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Author: Michael Putnam
Publisher: Oxford University Press
ISBN: 0192869272
Category :
Languages : en
Pages : 309
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Book Description
In the essays of this volume, Michael Putnam shows how seriously Statius pays homage to his canonical predecessor, Virgil, how thoroughly he interprets the complexities of Virgilian poetry, and how he often, by placing a Virgilian reference in a different social and cultural context, boldly turns Virgil to new and more positive purposes. He focuses particularly, though not exclusively, on those Silvae which deal with the architectural world of Statius' society, the private villas, the gardens, and the imperial palace. He also writes of the Roman equivalent of the 'Grand Tour,' a young man's educational journey through the monuments of Egypt, Greece, and Asia Minor. The essays offer valuable insight into the cultural and social identity of late first-century imperial Rome. Statius' reverential but also heuristic engagement with Virgil emerges more distinctly across the interrelated essays. Putnam's collected essays display the pioneering nature of Statius' Silvae in the development of ecphrasis as an important social and literary mode in Roman poetry.
Author: Michael Putnam
Publisher: Oxford University Press
ISBN: 0192869272
Category :
Languages : en
Pages : 309
Get Book Here
Book Description
In the essays of this volume, Michael Putnam shows how seriously Statius pays homage to his canonical predecessor, Virgil, how thoroughly he interprets the complexities of Virgilian poetry, and how he often, by placing a Virgilian reference in a different social and cultural context, boldly turns Virgil to new and more positive purposes. He focuses particularly, though not exclusively, on those Silvae which deal with the architectural world of Statius' society, the private villas, the gardens, and the imperial palace. He also writes of the Roman equivalent of the 'Grand Tour,' a young man's educational journey through the monuments of Egypt, Greece, and Asia Minor. The essays offer valuable insight into the cultural and social identity of late first-century imperial Rome. Statius' reverential but also heuristic engagement with Virgil emerges more distinctly across the interrelated essays. Putnam's collected essays display the pioneering nature of Statius' Silvae in the development of ecphrasis as an important social and literary mode in Roman poetry.
Author: Alex Hardie
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Although writing in Latin, Statius (first-century AD) was, by origin and training, a Greek poet, and his collection of "occasional" poems, the Silvae, are a Roman extension of contemporary trends in Greek display poetry. No reading of the Silvae can be accurate without an understanding of this Graeco-Roman poetic milieu. This book therefore begins with a reconstruction of the professional background to the Silvae - the festival circuit, the conditions of work for writers, their opportunities for advancement in the Greek and Roman worlds - both in the Hellenistic period and in the first century A.D. In this setting, display oratory and poetry are shown to have developed in parallel and to have had a profound mutual influence. Further chapters consider Statius' performances as a Neapolitan poet at Rome, his portrayal of his own society and his friends, and his attitudes to his Latin predecessors. Literary patronage, both imperial and private, is a vital element in Statius' poetic career, and Hardie goes on to investigate the identity and social standing of the addressees of the Silvae . He also considers the career of the contemporary epigrammatist Martial in comparison to that of Statius. Many essential features of Flavian taste emerge from these studies. Large-scale interpretations of individual poems are offered throughout this volume, making many new suggestions about both points of detail and the overall significance of the major poems in the Silvae . Statius and the Silvae is an important contribution to the debate on the relationship between poetry and rhetoric, and to the understanding of how society and literature interconnected in the Flavian age.
Author: Johannes Jacobus Louis Smolenaars
Publisher: BRILL
ISBN: 9004171347
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
The Roman poet P. Papinius Statius (ca. 45-96) is the author of two epics (the "Thebaid" and the unfinished "Achilleid") and a large corpus of occasional verse ("Silvae"). This poetry, long seen as derivative or decadent, is increasingly appreciated for the daring and originality of its responses both to the Greek and Latin literary tradition and to the contemporary Roman world. This volume offers the papers delivered at a symposium on Statius (Amsterdam 2005) by leading scholars in the field from Europe and North America. These papers demonstrate the fascination of Statius' poetry on account of the poet's vast knowledge of Greek and Latin tragedy, his rapid narrative, psychological acumen, brilliant eulogies, and pessimistic views on gods and men. The focus of the collection is on literary technique in the "Thebaid," on socio-historical aspects of the "Silvae," and on the reception of Statius in European literature and scholarship.
Author: Publius Papinius Statius
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 552
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Book Description
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Author: Ruud R. Nauta
Publisher: BRILL
ISBN: 9047417712
Category : History
Languages : en
Pages : 422
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Book Description
The reign of the Flavian emperors (69-96) saw the production of a large and varied body of Latin poetry: the epics of Valerius Flaccus, Silius Italicus and Statius, the Silvae of the same Statius, and the Epigrams of Martial. This poetry, long seen as derivative or decadent, is now increasingly appreciated for the daring originality of its responses both to the Latin literary tradition and to the contemporary Roman world. In the summer of 2003, the first-ever international conference on Flavian poetry, was held at Groningen, The Netherlands, bringing together leading scholars in the field from Europe, North America and Australasia. This volume offers a selection of the papers delivered on that occasion.
