Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Pilgrimage to Parnassus with the Two Parts of the Return from Parnassus
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Pilgrimage to Parnassus with the Two Parts of The Return from Parnassus
Author: William Dunn Macray
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 218
Book Description
The Pilgrimage to Parnassus
Author: William Dunn Macray
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 180
Book Description
The Pilgrimage to Parnassus With the Two Parts of the Return From Parnassus
Author: William Dunn Macray
Publisher:
ISBN: 9781001092768
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781001092768
Category :
Languages : en
Pages : 0
Book Description
The Cambridge History of English Literature: The drama to 1642
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 558
Book Description
The Cambridge History of English Literature
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 562
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 562
Book Description
Money and Magic in Early Modern Drama
Author: David Hawkes
Publisher: Bloomsbury Publishing
ISBN: 1350247057
Category : Drama
Languages : en
Pages : 265
Book Description
Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.
Publisher: Bloomsbury Publishing
ISBN: 1350247057
Category : Drama
Languages : en
Pages : 265
Book Description
Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.
The Cambridge History of English Literature: The drama to 1642
Author: Alfred Rayney Waller
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 560
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 560
Book Description
The English Clown Tradition from the Middle Ages to Shakespeare
Author: Robert Hornback
Publisher: DS Brewer
ISBN: 1843843560
Category : Drama
Languages : en
Pages : 260
Book Description
From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
Publisher: DS Brewer
ISBN: 1843843560
Category : Drama
Languages : en
Pages : 260
Book Description
From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
Ramus, Method, and the Decay of Dialogue
Author: Walter J. Ong
Publisher: University of Chicago Press
ISBN: 9780226629766
Category : History
Languages : en
Pages : 446
Book Description
Publisher Description
Publisher: University of Chicago Press
ISBN: 9780226629766
Category : History
Languages : en
Pages : 446
Book Description
Publisher Description