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Author: Richard Hammond Stone
Publisher: A&C Black
ISBN: 9781350346833
Category : Philosophy
Languages : en
Pages : 0
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Book Description
"Nishida Kitaro is widely considered as the first original philosopher in modern Japan. Addressing this claim, Richard Stone critically examines Nishida's relation to his contemporary philosophers in the Meiji era (1868-1912), highlighting the continuity, difference and relationships between them. He argues that ideas starting from early Meiji philosophers were gradually given more rigorous treatment over the course of the era, eventually culminating in Nishida's early philosophy.The Origins of Modern Japanese Philosophy offers an engaging insight into the Meiji period, bringing Nishida's work it into dialogue with his predecessors"--
Author: Richard Hammond Stone
Publisher: A&C Black
ISBN: 9781350346833
Category : Philosophy
Languages : en
Pages : 0
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Book Description
"Nishida Kitaro is widely considered as the first original philosopher in modern Japan. Addressing this claim, Richard Stone critically examines Nishida's relation to his contemporary philosophers in the Meiji era (1868-1912), highlighting the continuity, difference and relationships between them. He argues that ideas starting from early Meiji philosophers were gradually given more rigorous treatment over the course of the era, eventually culminating in Nishida's early philosophy.The Origins of Modern Japanese Philosophy offers an engaging insight into the Meiji period, bringing Nishida's work it into dialogue with his predecessors"--
Author: Richard Stone
Publisher: Bloomsbury Publishing
ISBN: 1350346810
Category : Philosophy
Languages : en
Pages : 286
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Book Description
Nishida Kitaro is widely considered as the first original philosopher in modern Japan. Addressing this claim, Richard Stone critically examines Nishida's relation to his contemporary philosophers in the Meiji era (1868-1912), highlighting the continuity, difference and relationships between them. Stone reassesses the notion that Nishida's An Inquiry into the Good (1911) was substantially more philosophically worthwhile than any preceding attempts at philosophy in Japan, whilst demonstrating how his early ideas were heavily influenced by the work of thinkers such as Inoue Enryo, Onishi Hajime and Miyake Setsurei. He argues that original philosophy in Japan did not suddenly start with Nishida. Instead, it developed within a process of methodological refinement, wherein ideas starting from early Meiji philosophers were gradually given more rigorous treatment over the course of the era, eventually culminating in Nishida's early philosophy. Providing an in-depth analysis of Nishida's work that brings it into dialogue with his predecessors, The Origins of Modern Japanese Philosophy offers both an engaging insight into the Meiji Period as the background of Nishida's philosophical formation and also a clear account of how several core themes in modern Japanese philosophy evolved over the course of an era.
Author: David A. Dilworth
Publisher: Greenwood
ISBN:
Category : Philosophy
Languages : en
Pages : 458
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Book Description
Providing translations of and commentaries on primary source materials of modern Japanese philosophy, this sourcebook centers on the creative philosophical writings of the Kyoto School broadly conceived, featuring the thought of Nishida Kitarô, Tanabe Hajime, Kuki Shûzô, Watsuji Tetsurô, Miki Kiyoshi, Tosaka Jun, and Nishitani Keiji. The 22 selections include unabridged whole works, essays, or chapters of books. Also included is exhaustive bio-bibliographical information as well as editorial commentary. For most scholars, this will be the first look in English at the thought of Kuki Shûzô, Miki Kiyoshi, and the Marxist critic Tosaka Jun. The sourcebook will be of interest to scholars, The selections show the intensely dialogic character of the philsophical writing of the Kyoto School of the early Showa period (1926-1949) and are of particular interest as representing philosophical strains of a golden age of Japanese thought during the war years between 1935 and 1945. In the interstices of the thought of the seven authors, the reader will find a mine of commentary on, and assimilation of, the schools of Western thought and the world's religions, accompanied (with the exception of the internationalist Tosaka Jun) by very resilient affirmations of the strength of Asian traditions.
