The Occasional Writings of Philip Heseltine (Peter Warlock): Early music PDF Download
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Author: Peter Warlock
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 182
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Book Description
Author: Peter Warlock
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 182
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Book Description
Author: Peter Warlock
Publisher:
ISBN: 9780903413442
Category : Composers
Languages : en
Pages : 162
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Book Description
Author: Peter Warlock
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 132
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Book Description
Author: Peter Warlock
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 180
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Book Description
Author: Peter Warlock
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 162
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Book Description
Author: Sarah Collins
Publisher: Cambridge University Press
ISBN: 1108481493
Category : History
Languages : en
Pages : 193
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Book Description
Examines the role of musical figures within 'late modernism', presenting a new understanding of the politics and aesthetics of lateness.
Author: Brian Inglis
Publisher: Routledge
ISBN: 1351068784
Category : Music
Languages : en
Pages : 179
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Book Description
Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete scholarly edition for the first time. The volume also provides a new contextual, critical and interpretative framework, incorporating a myriad of perspectives: identities, social geographies, style construction, and mutual interests and influences. Pertinent period documents, including evidence of Heseltine’s reactions, enhance the sense of narrative and expand on aesthetic discussions. Through the letters’ entertaining and perceptive lens, Sorabji’s early life and compositions are vividly illuminated and Heseltine’s own intriguing life and work recontextualised. What emerges takes us beyond tropes of otherness and eccentricity to reveal a persona and a narrative with great relevance to modern-day debates on canonicity and identity, especially the nexus of ethnicity, queer identities and Western art music. Scholars, performers and admirers of early twentieth-century music in Britain, and beyond, will find this a valuable addition to the literature. The book will appeal to those studying or interested in early musical modernism and its reception; cultural life in London around and after the First World War; music, nationality and race; Commonwealth studies; and music and sexuality.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
Author: Eleni Loukopoulou
Publisher: University Press of Florida
ISBN: 0813052629
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
"Fundamentally alters the received wisdom that tends to award Paris a far more central place in the making of Joyce the modernist."--John McCourt, author of The Years of Bloom: James Joyce in Trieste 1904-1920 "In readings equally attentive to text, avant-text, and context, this book shows us how many roads in Joyce's life and work led to London. Yet the first city of the British Empire is also decentered here, enmeshed by Joyce with Dublin through the place names, cartographies, and imperial history the two cities shared. Loukopoulou has written the atlas of their entanglement, a Londub A to Z."--Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form The effect of Dublin--and other cities such as Trieste, Zurich, and Paris--on James Joyce and his works has been studied extensively, but few Joyceans have explored the impact of London on the trajectory of his literary career. In Up to Maughty London, Eleni Loukopoulou offers the first sustained account of Joyce's engagement with the imperial metropolis. She considers both London's status as a matrix for political and cultural formations and how the city is reimagined in Joyce’s work. Loukopoulou examines newly discovered or largely neglected material, including newspaper and magazine articles, anthology contributions, radio broadcasts, sound recordings, and other writings published and unpublished. She also assesses the promotion of Joyce's work in London’s literary marketplace. London emerges not just as a setting for his writings but as a key cultural and publishing vector for the composition and dissemination of his work. Eleni Loukopoulou is an independent scholar living in London. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Author: Roger Savage
Publisher: Boydell & Brewer Ltd
ISBN: 1843839199
Category : Music
Languages : en
Pages : 404
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Book Description
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
