Author: C. Sivaramamurti
Publisher: Abhinav Publications
ISBN: 9788170170785
Category : Painting, Indic
Languages : en
Pages : 184
Book Description
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The Painter in Ancient India
Author: C. Sivaramamurti
Publisher: Abhinav Publications
ISBN: 9788170170785
Category : Painting, Indic
Languages : en
Pages : 184
Book Description
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Publisher: Abhinav Publications
ISBN: 9788170170785
Category : Painting, Indic
Languages : en
Pages : 184
Book Description
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Wonder of the Age
Author: John Guy
Publisher: Metropolitan Museum of Art
ISBN: 1588394301
Category : Painters
Languages : en
Pages : 226
Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Publisher: Metropolitan Museum of Art
ISBN: 1588394301
Category : Painters
Languages : en
Pages : 226
Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
The Art of Ancient India
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 786
Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 786
Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Indian Court Painting, 16th-19th Century
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870997823
Category : Miniature painting, Indic
Languages : en
Pages : 154
Book Description
A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870997823
Category : Miniature painting, Indic
Languages : en
Pages : 154
Book Description
A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
Indian Renaissance
Author: Hermionede Almeida
Publisher: Routledge
ISBN: 1351562967
Category : Art
Languages : en
Pages : 353
Book Description
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
Publisher: Routledge
ISBN: 1351562967
Category : Art
Languages : en
Pages : 353
Book Description
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
Performing Artistes in Ancient India
Author: Iravati
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
The Book Studies The Evolution Of Ancient Indian Theatre: It Deals With The Dramatic Troupes, Abhinaya, The Stage And Auditorium And Visuals Depicting Scenes Etched On Temples And Caves. It Examines The Kinds Of Performing Artistes And Their Contributions.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
The Book Studies The Evolution Of Ancient Indian Theatre: It Deals With The Dramatic Troupes, Abhinaya, The Stage And Auditorium And Visuals Depicting Scenes Etched On Temples And Caves. It Examines The Kinds Of Performing Artistes And Their Contributions.
The Place of Many Moods
Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691201846
Category : ART
Languages : en
Pages : 232
Book Description
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--
Publisher: Princeton University Press
ISBN: 0691201846
Category : ART
Languages : en
Pages : 232
Book Description
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--
Epic Tales from Ancient India
Author: San Diego Museum of Art
Publisher:
ISBN: 9780300223729
Category : Art
Languages : en
Pages : 0
Book Description
Indian Painting and the Art of Storytelling / Marika Sardar -- Incarnations of the Bhagavata / Neeraja Poddar -- The Ramayana and Other Tales of Rama / Marika Sardar -- Stories of Music, Love, and the Seasons: Ragamala Paintings / Marika Sardar -- Persian-Language Literature in India / Qamar Adamjee -- The Shahmana in India / Alka Patel
Publisher:
ISBN: 9780300223729
Category : Art
Languages : en
Pages : 0
Book Description
Indian Painting and the Art of Storytelling / Marika Sardar -- Incarnations of the Bhagavata / Neeraja Poddar -- The Ramayana and Other Tales of Rama / Marika Sardar -- Stories of Music, Love, and the Seasons: Ragamala Paintings / Marika Sardar -- Persian-Language Literature in India / Qamar Adamjee -- The Shahmana in India / Alka Patel
The Spirit of Indian Painting
Author: B. N. Goswamy
Publisher: National Geographic Books
ISBN: 0500239509
Category : Art
Languages : en
Pages : 0
Book Description
“Wonderful . . . A book to make both layman and connoisseur alike realize why pre-modern Indian painting is one of the great arts of the world.” —Neil MacGregor Through close encounters with over a hundred carefully selected works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B. N. Goswamy unlocks the many treasures that lie within Indian painting. In an illuminating introduction, and as Goswamy relates the stories behind each work and deciphers the visual vocabulary and language of the painters, he brings to life the cultural, social, and political milieu in which they were created. Lavishly illustrated, and combining erudition with great storytelling, The Spirit of Indian Painting reveals the beauty of this richly varied body of work in a new and brilliant light.
Publisher: National Geographic Books
ISBN: 0500239509
Category : Art
Languages : en
Pages : 0
Book Description
“Wonderful . . . A book to make both layman and connoisseur alike realize why pre-modern Indian painting is one of the great arts of the world.” —Neil MacGregor Through close encounters with over a hundred carefully selected works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B. N. Goswamy unlocks the many treasures that lie within Indian painting. In an illuminating introduction, and as Goswamy relates the stories behind each work and deciphers the visual vocabulary and language of the painters, he brings to life the cultural, social, and political milieu in which they were created. Lavishly illustrated, and combining erudition with great storytelling, The Spirit of Indian Painting reveals the beauty of this richly varied body of work in a new and brilliant light.
South Indian Paintings
Author: C. Sivaramamurti
Publisher:
ISBN:
Category : Mural painting and decoration
Languages : en
Pages : 186
Book Description
Specifically Devoted To South Indian Paintings - The Book Invites To Review Art In The South. 23 Chapters Including Introduction And Bibliography - Index - Contains A Number Of Illustrations Both In B & W And Colour. Without Dustjacket.
Publisher:
ISBN:
Category : Mural painting and decoration
Languages : en
Pages : 186
Book Description
Specifically Devoted To South Indian Paintings - The Book Invites To Review Art In The South. 23 Chapters Including Introduction And Bibliography - Index - Contains A Number Of Illustrations Both In B & W And Colour. Without Dustjacket.