Author: Thomas P. Kasulis
Publisher: University of Hawaii Press
ISBN: 0824873831
Category : Philosophy
Languages : en
Pages : 785
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Book Description
Philosophy challenges our assumptions—especially when it comes to us from another culture. In exploring Japanese philosophy, a dependable guide is essential. The present volume, written by a renowned authority on the subject, offers readers a historical survey of Japanese thought that is both comprehensive and comprehensible. Adhering to the Japanese philosophical tradition of highlighting engagement over detachment, Thomas Kasulis invites us to think with, as well as about, the Japanese masters by offering ample examples, innovative analogies, thought experiments, and jargon-free explanations. He assumes little previous knowledge and addresses themes—aesthetics, ethics, the samurai code, politics, among others—not in a vacuum but within the conditions of Japan’s cultural and intellectual history. For readers new to Japanese studies, he provides a simplified guide to pronouncing Japanese and a separate discussion of the language and how its syntax, orthography, and linguistic layers can serve the philosophical purposes of a skilled writer and subtle thinker. For those familiar with the Japanese cultural tradition but less so with philosophy, Kasulis clarifies philosophical expressions and problems, Western as well as Japanese, as they arise. Half of the book’s chapters are devoted to seven major thinkers who collectively represent the full range of Japan’s historical epochs and philosophical traditions: Kūkai, Shinran, Dōgen, Ogyū Sorai, Motoori Norinaga, Nishida Kitarō, and Watsuji Tetsurō. Nuanced details and analyses enable an engaged understanding of Japanese Buddhism, Confucianism, Shintō, and modern academic philosophy. Other chapters supply social and cultural background, including brief discussions of nearly a hundred other philosophical writers. (For additional information, cross references to material in the companion volume Japanese Philosophy: A Sourcebook are included.) In his closing chapter Kasulis reflects on lessons from Japanese philosophy that enhance our understanding of philosophy itself. He reminds us that philosophy in its original sense means loving wisdom, not studying ideas. In that regard, a renewed appreciation of engaged knowing can play a critical role in the revitalization of philosophy in the West as well as the East.
Author: Michael F. Marra
Publisher: University of Hawaii Press
ISBN: 9780824820770
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Modern Japanese Aesthetics is the first work in English on the history of the Japanese philosophy of art, from its inception in the 1870s to the present. In addition to the historical information and discussion of aesthetic issues that appear in the introductions to each of the chapters, the book presents English translations of otherwise inaccessible major works on Japanese aesthetics, beginning with a complete and annotated translation of the first work in the field, Nishi Amane's Bimyogaku Setsu (The Theory of Aesthetics). In its four sections (The Subject of Aesthetics, Aesthetic Categories, Poetic Expression, Postmodernism and Aesthetics), Modern Japanese Aesthetics discusses the momentous efforts made by Japanese thinkers to master, assimilate, and transform Western philosophical systems to discuss their own literary and artistic heritage. Readers are introduced to debates between the unconditional supporters of Western ideas (Onishi Hajime) and more cautious approaches to the literary and artistic past (Okakura Kakuzo, Tsubouchi Shoyo). The institutionalization of aesthetics as an academic subject is discussed and the work of some of Japan's most distinguished professional aestheticians (Onishi Yoshimori, Imamichi Tomonobu), philosophers (Kusanagi Masao, Nishitani Keiji, Sakabe Megumi), and literary critics (Karatani Kojin) is included. Modern Japanese Aesthetics is a sophisticated and energetic volume on the process that led to the construction of aesthetic categories used by Japanese and, later, Western scholars in discussing Japanese literature and arts. This important work will be essential reading for anyone concerned with the formation of a critical vocabulary in Japan. Modern Japanese Aesthetics: A Reader is a companion volume to A History of Modern Japanese Aesthetics (UH Press, 2001).
Author: Kōjin Karatani
Publisher: Duke University Press
ISBN: 9780822313236
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Karatani Kojin is one of Japan's leading critics. In his work as a theoretician, he has described Modernity as have few others; he has re-evaluated the literature of the entire Meiji period and beyond. As one critic has said, Karatani's thought "has had a profound effect on the way we formulate the questions we ask about modern literature and culture ... [his] argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself." Among the many authors discussed are Soseki Natsume, Doppo Kunikida, Katai Tayama, and Shoyo Tsubouchi.
Author: James W. Heisig
Publisher: University of Hawaii Press
ISBN: 082483707X
Category : Philosophy
Languages : en
Pages : 1362
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Book Description
With Japanese Philosophy: A Sourcebook, readers of English can now access in a single volume the richness and diversity of Japanese philosophy as it has developed throughout history. Leading scholars in the field have translated selections from the writings of more than a hundred philosophical thinkers from all eras and schools of thought, many of them available in English for the first time. The Sourcebook editors have set out to represent the entire Japanese philosophical tradition—not only the broad spectrum of academic philosophy dating from the introduction of Western philosophy in the latter part of the nineteenth century, but also the philosophical ideas of major Japanese traditions of Buddhism, Confucianism, and Shinto. The philosophical significance of each tradition is laid out in an extensive overview, and each selection is accompanied by a brief biographical sketch of its author and helpful information on placing the work in its proper context. The bulk of the supporting material, which comprises nearly a quarter of the volume, is given to original interpretive essays on topics not explicitly covered in other chapters: cultural identity, samurai thought, women philosophers, aesthetics, bioethics. An introductory chapter provides a historical overview of Japanese philosophy and a discussion of the Japanese debate over defining the idea of philosophy, both of which help explain the rationale behind the design of the Sourcebook. An exhaustive glossary of technical terminology, a chronology of authors, and a thematic index are appended. Specialists will find information related to original sources and sinographs for Japanese names and terms in a comprehensive bibliography and general index. Handsomely presented and clearly organized for ease of use, Japanese Philosophy: A Sourcebook will be a cornerstone in Japanese studies for decades to come. It will be an essential reference for anyone interested in traditional or contemporary Japanese culture and the way it has shaped and been shaped by its great thinkers over the centuries.
