Author: David Sheldon Barry
Publisher:
ISBN:
Category : Iconoclasm
Languages : en
Pages : 176
Book Description
The Paulician Attitude Toward Images
Author: David Sheldon Barry
Publisher:
ISBN:
Category : Iconoclasm
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category : Iconoclasm
Languages : en
Pages : 176
Book Description
The Paulician heresy
Author: Nina G. Garsoïan
Publisher: Walter de Gruyter
ISBN: 3111344525
Category : Language Arts & Disciplines
Languages : en
Pages : 301
Book Description
The Paulician heresy : A study of the origin and development of Paulicianism in Armenia and the eastern provinces of the Byzantine empire.
Publisher: Walter de Gruyter
ISBN: 3111344525
Category : Language Arts & Disciplines
Languages : en
Pages : 301
Book Description
The Paulician heresy : A study of the origin and development of Paulicianism in Armenia and the eastern provinces of the Byzantine empire.
The Graeco-Roman and Oriental Background of the Iconoclastic Controversy
Author: Barnard
Publisher: BRILL
ISBN: 9004610618
Category : History
Languages : en
Pages : 165
Book Description
Publisher: BRILL
ISBN: 9004610618
Category : History
Languages : en
Pages : 165
Book Description
Images of the Divine: The Theology of Icons at the Seventh Ecumenical Council - Revised Edition
Author: Ambrosios Giakalis
Publisher: BRILL
ISBN: 9047407288
Category : History
Languages : en
Pages : 184
Book Description
This book, newly revised and updated, examines the Eastern Church's theology of icons chiefly on the basis of the acta of the Seventh Ecumenical Council of 787. The political circumstances leading to the outbreak of the iconclast controversy in the eighth century are discussed in detail, but the main emphasis is on the theological arguments and assumptions of the council participants. Major themes include the nature of tradition, the relationship between image and reality, and the place of christology. Ultimately the argument over icons was about the accessibility of the divine. Icons were held by the iconophiles to communicate a deifying grace which raised the believer to participation in the life of God.
Publisher: BRILL
ISBN: 9047407288
Category : History
Languages : en
Pages : 184
Book Description
This book, newly revised and updated, examines the Eastern Church's theology of icons chiefly on the basis of the acta of the Seventh Ecumenical Council of 787. The political circumstances leading to the outbreak of the iconclast controversy in the eighth century are discussed in detail, but the main emphasis is on the theological arguments and assumptions of the council participants. Major themes include the nature of tradition, the relationship between image and reality, and the place of christology. Ultimately the argument over icons was about the accessibility of the divine. Icons were held by the iconophiles to communicate a deifying grace which raised the believer to participation in the life of God.
The Role of Images and the Veneration of Icons in the Oriental Orthodox Churches
Author: Christine Chaillot
Publisher: LIT Verlag Münster
ISBN: 3643909853
Category : Religion
Languages : en
Pages : 141
Book Description
The aim of this book is to demonstrate the presence in the very ancient Eastern Churches of religious images of all kinds (icons, paintings, illuminations), including the representation of Christ, together with the veneration (not the adoration) of icons/images. Presented here are not only the iconographic but also the liturgical-and especially the Christological-dimensions of the icon on the basis of texts used by these four traditions down the centuries. In contrast to the Byzantine Orthodox world which, after a controversy on this subject, officially established the veneration of icons from the time of the Second Council of Nicaea (787) and in 843, these Churches did not experience Iconoclasm. Christine Chaillot is Swiss and Orthodox (Patriarchate of Constantinople). She has published several books on the Orthodox Churches and the Oriental Orthodox Churches. (Series: Studies on Oriental Orthodox Church History / Studien zur Orientalischen Kirchengeschichte, Vol. 55) [Subject: Religious Studies, Christian Studies, History, Iconography]
Publisher: LIT Verlag Münster
ISBN: 3643909853
Category : Religion
Languages : en
Pages : 141
Book Description
The aim of this book is to demonstrate the presence in the very ancient Eastern Churches of religious images of all kinds (icons, paintings, illuminations), including the representation of Christ, together with the veneration (not the adoration) of icons/images. Presented here are not only the iconographic but also the liturgical-and especially the Christological-dimensions of the icon on the basis of texts used by these four traditions down the centuries. In contrast to the Byzantine Orthodox world which, after a controversy on this subject, officially established the veneration of icons from the time of the Second Council of Nicaea (787) and in 843, these Churches did not experience Iconoclasm. Christine Chaillot is Swiss and Orthodox (Patriarchate of Constantinople). She has published several books on the Orthodox Churches and the Oriental Orthodox Churches. (Series: Studies on Oriental Orthodox Church History / Studien zur Orientalischen Kirchengeschichte, Vol. 55) [Subject: Religious Studies, Christian Studies, History, Iconography]
Images of Intolerance
Author: Sara Lipton
Publisher: Univ of California Press
ISBN: 9780520921580
Category : Religion
Languages : en
Pages : 268
Book Description
Around the year 1225, an illuminated Bible was made for the king of France. That work and a companion volume, the two earliest surviving manuscripts of the Bible moralisée, are remarkable in a number of ways: they are massive in scope; they combine text and image to an unprecedented extent; and their illustrations, almost unique among medieval images in depicting contemporary figures and situations, comprise a vehement visual polemic against the Jews. In Images of Intolerance, Sara Lipton offers a nuanced and insightful reading of these extraordinary sources. Lipton investigates representations of Jews' economic activities, the depiction of Jews' scriptures in relation to Christian learning, the alleged association of Jews with heretics and other malefactors in Christian society, and their position in Christian eschatology. Jews are portrayed as threatening the purity of the Body of Christ, the integrity of the text of scripture, the faith, mores, and study habits of students, and the spiritual health of Christendom itself. Most interesting, however, is that the menacing themes in the Bible moralisée are represented in text and images as aspects of Jewish "perfidy" that are rampant among Christians as well. This innovative interdisciplinary study brings new understanding to the nature and development of social intolerance, and to the role art can play in that development.
