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Author: Hester Lynch Piozzi
Publisher: University of Delaware Press
ISBN: 9780874133936
Category : Authors, English
Languages : en
Pages : 372
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Book Description
Author: Hester Lynch Piozzi
Publisher: University of Delaware Press
ISBN: 9780874133936
Category : Authors, English
Languages : en
Pages : 372
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Book Description
Author: Hester Lynch Piozzi
Publisher: University of Delaware Press
ISBN: 9780874133950
Category : Authors, English
Languages : en
Pages : 588
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Author: Hester Lynch Piozzi
Publisher: University of Delaware Press
ISBN: 9780874133943
Category : Authors, English
Languages : en
Pages : 620
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Author:
Publisher:
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Category :
Languages : en
Pages :
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Publisher: Oxford University Press
ISBN: 0198912188
Category : Literary Collections
Languages : en
Pages : 575
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Book Description
This is the second volume of the Wodrow-Kenrick Correspondence 1750-1810. Reverend James Wodrow (1730-1810), minister of the Church of Scotland at Stevenston in Ayrshire, and Samuel Kenrick (1728-1811), tutor to a Renfrewshire family until 1763, and subsequently a merchant and banker in Bewdley, Worcestershire, began corresponding around 1750, soon after leaving the University of Glasgow. They continued to do so until James Wodrow's death in 1810. Their correspondence is an exceptionally rich resource for the study of British culture and society in the era of Enlightenment and revolutions, here made easily available to scholars for the first time. Samuel Kenrick lived in England from 1765, and the men only met again in 1789, so their friendship was carried out almost entirely on paper for forty-five years. The correspondence constitutes a remarkable record of a friendship. In Volume 2: 1784-1790, Wodrow and Kenrick were long established in successful careers, and their daughters were now adults. A major theme in this book is Mary Kenrick's visit to Scotland to stay with the Wodrow family in summer 1784, and Helen 'Nell' Wodrow's return with her to Bewdley, to become part of the Kenrick household until September 1785. Wodrow himself visited Bewdley, on the only occasions he ever did this, in early September and late October 1788, on his way to and from London to arrange for the publication of two volumes of the sermons of his mentor, Principal William Leechman of Glasgow University. As well as discussing family, friendship, and the practicalities of publishing, the letters in this volume contain lively and highly readable exchanges on theology and church politics in Scotland and England, university politics in Glasgow, a wide range of contemporary literature, and an enormous spectrum of famous and less well-known politicians, authors, clergymen, and local figures in Ayrshire and Worcestershire.
Author: Michael Kassler
Publisher: Routledge
ISBN: 1351544861
Category : Music
Languages : en
Pages : 531
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Book Description
The English Bach Awakening concerns the introduction into England of J.S. Bach's music and information about him. Hitherto this subject has been called 'the English Bach revival', but that is a misnomer. 'Revival' implies prior life, yet no reference to Bach or to his music is known to have been made in England during his lifetime (1685-1750). The book begins with a comprehensive chronology of the English Bach Awakening. Eight chapters follow, written by Dr Philip Olleson, Dr Yo Tomita and the editor, Michael Kassler, which treat particular parts of the Awakening and show how they developed. A focus of the book is the history of the manuscripts and the printed editions of Bach's '48' - The Well-tempered Clavier - in England at this time, and its culmination in the 'analysed' edition that Samuel Wesley and Charles Frederick Horn published in 1810-1813 and later revised. Wesley's multifaceted role in the Bach Awakening is detailed, as are the several efforts that were made to translate Forkel's biography of Bach into English. A chapter is devoted to A.F.C. Kollmann's endeavour to prove the regularity of Bach's Chromatic Fantasy, and the book concludes with a discussion of portraits of Bach in England before 1830.
Author: Joanne Major
Publisher: Pen and Sword History
ISBN: 1399006983
Category : Biography & Autobiography
Languages : en
Pages : 257
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‘Lucy Locket lost her pocket, Kitty Fisher found it, not a penny was there in it, only ribbon round it.’ Generations of children have grown up knowing Kitty Fisher from the nursery rhyme, but who was she? Remembered as an eighteenth-century ‘celebrated’ courtesan and style icon, it is surprising to learn that Kitty’s career in the upper echelons of London’s sex industry was brief. For someone of her profession, Kitty had one great flaw: she fell in love too easily. Kitty Fisher managed her public relations and controlled her image with care. In a time when women’s choices were limited, she navigated her way to fame and fortune. Hers was a life filled equally with happiness and tragedy, one which left such an impact that the fascinating Kitty Fisher’s name still resonates today. She was the Georgian era’s most famous – and infamous – celebrity. This is more than just a biography of Kitty Fisher’s short, scandalous and action-packed life. It is also a social history of the period looking not just at Kitty but also the women who were her contemporaries, as well as the men who were drawn to their sides... and into their beds. In this meticulously researched, lively and enjoyable book we discover the real woman at the heart of Kitty Fisher’s enduring myth and legend.
Author: Julia Gasper
Publisher: Vernon Press
ISBN: 1622734084
Category : Literary Collections
Languages : en
Pages : 330
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Book Description
Elizabeth Craven’s fascinating life was full of travel, love-affairs and scandals but this biography, the first to appear for a century, is the only one to focus on her as a writer and draw attention to the full range of her output, which raises her stature as an author considerably. Born into the upper class of Georgian England, she was pushed into marriage at sixteen to Lord Craven and became a celebrated society hostess and beauty, as well as mother to seven children. Though acutely conscious of her relative lack of education, as a woman, she ventured into writing poetry, stories and plays. Incompatibility and infidelities on both sides ended her marriage and she had to move to France where, living in seclusion, she wrote the little-known feminist work Letters to Her Son. In the years that followed, she travelled extensively all over Europe and turned her letters into a travelogue which is one of her best-known works. On her return she went to live in Germany as the companion and eventually second wife of the Margrave of Ansbach. At his court she organised and appeared in theatricals, and wrote several more plays of great interest, including The Modern Philosopher. In 1792 she and the Margrave settled in England, where they were never fully accepted by the more strait-laced pillars of society but mixed with all the musicians and actors and the more rakish of the Regency set. Craven continued to put on her own theatricals and write for the theatre. In her old age, she moved to Naples where she passed her time sailing, gardening and writing her Memoirs. Even in her final years, scandal dogged her, and Craven made her feminist principles and criticisms of the laws of marriage apparent through her involvement in the notorious divorce case of Queen Caroline.
Author: Michael Kassler
Publisher: Routledge
ISBN: 1351542176
Category : Business & Economics
Languages : en
Pages : 579
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Book Description
In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.
Author: Freya Gowrley
Publisher: Bloomsbury Publishing USA
ISBN: 1501343343
Category : Design
Languages : en
Pages : 289
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Book Description
Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries' social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late eighteenth- and early nineteenth-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression.
