The Poetics of Decline in British Romanticism PDF Download
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Author: Jonathan Sachs
Publisher: Cambridge University Press
ISBN: 1108420311
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Offers fresh understanding of British Romanticism by exploring how anxieties about decline impacted debates about literature's form and meaning.
Author: Jonathan Sachs
Publisher: Cambridge University Press
ISBN: 1108420311
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Offers fresh understanding of British Romanticism by exploring how anxieties about decline impacted debates about literature's form and meaning.
Author: Mark Canuel
Publisher: Oxford University Press
ISBN: 0192895303
Category : Romanticism
Languages : en
Pages : 251
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Book Description
What did Romantic writers mean when they wrote about progress and perfection? This book shows how Romantic writers inventively responded to familiar ideas about political progress which they inherited from the eighteenth century. Whereas earlier writers such as Voltaire and John Millar likened improvements in political institutions to the progress of the sciences or refinement of manners, the novelists, poets, and political theorists examined in this book reimagined politically progressive thinking in multiple genres. While embracing a commitment to optimistic improvement--increasing freedom, equality, and protection from injury--they also cultivated increasingly visible and volatile energies of religious and political dissent. Earlier narratives of progress tended not only to edit and fictionalize history but also to agglomerate different modes of knowledge and practice in their quest to describe and prescribe uniform cultural improvement. But romantic writers seize on internal division and take it less as an occasion for anxiety, exclusion, or erasure, and more as an impetus to rethink the groundwork of progress itself. Political entities, from Percy Shelley's plans for political reform to Charlotte Smith's motley associations of strangers in The Banished Man, are progressive because they advance some version of collective utility or common good. But they simultaneously stake a claim to progress only insofar as they paradoxically solicit contending vantage points on the criteria for the very public benefit which they passionately pursue. The majestic edifices of Wordsworth's imagined university in The Prelude embrace members who are republican or pious, not to mention the recalcitrant enthusiast who is the poet himself.
Author: F L Lucas
Publisher: Read Books Ltd
ISBN: 1447495128
Category : History
Languages : en
Pages : 247
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Diego Saglia
Publisher: Cambridge University Press
ISBN: 1108426417
Category : History
Languages : en
Pages : 287
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Book Description
Sheds new light on the presence and impact of Continental European literary traditions in post-Napoleonic Britain.
Author: Hannah Doherty Hudson
Publisher: Cambridge University Press
ISBN: 100932196X
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Explores the Romantic conviction that there were 'too many' novels and shows how this belief transformed the publication of fiction.
Author: Sophie Laniel-Musitelli
Publisher: Open Book Publishers
ISBN: 1800640749
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
‘Eternity is in love with the productions of time’. This original edited volume takes William Blake’s aphorism as a basis to explore how British Romantic literature creates its own sense of time. It considers Romantic poetry as embedded in and reflecting on the march of time, regarding it not merely as a reaction to the course of events between the late-eighteenth and mid-nineteenth centuries, but also as a form of creative engagement with history in the making. The authors offer a comprehensive overview of the question of time from a literary perspective, applying a diverse range of critical approaches to Romantic authors from William Blake and Percy Shelley to John Clare and Samuel Rodgers. Close readings uncover fresh insights into these authors and their works, including Frankenstein, the most familiar of Romantic texts. Revising current thinking about periodisation, the authors explore how the Romantic poetics of time bears witness to the ruptures and dislocations at work within chronological time. They consider an array of topics, such as ecological time, futurity, operatic time, or the a-temporality of Venice. As well as surveying the Romantic canon’s evolution over time, these essays approach it as a phenomenon unfolding across national borders. Romantic authors are compared with American or European counterparts including Beethoven, Irving, Nietzsche and Beckett. Romanticism and Time will be of great value to literary scholars and students working in Romantic Studies. It will be of further interest to philosophers and historians working on the connections between philosophy, history and literature during the nineteenth century.
Author: Thomas H. Ford
Publisher: Cambridge University Press
ISBN: 1108424953
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Presents an ecocritical study of poetic atmosphere, a concept first developed through Romanticism, particularly in the poetry of William Wordsworth.
Author: Brian McGrath
Publisher: Fordham Univ Press
ISBN: 0823299813
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
Poetry is dead. Poetry is all around us. Both are trite truisms that this book exploits and challenges. In his 1798 Advertisement to Lyrical Ballads, William Wordsworth anticipates that readers accustomed to the poetic norms of the day might not recognize his experiments as poems and might signal their awkward confusion upon opening the book by looking round for poetry, as if seeking it elsewhere. Look Round for Poetry transforms Wordsworth’s idiomatic expression into a methodological charge. By placing tropes and figures common to Romantic and Post-Romantic poems in conjunction with contemporary economic, technological, and political discourse, Look Round for Poetry identifies poetry’s untimely echoes in discourses not always read as poetry or not always read poetically. Once one begins looking round for poetry, McGrath insists, one might discover it in some surprising contexts. In chapters that spring from poems by Wordsworth, Lucille Clifton, John Keats, and Percy Bysshe Shelley, McGrath reads poetic examples of understatement alongside market demands for more; the downturned brow as a figure for economic catastrophe; Romantic cloud metaphors alongside the rhetoric of cloud computing; the election of the dead as a poetical, and not just a political, act; and poetic investigations into the power of prepositions as theories of political assembly. For poetry to retain a vital power, McGrath argues, we need to become ignorant of what we think we mean by it. In the process we may discover critical vocabularies that engage the complexity of social life all around us.
Author: James Watt
Publisher: Cambridge University Press
ISBN: 1108472664
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Illuminates Britons' changing sense of themselves in relation to their Eastern others during an age of empire and revolution.
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1009019155
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.
