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Author: Professor Yifa
Publisher: University of Hawaii Press
ISBN: 0824863801
Category : Religion
Languages : en
Pages : 386
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Book Description
The Origins of Buddhist Monastic Codes in China contains the first complete translation of China’s earliest and most influential monastic code. The twelfth-century text Chanyuan qinggui (Rules of Purity for the Chan Monastery) provides a wealth of detail on all aspects of life in public Buddhist monasteries during the Sung (960–1279). Part One consists of Yifa’s overview of the development of monastic regulations in Chinese Buddhist history, a biography of the text’s author, and an analysis of the social and cultural context of premodern Chinese Buddhist monasticism. Of particular importance are the interconnections made between Chan traditions and the dual heritages of Chinese culture and Indian Buddhist Vinaya. Although much of the text’s source material is traced directly to the Vinayas and the works of the Vinaya advocate Daoan (312–385) and the Lü master Daoxuan (596–667), the Chanyuan qinggui includes elements foreign to the original Vinaya texts—elements incorporated from Chinese governmental policies and traditional Chinese etiquette. Following the translator’s overview is a complete translation of the text, extensively annotated.
Author: Professor Yifa
Publisher: University of Hawaii Press
ISBN: 0824863801
Category : Religion
Languages : en
Pages : 386
Get Book Here
Book Description
The Origins of Buddhist Monastic Codes in China contains the first complete translation of China’s earliest and most influential monastic code. The twelfth-century text Chanyuan qinggui (Rules of Purity for the Chan Monastery) provides a wealth of detail on all aspects of life in public Buddhist monasteries during the Sung (960–1279). Part One consists of Yifa’s overview of the development of monastic regulations in Chinese Buddhist history, a biography of the text’s author, and an analysis of the social and cultural context of premodern Chinese Buddhist monasticism. Of particular importance are the interconnections made between Chan traditions and the dual heritages of Chinese culture and Indian Buddhist Vinaya. Although much of the text’s source material is traced directly to the Vinayas and the works of the Vinaya advocate Daoan (312–385) and the Lü master Daoxuan (596–667), the Chanyuan qinggui includes elements foreign to the original Vinaya texts—elements incorporated from Chinese governmental policies and traditional Chinese etiquette. Following the translator’s overview is a complete translation of the text, extensively annotated.
Author: Yifa
Publisher: University of Hawaii Press
ISBN: 9780824824945
Category : Religion
Languages : en
Pages : 390
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Book Description
The Origins of Buddhist Monastic Codes in China contains the first complete translation of China's earliest and most influential monastic code. The twelfth-century text Chanyuan qinggui (Rules of Purity for the Chan Monastery) provides us with a wealth of detail on all aspects of life in public Buddhist monasteries during the Sung (960-1279). Part One consists of Yifa's overview of the development of monastic regulations in Chinese Buddhist history, a biography of the text's author, and an analysis of the social and cultural context of premodern Chinese Buddhist monasticism. Of particular importance are the interconnections made between Chan traditions and the dual heritages of Chinese culture and Indian Buddhist Vinaya. Although much of the text's source material is traced directly to the Vinayas and the works of the Vinaya advocate Daoan (312-385) and the Lu master Daoxuan (596-667), the Chanyuan qinggui includes elements foreign to the original Vinaya texts - elements incorporated from Chinese governmental policies and traditional Chinese etiquette. Following the translator's overview is a complete translation of the text, extensively annotated.
Author: Michael John Walsh
Publisher: Columbia University Press
ISBN: 0231148321
Category : History
Languages : en
Pages : 258
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Book Description
Buddhist monasteries in medieval China employed a variety of practices to ensure their ascendancy and survival. Most successful was the exchange of material goods for salvation, as in the donation of land, which allowed monks to spread their teachings throughout China. By investigating a variety of socioeconomic spaces produced and perpetuated by Chinese monasteries, Michael J. Walsh reveals the "sacred economies" that shaped early Buddhism and its relationship with consumption and salvation. Centering his study on Tiantong, a Buddhist monastery that has thrived for close to seventeen centuries in southeast China, Walsh follows three main topics: the spaces monks produced, within and around which a community could pursue a meaningful existence; the social and economic avenues through which monasteries provided diverse sacred resources and secured the primacy of Buddhist teachings within an agrarian culture; and the nature of "transactive" participation within monastic spaces, which later became a fundamental component of a broader Chinese religiosity. Unpacking these sacred economies and repositioning them within the history of religion in China, Walsh encourages a different approach to the study of Chinese religion, emphasizing the critical link between religious exchange and the production of material culture.