Author: William J. Dominik
Publisher: BRILL
ISBN: 9004284702
Category : Literary Criticism
Languages : en
Pages : 722
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Book Description
Brill’s Companion to Statius is the first companion volume to be published on arguably the most important Roman poet of the Flavian period. Thirty-four newly commissioned chapters from international experts provide a comprehensive overview of recent approaches to Statius, discuss the fundamental issues and themes of his poetry, and suggest new fruitful areas for research. All of his works are considered: the Thebaid, his longest extant epic; the Achilleid, his unfinished epic; and the Silvae, his collected short poetry. Particular themes explored include the social, cultural, and political issues surrounding his poetry; his controversial aesthetic; the influence of his predecessors upon his poetry; and the scholarly and literary reception of his poetry in subsequent ages to the present.
Author: Michael C. J. Putnam
Publisher:
ISBN: 9780192695987
Category :
Languages : en
Pages : 0
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Book Description
In the essays of this volume, Michael Putnam shows how seriously Statius pays homage to his canonical predecessor, Virgil, how thoroughly he interprets the complexities of Virgilian poetry, and how he often, by placing a Virgilian reference in a different social and cultural context, boldly turns Virgil to new and more positive purposes.
Author: Kathryn Gin Lum
Publisher: Harvard University Press
ISBN: 0674275799
Category : Religion
Languages : en
Pages : 369
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Book Description
Philip Schaff Prize, American Society of Church History S-USIH Book Award, Society for U.S. Intellectual History Merle Curti Award in Intellectual History, Organization of American Historians “A fascinating book...Gin Lum suggests that, in many times and places, the divide between Christian and ‘heathen’ was the central divide in American life.”—Kelefa Sanneh, New Yorker “Offers a dazzling range of examples to substantiate its thesis. Rare is the reader who could dip into it without becoming much better informed on a great many topics historical, literary, and religious. So many of Gin Lum’s examples are enlightening and informative in their own right.”—Philip Jenkins, Christian Century “Brilliant...Gin Lum’s writing style is nuanced, clear, detailed yet expansive, and accessible, which will make the book a fit for both graduate and undergraduate classrooms. Any scholar of American history should have a copy.” —Emily Suzanne Clark, S-USIH: Society for U.S. Intellectual History In this sweeping historical narrative, Kathryn Gin Lum shows how the idea of the heathen has been maintained from the colonial era to the present in religious and secular discourses—discourses, specifically, of race. Americans long viewed the world as a realm of suffering heathens whose lands and lives needed their intervention to flourish. The term “heathen” fell out of common use by the early 1900s, leading some to imagine that racial categories had replaced religious differences. But the ideas underlying the figure of the heathen did not disappear. Americans still treat large swaths of the world as “other” due to their assumed need for conversion to American ways. Race continues to operate as a heathen inheritance in the United States, animating Americans’ sense of being a world apart from an undifferentiated mass of needy, suffering peoples. Heathen thus reveals a key source of American exceptionalism and a prism through which Americans have defined themselves as a progressive and humanitarian nation even as supposed heathens have drawn on the same to counter this national myth.
Author: Erik Gunderson
Publisher: Oxford University Press
ISBN: 0192653083
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
The Art of Complicity in Martial and Statius examines the relationship between politics and aesthetics in two poets from the reign of Domitian. Gunderson offers a comprehensive overview of the Epigrams of Martial and the Siluae of Statius. The praise of power found in these texts is not something forced upon these poems, nor is it a mere appendage to these works. Instead, power and poetry as a pair are a fundamental dyad that can and should be traced throughout the two collections. It is present even when the emperor himself is not the topic of discussion. In Martial the portrait of power is constantly shifting. Poetic play takes up the topic of political power and 'plays around with it'. The initial relatively sportive attitude darkens over time. Late in the game we have ecstasies of humiliation. After Domitian dies the project tries to get back to the old games, but it cannot. Statius' Siluae merge the lies one tells to power with the lies of poetry more generally. Poetic mastery and political mastery cannot be dissociated. The glib, glitzy poetry of contemporary life articulates a radical modernism that is self-authorizing, and so complicit with a power whose structure it mirrors. What does it mean to praise praise poetry? To celebrate celebrations? Gunderson's discussion opens and closes with a meditation upon the dangers of complicit criticism and the seductions of a discourse of pure art in a world where the art is anything but pure.
Author: Statius
Publisher: Cornell University Press
ISBN: 0801458080
Category : Poetry
Languages : en
Pages : 541
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Book Description
The Thebaid, a Latin epic in twelve books by Statius (c. 45–96 C. E.) reexamines events following the abdication of Oedipus, focusing on the civil war between the brothers Eteocles, King of Thebes, and Polynices, who comes at the head of an army from Argos to claim his share of royal power. The poem is long—each of the twelve books comprises over eight hundred lines—and complex, and it exploits a broad range of literary works, both Greek and Latin. Severely curtailed though he was by the emperor Domitian and his Reign of Terror, Statius nevertheless created a meditation on autocratic rule that is still of political interest today. Popular in its own time and much admired in the Middle Ages and the Renaissance—most notably by Dante and Chaucer—the poem fell into obscurity and has, for readers of English, been poorly served by translators. Statius composed his poem in dactylic hexameters, the supreme verse form in antiquity. In his hands, this venerable line is flexible, capable of subtle emphases and dramatic shifts in tempo; it is an expressive, responsive medium. In this new and long-awaited translation the poet Jane Wilson Joyce employs a loose, six-beat line in her English translation, which allows her to reveal something of the original rhythm and of the interplay between sentence structure and verse framework. The clarity of Joyce's translation highlights the poem's superb versification, sophisticated use of intertextuality, and bold formal experimentation and innovation. A substantial introduction and annotations make this epic accessible to students of all levels.
