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Author: Robert Buch
Publisher: JHU Press
ISBN: 0801899273
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real—their fascination with the spectacle of violence and suffering—and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study—by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner Müller—zero in on scenes of agony, destruction, and death with an astonishing degree of precision and detail. The strange and troubling nature of the appeal engendered by these sights is the subject of The Pathos of the Real. Robert Buch shows that the spectacles of suffering conjured up in these texts are deeply ambivalent, available neither to cathartic relief nor to the sentiment of compassion. What prevails instead is a peculiar coincidence of opposites: exaltation and resignation; disfiguration and transfiguration; agitation and paralysis. Featuring the experiences of violent excess in strongly visual and often in expressly pictorial terms, the works expose the nexus between violence and the image in twentieth-century aesthetics. Buch explores this tension between visual and verbal representation by drawing on the rhetorical notion of pathos as both insurmountable suffering and codified affect and the psychoanalytic notion of the real, that is, the disruption of the symbolic order. In dialogue with a diverse group of thinkers, from Erich Auerbach and Aby Warburg to Alain Badiou and Jacques Lacan, The Pathos of the Real advances an innovative new framework for rethinking the aesthetics of violence in the twentieth century.
Author: Robert Buch
Publisher: JHU Press
ISBN: 0801899273
Category : Literary Criticism
Languages : en
Pages : 229
Get Book Here
Book Description
This book is about the ambition, in a set of paradigmatic writers of the twentieth century, to simultaneously enlist and break the spell of the real—their fascination with the spectacle of violence and suffering—and the difficulties involved in capturing this kind of excess by aesthetic means. The works at the center of this study—by Franz Kafka, Georges Bataille, Claude Simon, Peter Weiss, and Heiner Müller—zero in on scenes of agony, destruction, and death with an astonishing degree of precision and detail. The strange and troubling nature of the appeal engendered by these sights is the subject of The Pathos of the Real. Robert Buch shows that the spectacles of suffering conjured up in these texts are deeply ambivalent, available neither to cathartic relief nor to the sentiment of compassion. What prevails instead is a peculiar coincidence of opposites: exaltation and resignation; disfiguration and transfiguration; agitation and paralysis. Featuring the experiences of violent excess in strongly visual and often in expressly pictorial terms, the works expose the nexus between violence and the image in twentieth-century aesthetics. Buch explores this tension between visual and verbal representation by drawing on the rhetorical notion of pathos as both insurmountable suffering and codified affect and the psychoanalytic notion of the real, that is, the disruption of the symbolic order. In dialogue with a diverse group of thinkers, from Erich Auerbach and Aby Warburg to Alain Badiou and Jacques Lacan, The Pathos of the Real advances an innovative new framework for rethinking the aesthetics of violence in the twentieth century.
Author: Robert Buch
Publisher: Johns Hopkins University Press
ISBN: 9780801897566
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
In dialogue with a diverse group of thinkers, from Erich Auerbach and Aby Warburg to Alain Badiou and Jacques Lacan, The Pathos of the Real advances an innovative new framework for rethinking the aesthetics of violence in the twentieth century.
Author: bell hooks
Publisher: Routledge
ISBN: 1135070652
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
Movies matter – that is the message of Reel to Real, bell hooks’ classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks – one of America’s most celebrated and thrilling cultural critics – talks back to films that have moved and provoked her, from Quentin Tarantino’s Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel to Real is a must read for anyone who believes that movies are worth arguing about.
Author: Lily K. Hoang
Publisher: Ohio State University Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 160
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Book Description
Literary Nonfiction. Essays. Winner of the 2015 Essay Collection Competition, Selected by Wayne Koestenbaum. "Rarely have I come across tenderness, venom, and fire held so intimately, so exquisitely, as in Lily Hoang's A BESTIARY. This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake."--Maggie Nelson "A BESTIARY is a work of great subtlety, precision, intelligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I've read and that it makes me want to change my own writerly procedures). With head-long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book's position on the threshold between recognizable 'literature' and some other vanguard form of performance/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it."--Wayne Koestenbaum "The most perfect use of fragmentation, myth, language, fairytale, and terrible beauty that I have ever seen in my life. I'm swooning. My faith in what writing can be has been restored."--Lidia Yuknavitch
Author: Alfred Henry Lloyd
Publisher:
ISBN:
Category : Belief and certainty
Languages : en
Pages : 308
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Book Description
Author: Edwin John Ellis
Publisher:
ISBN:
Category :
Languages : en
Pages : 502
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Book Description
This book provides a detailed biography of the artist and poet.
Author: William Allen White
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 224
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Book Description
![[Call] - Responding and the worlds inbetween PDF](https://books.google.com/books/content/images/frontcover/-FffEAAAQBAJ?fife=w80-h100)
Author: Johann-Albrecht Meylahn
Publisher: LIT Verlag
ISBN: 364396322X
Category : Philosophy
Languages : en
Pages : 440
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Book Description
The book is a reading of numerous contemporary continental philosophers (Badiou, Deleuze and Guattari, Laruelle and Derrida amongst others) and bringing them into conversation with each other around various ethical and political challenges of living in capitalist worlds. What can contemporary continental philosophy offer with regards to the questions of decolonial thinking, the challenges of identity politics, the formation of political identities in response to the dominant norms in the context of the struggles of victims of these norms? Johann-Albrecht Meylahn is professor in the Faculty of Theology and Religion at the University of Pretoria, South Africa.
Author: Henry Kitchell Webster
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 534
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Book Description
Impetuous and headstrong Rose Stanton accidentally meets famous attorney Rodney Aldrich when a conductor rudely accosts her for her streetcar fare. It is love at first sight and, after a brief courtship, they are married. Webster writes about Rose and Rodney's passionate love affair and the collision of their dreams as a result.
Author: Alenka Zupančič
Publisher: Verso
ISBN: 9781859842188
Category : Philosophy
Languages : en
Pages : 290
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Book Description
The idea of Kantian ethics is both simple and revolutionary: it proposes a moral law independent of any notion of a pre-established Good or any 'human inclination' such as love, sympathy or fear. In attempting to interpret such a revolutionary proposition in a more 'humane' light, and to turn Kant into our contemporary—someone who can help us with our own ethical dilemmas—many Kantian scholars have glossed over its apparent paradoxes and impossible claims. This book is concerned with doing exactly the opposite. Kant, thank God, is not our contemporary; he stands against the grain of our times. Lacan on the face of it appears the very antithesis of Kant—the wild theorist of psychoanalysis compared to the sober Enlightenment thinker. His concept of the Real, however, provides perhaps the most useful backdrop to this new interpretation of Kantian ethics. Constantly juxtaposing her readings of the two philosophers. Alenka Zupan?i? summons up an 'ethics of the Real', and clears the ground for a radical restoration of the disruptive element in ethics.