Author: Mario Poceski
Publisher: Oxford University Press
ISBN: 0190463759
Category : Religion
Languages : en
Pages : 384
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Book Description
The Records of Mazu and the Making of Classical Chan Literature explores the growth, makeup, and transformation of Chan (Zen) Buddhist literature in late medieval China. The volume analyzes the earliest extant records about the life, teachings, and legacy of Mazu Daoyi (709-788), the famous leader of the Hongzhou School and one of the principal figures in Chan history. While some of the texts covered are well-known and form a central part of classical Chan (or more broadly Buddhist) literature in China, others have been largely ignored, forgotten, or glossed over until recently. Poceski presents a range of primary materials important for the historical study of Chan Buddhism, some translated for the first time into English or other Western language. He surveys the distinctive features and contents of particular types of texts, and analyzes the forces, milieus, and concerns that shaped key processes of textual production during this period. Although his main focus is on written sources associated with a celebrated Chan tradition that developed and rose to prominence during the Tang era (618-907), Poceski also explores the Five Dynasties (907-960) and Song (960-1279) periods, when many of the best-known Chan collections were compiled. Exploring the Chan School's creative adaptation of classical literary forms and experimentation with novel narrative styles, The Records of Mazu and the Making of Classical Chan Literature traces the creation of several distinctive Chan genres that exerted notable influence on the subsequent development of Buddhism in China and the rest of East Asia.
Author: Steven Heine
Publisher: Oxford University Press
ISBN: 0195150678
Category : Philosophy
Languages : en
Pages : 336
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Book Description
Presents a collection of essays, which argue that Zen Buddism actually has a rich and varied literary heritage. Among the significant texts are hagiographic accounts and recorded sayings of individual Zen masters, koan collections and commentaries and rules for monastic life.
Author: 惠能
Publisher: Columbia University Press
ISBN: 0231158211
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
"Essays that introduce the history and ideas of the sūtra to a general audience and interpret its practices." (book jacket).
Author: Kevin Buckelew
Publisher: Columbia University Press
ISBN: 0231560265
Category : Religion
Languages : en
Pages : 234
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Book Description
In Song-period China (960–1279 CE), masters in the Chan (Japanese Zen) school of Buddhism were presented as sources of religious authority on par with the Buddha, an almost unthinkably lofty status before the rise of Chan. This claim carried great rhetorical power, facilitating Chan’s appeal to Buddhist monastics and powerful patrons alike. But it also raised a challenging question for Chan Buddhists, who insisted that buddhahood properly transcends all worldly marks: By what signs could one recognize a Chan master as a buddha? Discerning Buddhas argues that Chan Buddhists wove together tropes of sovereignty, hospitality, and martial heroism drawn from both Buddhist tradition and China’s cultural heritage to develop a distinctive vision of what it meant for a Chan master to be a buddha in Song-period China. Kevin Buckelew analyzes the ways Chan Buddhists deployed such tropes in ritual, literature, and visual culture in order to stage the comparison of Chan mastery with buddhahood. He examines how they used the concept of buddhahood to work through questions about the ideal Chan master’s authority, agency, and masculinity, in the process rendering buddhahood in terms highly legible to elite Chinese society. Chan Buddhists, Buckelew shows, developed their own “signature” of buddhahood, according to which enlightened Chan masters who truly deserved comparison to the Buddha were supposed to be distinguished from everyone else. By exploring the resulting Chan culture of discernment, which raised fundamental questions about Buddhist authority at a pivotal inflection point in Chinese history, this book offers fresh insight into the place of Buddhism in Chinese society.