Author: Michael F. Marra
Publisher: University of Hawaii Press
ISBN: 9780824823993
Category : Philosophy
Languages : en
Pages : 424
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Book Description
This collection of essays constitutes the first history of modern Japanese aesthetics in any language. It introduces readers through lucid and readable translations to works on the philosophy of art written by major Japanese thinkers from the late nineteenth century to the present. Selected from a variety of sources (monographs, journals, catalogues), the essays cover topics related to the study of beauty in art and nature. The translations are organized into four parts. The first, "The Introduction of Aesthetics," traces the formation of notions of "beauty," "culture," and "art" in Japan. It includes discussion of the creation of the museum in Japan and the frenetic efforts of Nishi Amane, Okakura Tenshin, Ernest Fenollosa, and Mori Ogai to introduce German, British, and French aesthetic thought to the Japanese. This is followed by three sections that examine the transformation of the aesthetic field into an academic discipline that flourished at three major Japanese universities. "Aesthetics at Waseda University" begins with an essay on the spiritualism and idealism of Onishi Hajime and continues with essays on the impact of German Lebensphilosophie ("philosophy of life") on Shimamura Hogetsu and Takayama Chogyu, and work by the major Waseda aesthetician of the twentieth century, Aizu Yaichi. Thinkers of the Tokyo School adopted a "scientific" method in the study of art theory. Part 3, "Aesthetics at the University of Tokyo," focuses on the ideas of Otsuka Yasuji (holder of the world’s first Chair of Aesthetics), Onishi Yoshinori, Watsuji Tetsuro, Abe Jiro, Takeuchi Toshio, and Imamichi Tomonobu. The section concludes with a look at the contemporary philosopher Sakabe Megumi. The last section, "Aesthetics at the University of Kyoto," includes essays on Nakagawa Shigeki and Fukada Yasukazu, pioneers in the field of aesthetics, and on the philosophy of art of the "Kyoto School," which was deeply inspired by the thought of Nishida Kitaro. Finally the work of Kuki Shuzo, an influential teacher of Western philosophy at the University of Kyoto, is examined. A History of Modern Japanese Aesthetics is a companion volume to Modern Japanese Aesthetics: A Reader (UH Press, 1999).
Author: Kitaro Nishida
Publisher: Yale University Press
ISBN: 9780300052336
Category : Philosophy
Languages : en
Pages : 222
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Book Description
"An Inquiry into the Good, the earliest work of Kitarō Nishida, established its author as the foremost Japanese philosopher of the twentieth century. The book represents the foundation of Nishida's philosophy, which reflects both his deep study of Zen Buddhism and his thorough analysis of Western philosophy. In this important new translation, two scholars -- one Japanes and one American -- have worked together to present a lucid and accurate rendition of this basic work. They have also included an enlightening introduction and ample notes to aid the Western reader. Nishida sets forth the notion of "pure experience"--The concept that pure, or direct, experience precedes the separation of subject and object and is true reality. He next considers reality, investigating its relation to thinking, volition, and intuition. The Good, which Nishida considered to be the realization of our internal demands or ideals, is analyzed in the light of the nature of reality and pure experience. In conclusion, Nishida suggests a theory of God as the unifier of the universe and the universe as an expression of God. Throughout he touches upon the work of Western philosophers such as Kant, Hegel, Fichte, William James, and John Dewey in order to explicate his ideas"-- Front flap.
Author: Chikao Fujisawa
Publisher: Open Road Media
ISBN: 1504060199
Category : Philosophy
Languages : en
Pages : 76
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Book Description
This history of Japanese philosophical traditions underscores the importance of Zen and Shinto to the development of Japanese culture. How do the Japanese talk about their native philosophy, Shinto, so many years after the Western Allies abolished it as a state religion? What is its relationship to Buddhism, and particularly to Zen? How modern can this very ancient creed ever be? These are some of the questions considered in this analytic work by Dr. Chikao Fujisawa, who specializes in the study of traditional Japanese philosophy and its effect on modern society. Fujisawa’s work is not only a survey of Zen and Shinto, but also an impassioned plea to restore Shinto as the very substance of Japanese life and thought. At the same time, Zen and Shinto offers new insight into the depth and vitality of Japanese culture, demonstrating its remarkable capacity to assimilate foreign thought and ideas, and thus contribute to the world’s hope for permanent peace.
