant characters and plots. Beyond considerable box office achievements, the success of Marvel's movie studios has opened up dialogue on social, economic and political concerns that challenge established values and beliefs. This collection of new essays examines those controversial themes and the ways they represent, construct and distort American culture.
Author: Michael D. Nichols
Publisher: McFarland
ISBN: 1476681597
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. This is the first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions. This book places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.
Author: Grafton Tanner
Publisher: Repeater Books
ISBN: 1913462544
Category : Social Science
Languages : en
Pages : 283
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Book Description
In The Hours Have Lost Their Clock, Grafton Tanner charts the rise of nostalgia in an era knocked out of time. Nostalgia is the defining emotion of our age. Political leaders promise a return to yesteryear. Old movies are remade and cancelled series are rebooted. Veterans reenact past wars, while the displaced across the world long for home. But who is behind this collective ache for a home in the past? Do we need to eliminate nostalgia, or just cultivate it better? And what is at stake if we make the wrong choice? Moving from the fight over Confederate monuments to the birth of homeland security to the mourning of species extinction, Grafton Tanner traces nostalgiaÕs ascent in the twenty-first century, revealing its power as both a consequence of our unstable time and a defense against it. With little faith in a future of climate change and economic anxiety, many have turned to nostalgia to weather the present, while powerful elites exploit it for their own gain. An exploration into the politics of loss and yearning, The Hours Have Lost Their Clock is an urgent call to take nostalgia seriously. The very future depends on it.
Author: Marvel
Publisher: Little, Brown Books for Young Readers
ISBN: 9780316271462
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Read the adventures of Marvel's greatest Super Heroes as they save the world and the universe! © 2016 Marvel. All Rights Reserved.
Author: Sebastian Alvarado
Publisher: Simon and Schuster
ISBN: 1507209991
Category : Science
Languages : en
Pages : 240
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Book Description
Science meets fantasy in this behind-the-scenes look at the Marvel Cinematic Universe—now you can experience the magic of the movies, and learn how to replicate it in real-life. The Marvel Cinematic Universe is filled with extraordinary humans and abilities. There are teenaged geniuses swinging through the streets of New York, billionaires creating impenetrable armor in hidden caves, and aliens flying through wormholes to Earth. All of these characters seem to lie firmly in the realm of fantasy—but the technology behind them might not be as farfetched as you think… The Science of Marvel pulls back the curtain and reveals the secrets behind Marvel movie magic, and shows us how to recreate these comic book wonders in our everyday life. Using quantum physics, a little bit of mechanical engineering, and some out-of-the-box thinking, you’ll be amazed to discover that it’s possible to create a real-life Captain America, Incredible Hulk, or Black Panther. The perfect gift or collectible for Marvel fans everywhere, The Science of Marvel brings beloved movies and characters to life like never before.
Author: Adam Bray
Publisher: Dorling Kindersley Ltd
ISBN: 0241395232
Category : Juvenile Fiction
Languages : en
Pages : 178
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Book Description
Learn the facts, figures, super-powers and origins of your favourite characters from the Marvel Cinematic Universe (MCU). From the Avengers and Ant-Man to Black Panther and Doctor Strange, this book spans over a decade of action-packed Marvel Studios movie releases. Filled with interesting facts and key information, whether your favourite hero is Captain America, Black Widow, Thor, the Wasp, Iron Man or Gamora, you'll be able to find out all about their story, super-powers, weapons, and much more. It isn't all heroes though; this book includes powerful villains and their followers, sinister spies, brave soldiers, and even ordinary people who find themselves caught up in epic battles! Whatever it is that you want to know, Marvel Studios: Character Encyclopedia will make you an instant Marvel Studios expert. Wondering what Thor's hammer is called*, or where Vision came from? How Iron Man builds his suits, or who Thanos is? Then this is the book for you! *Mjolnir, just in case you were wondering!
Author: Gregory Stevenson
Publisher: Rowman & Littlefield
ISBN: 1978706162
Category : Religion
Languages : en
Pages : 279
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Book Description
In Theology and the Marvel Universe, fourteen contributors examine theological themes and ideas in the comic books, television shows, and films that make up the grand narrative of the Marvel Universe. Engaging in dialogue with theological thinkers such as Willie James Jennings, Franz Rosenzweig, Søren Kierkegaard, René Girard, Kelly Brown Douglas, and many others, the chapters explore a wide variety of topics, including violence, sacrifice, colonialism, Israeli-Palestinian relations, virtue ethics, character formation, identity formation, and mythic reinvention. This book demonstrates that the stories of Thor, Daredevil, Sabra, Spider-Man, Jessica Jones, Thanos, Luke Cage, and others engage not just our imagination, but our theological imagination as well.
Author: Nicholas Carnes
Publisher: University of Chicago Press
ISBN: 022608728X
Category : Political Science
Languages : en
Pages : 201
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Book Description
Eight of the last twelve presidents were millionaires when they took office. Millionaires have a majority on the Supreme Court, and they also make up majorities in Congress, where a background in business or law is the norm and the average member has spent less than two percent of his or her adult life in a working-class job. Why is it that most politicians in America are so much better off than the people who elect them— and does the social class divide between citizens and their representatives matter? With White-Collar Government, Nicholas Carnes answers this question with a resounding—and disturbing—yes. Legislators’ socioeconomic backgrounds, he shows, have a profound impact on both how they view the issues and the choices they make in office. Scant representation from among the working class almost guarantees that the policymaking process will be skewed toward outcomes that favor the upper class. It matters that the wealthiest Americans set the tax rates for the wealthy, that white-collar professionals choose the minimum wage for blue-collar workers, and that people who have always had health insurance decide whether or not to help those without. And while there is no one cause for this crisis of representation, Carnes shows that the problem does not stem from a lack of qualified candidates from among the working class. The solution, he argues, must involve a variety of changes, from the equalization of campaign funding to a shift in the types of candidates the parties support. If we want a government for the people, we have to start working toward a government that is truly by the people. White-Collar Government challenges long-held notions about the causes of political inequality in the United States and speaks to enduring questions about representation and political accountability.