Author: Jiang Wu
Publisher: Oxford University Press
ISBN: 0199393125
Category : Biography & Autobiography
Languages : en
Pages : 385
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Book Description
In 1654 Zen Master Yinyuan traveled from China to Japan. Seven years later his monastery, Manpukuji, was built and he had founded a new tradition, called Obaku. In this sequel to his 2008 book, Enlightenment in Dispute, Jiang Wu tells the story of the tremendous obstacles faced by Yinyuan, drawing parallels between his experiences and the broader political and cultural context in which he lived. Yinyuan claimed to have inherited the "Authentic Transmission of the Linji Sect." After arriving in Japan, he was able to persuade the Shogun to build a new Ming-style monastery for the establishment of his Obaku school. His arrival in Japan coincided with a series of historical developments, including the Ming-Qing transition, the consolidation of early Tokugawa power, the growth of Nagasaki trade, and rising Japanese interests in Chinese learning and artistic pursuits. While Yinyuan's travel is known in scholarly circles, the significance of his journey within East Asian history has not been fully explored. Leaving for the Rising Sun provides a unique opportunity to reexamine the crisis in the continent and responses from other parts of East Asia. Using Yinyuan's story as a bridge between China and Japan, Wu demonstrates that the monk's significance is far greater than the temporary success of a religious sect. Rather, Yinyuan imported to Japan a new discourse of authenticity that gave rise to indigenous movements that challenged, and led to the eventual breakup of, a China-centered world order.
Author: Gregory P. A. Levine
Publisher: University of Washington Press
ISBN: 9780295985404
Category : Architecture
Languages : en
Pages : 508
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Book Description
The Zen Buddhist monastery Daitokuji in Kyoto has long been revered as a cloistered meditation centre, a repository of art treasures, and a wellspring of the "Zen aesthetic." Gregory Levine's Daitokuji unsettles these conventional notions with groundbreaking inquiry into the significant and surprising visual and social identities of sculpture, painting, and calligraphy associated with this fourteenth-century monastery and its enduring monastic and lay communities. The book begins with a study of Zen portraiture at Daitokuji that reveals the precariousness of portrait likeness; the face that gazes out from an abbot's painting or statue may not be who we expect it to be or submit quietly to interpretation. By tracing the life of Daitokuji's famed statue of the chanoyu patriarch Sen no Riky-u (1522-91), which was all but destroyed by the ruler Toyotomi Hideyoshi (1537-98) but survived in Rash-omon-like narratives and reconstituted sculptural forms, Levine throws light upon the contested status of images and their mytho-poetic potential. Levine then draws from the seventeenth-century journal of K-ogetsu S-ogan, Bokuseki no utsushi, to explore practices of calligraphy connoisseurship at Daitokuji and the pivotal role played by the monastery's abbots within Kyoto art circles. The book's final section explores Daitokuji's annual airings of temple treasures not merely as a practice geared toward preservation but also as a space in which different communities vie for authority over the artistic past. An epilogue follows the peripatetic journey of the monastery's scrolls of the 500 Luohan from China to Japan, to exhibition and partial sale in the West, and back to Daitokuji. Illuminating canonical and heretofore ignored works and mining a trove of documents, diaries, and modern writings, Levine argues for the plurality of Daitokuji's visual arts and the breadth of social and ritual circumstances of art making and viewing within the monastery. This diversity encourages reconsideration of stereotyped notions of "Zen art" and offers specialists and general readers alike opportunity to explore the fertile and sometimes volatile nexus of the visual arts and religious sites in Japan.
Author: John Lagerwey
Publisher: BRILL
ISBN: 9004175857
Category : Social Science
Languages : en
Pages : 1584
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Book Description
After the Warring States, treated in Part One of this set, there is no more fecund era in Chinese religious and cultural history than the period of division (220-589 AD). During it, Buddhism conquered China, Daoism grew into a mature religion with independent institutions, and, together with Confucianism, these three teachings, having each won its share of state recognition and support, formed a united front against shamanism. While all four religions are covered, Buddhism and Daoism receive special attention in a series of parallel chapters on their pantheons, rituals, sacred geography, community organization, canon formation, impact on literature, and recent archaeological discoveries. This multi-disciplinary approach, without ignoring philosophical and theological issues, brings into sharp focus the social and historical matrices of Chinese religion.