Publisher: Univ of California Press
ISBN: 9780520921580
Category : Religion
Languages : en
Pages : 268
Book Description
Around the year 1225, an illuminated Bible was made for the king of France. That work and a companion volume, the two earliest surviving manuscripts of the Bible moralisée, are remarkable in a number of ways: they are massive in scope; they combine text and image to an unprecedented extent; and their illustrations, almost unique among medieval images in depicting contemporary figures and situations, comprise a vehement visual polemic against the Jews. In Images of Intolerance, Sara Lipton offers a nuanced and insightful reading of these extraordinary sources. Lipton investigates representations of Jews' economic activities, the depiction of Jews' scriptures in relation to Christian learning, the alleged association of Jews with heretics and other malefactors in Christian society, and their position in Christian eschatology. Jews are portrayed as threatening the purity of the Body of Christ, the integrity of the text of scripture, the faith, mores, and study habits of students, and the spiritual health of Christendom itself. Most interesting, however, is that the menacing themes in the Bible moralisée are represented in text and images as aspects of Jewish "perfidy" that are rampant among Christians as well. This innovative interdisciplinary study brings new understanding to the nature and development of social intolerance, and to the role art can play in that development.
Images of the Divine
Author: Ambrosios Giakalis
Publisher: BRILL
ISBN: 9004474455
Category : History
Languages : en
Pages : 170
Book Description
This analysis of the arguments for and against icons presented at the Seventh Ecumenical Council of 787 provides a fresh insight from an Eastern Orthodox point of view into the role of icons as channels communicative of divine life.
Publisher: BRILL
ISBN: 9004474455
Category : History
Languages : en
Pages : 170
Book Description
This analysis of the arguments for and against icons presented at the Seventh Ecumenical Council of 787 provides a fresh insight from an Eastern Orthodox point of view into the role of icons as channels communicative of divine life.
The Church and the Eastern Empire
Author: Henry Fanshawe Tozer
Publisher:
ISBN:
Category : Byzantine Empire
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Byzantine Empire
Languages : en
Pages : 240
Book Description
The Encyclopedia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 918
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 918
Book Description
The Armenians in the Medieval Islamic World
Author: Seta B. Dadoyan
Publisher: Routledge
ISBN: 1351485792
Category : History
Languages : en
Pages : 344
Book Description
In this first of a massive three-volume work, Seta B. Dadoyan studies the Armenian experience in the medieval Islamic world and takes the reader through hitherto undiscovered paradigmatic cases of interaction with other populations in the region. Being an Armenian, Dadoyan argues, means having an ethnic ancestry laden with narratives drawn from the vast historic Armenian habitat. Contradictory trends went into the making of Armenian history, yet most narratives fail to reflect this rich texture. Linking Armenian-Islamic history is one way of dealing with the problem. Dadoyan's concern is also to outline revolutionary elements in the making of Armenian ideologies and politics. This extensive work captures the multidimensional nature of the Armenian experience in the medieval Islamic world. The author holds that every piece of literature, including historical writing, is an artifact. It is a composition of many elements arranged in certain forms: order, sequence, proportion, detail, intensity, etc. The author has composed and arranged the larger subjects and their sub-themes in such a way as to create an open, dynamic continuity to Armenian history that is intellectually intriguing, aesthetically appealing, and close to lived experiences.
Publisher: Routledge
ISBN: 1351485792
Category : History
Languages : en
Pages : 344
Book Description
In this first of a massive three-volume work, Seta B. Dadoyan studies the Armenian experience in the medieval Islamic world and takes the reader through hitherto undiscovered paradigmatic cases of interaction with other populations in the region. Being an Armenian, Dadoyan argues, means having an ethnic ancestry laden with narratives drawn from the vast historic Armenian habitat. Contradictory trends went into the making of Armenian history, yet most narratives fail to reflect this rich texture. Linking Armenian-Islamic history is one way of dealing with the problem. Dadoyan's concern is also to outline revolutionary elements in the making of Armenian ideologies and politics. This extensive work captures the multidimensional nature of the Armenian experience in the medieval Islamic world. The author holds that every piece of literature, including historical writing, is an artifact. It is a composition of many elements arranged in certain forms: order, sequence, proportion, detail, intensity, etc. The author has composed and arranged the larger subjects and their sub-themes in such a way as to create an open, dynamic continuity to Armenian history that is intellectually intriguing, aesthetically appealing, and close to lived experiences.