The Organ Preludes of Johann Sebastian Bach PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Organ Preludes of Johann Sebastian Bach PDF full book. Access full book title The Organ Preludes of Johann Sebastian Bach by George B. Stauffer. Download full books in PDF and EPUB format.
Author: George B. Stauffer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 284
Get Book Here
Book Description
Bach's preludes and fugues for organs have never suffered from neglect. While Bach's vocal works fell into eclipse soon after his death in 1750, his keyboard compositions continued to draw considerable approbation. The preludes and fugues, as part of this esteemed repertoire, remained in wide use throughout the eighteenth and nineteenth centuries. Consequently they number among the best-known and most-frequently discussed works of the baroque era. They were already available in several printed editions by the time the first volume of the BG appeared in 1851. They were treated at some length in the ground-breaking nineteenth-century biographies of Forkel, Hilgenfeldt, Bitter, and Spitta. Since then they have been discussed in general terms in the numerous monographs dealing with the organ repertoire or Bach's organ compositions in particular. Hence it is surprising that no one has singled out the preludes and fugues for a full-scale study, taking into consideration the sources, the style, the chronology, and other equally important aspects of the pieces. The present volume focuses on half of this task, the detailed investigation of the preludes. Included in this study will be all those compositions--called prelude, toccata, fantasia, or otherwise--which fulfill an introductory purpose. Thirty-three works fall into this category: nine single pieces and twenty-four preludes from prelude-fugue pairs.
Author: George B. Stauffer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 284
Get Book Here
Book Description
Bach's preludes and fugues for organs have never suffered from neglect. While Bach's vocal works fell into eclipse soon after his death in 1750, his keyboard compositions continued to draw considerable approbation. The preludes and fugues, as part of this esteemed repertoire, remained in wide use throughout the eighteenth and nineteenth centuries. Consequently they number among the best-known and most-frequently discussed works of the baroque era. They were already available in several printed editions by the time the first volume of the BG appeared in 1851. They were treated at some length in the ground-breaking nineteenth-century biographies of Forkel, Hilgenfeldt, Bitter, and Spitta. Since then they have been discussed in general terms in the numerous monographs dealing with the organ repertoire or Bach's organ compositions in particular. Hence it is surprising that no one has singled out the preludes and fugues for a full-scale study, taking into consideration the sources, the style, the chronology, and other equally important aspects of the pieces. The present volume focuses on half of this task, the detailed investigation of the preludes. Included in this study will be all those compositions--called prelude, toccata, fantasia, or otherwise--which fulfill an introductory purpose. Thirty-three works fall into this category: nine single pieces and twenty-four preludes from prelude-fugue pairs.
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages :
Get Book Here
Book Description
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 1457469111
Category : Music
Languages : en
Pages : 34
Get Book Here
Book Description
This collection, edited by Dr. Hans Bischoff, consists of the "Six Little Preludes," BWV 933-938, along with twelve preludes taken from "The Little Piano Book" (Clavierbuchlein) of Wilhelm Friedemann Bach. Titles: * Prelude No. 1 in C Major (BWV 933) * Prelude No. 2 in C Minor (BWV 934) * Prelude No. 3 in D Minor (BWV 935) * Prelude No.4 in D Major (BWV 936) * Prelude No. 5 in E Major (BWV 937) * Prelude No. 6 in E Minor (BWV 938) * Prelude No. 7 in C Major * Prelude No. 8 in C Major * Prelude No. 9 in C Minor * Prelude No. 10 in D Major * Prelude No. 11 in D Minor * Prelude No. 12 in D Minor * Prelude No. 13 in E Minor * Prelude No. 14 in F Major * Prelude No. 15 in F Major * Prelude No. 16 in G Minor * Prelude No. 17 in G Minor * Prelude No. 18 in A Minor
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457418280
Category : Music
Languages : en
Pages : 228
Get Book Here
Book Description
A most impressive 220-page edition of the first volume of "The Well-Tempered Clavier," these 24 preludes and 24 fugues were painstakingly researched over a period of 10 years, using the most important original manuscript sources. Baroque scholar Willard A. Palmer's thorough introduction discusses fugal construction, articulation and other aspects of performance interpretation. Volume I of "The Well-Tempered Clavier" has been updated with a new "look" to match Volume II. This essential masterpiece is a "must-have" for all pianists.
Author: George B. Stauffer
Publisher: Indiana University Press
ISBN: 9780253213860
Category : Music
Languages : en
Pages : 324
Get Book Here
Book Description
" . . . a valuable book of scholarly yet highly readable studies . . . every organist and anyone interested in the music of J. S. Bach should have it." —Early Keyboard Journal " . . . a very perceptive and informative guide . . . " —Early Music " . . . this book is a must." —The American Organist " . . . invaluable and entertaining . . . " —American Music Teacher " . . . among the most important and accomplished studies on eighteenth-century performance. Its comprehensiveness, clarity, and scholarship make it indispensable." —Performance Practice Review In J. S. Bach as Organist, specialists from six countries explore Bach's relationship to his favorite instrument during all periods of his career. J. S. Bach as Organist is a book for scholars, performers, and students. Authoritative and wide-ranging.
Author: Alexandre Guilmant
Publisher: Courier Corporation
ISBN: 0486416860
Category : Music
Languages : en
Pages : 242
Get Book Here
Book Description
Originally published: New York: G. Schirmer, 1889.
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521814164
Category : Music
Languages : en
Pages : 510
Get Book Here
Book Description
This is a completely revised 2003 edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This edition takes account of Bach scholarship of the 25 years prior to publication. Peter Williams's piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the 'free works', followed by chorales and ending with the doubtful works, including the 'newly discovered chorales' of 1985.
Author: Willard Palmer
Publisher: Alfred Music
ISBN: 9780739000410
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
Collected from several sources, these teaching pieces were published separately in the 18th and 19th centuries as the Twelve Short Preludes and the Six Short Preludes. Students are often introduced to these works prior to studying the Two-Part Inventions (Alfred Edition 22528). This unique edition includes the realization of ornaments and guidance concerning tempos and articulation. 48 pages.
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521270786
Category : Music
Languages : en
Pages : 392
Get Book Here
Book Description
These paperback editions makes Peter Williams's influential scholarship available to a wider field of readers, including those with an interest in the ever-expanding discussions of original instrumentation and its implications for modern performance. Professor Williams examines Bach's organ works piece-by-piece, reconstructing for the present-day performer and listener the original context of the work. Form and style are analysed, with abundant musical examples and frequent allusions to the views of other commentators. Each volume contains a preface, calendar, lists of musical sources and references, and an index.
