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Author: Kālīprasanna Siṃha
Publisher:
ISBN: 9788178241982
Category : Bengal (India)
Languages : en
Pages : 196
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Book Description
The Observant Owl is a bawdy, scatological, joyously irreverent portrait of the city he lived in. The writing is so vivid that there is within these pages a sense of walking through a nineteenth-century city as fishwives call out their wares, housewives hurry to the river for baths, thieves pick pockets, and carriages creak through slush and rotting banana peel carting passengers high on ganja.Hootum Pyanchar Naksha (literally 'Sketches by Hootum the Owl'), a set of satirical portraits in Bengali of ordinary life in nineteenth-century Calcutta, is so popular that it has never been out of print since its publication in 1862. This is its first ever translation.
Author: Kālīprasanna Siṃha
Publisher:
ISBN: 9788178241982
Category : Bengal (India)
Languages : en
Pages : 196
Get Book Here
Book Description
The Observant Owl is a bawdy, scatological, joyously irreverent portrait of the city he lived in. The writing is so vivid that there is within these pages a sense of walking through a nineteenth-century city as fishwives call out their wares, housewives hurry to the river for baths, thieves pick pockets, and carriages creak through slush and rotting banana peel carting passengers high on ganja.Hootum Pyanchar Naksha (literally 'Sketches by Hootum the Owl'), a set of satirical portraits in Bengali of ordinary life in nineteenth-century Calcutta, is so popular that it has never been out of print since its publication in 1862. This is its first ever translation.
Author:
Publisher: Primus Books
ISBN: 9789358520361
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Hutom Pyanchar Naksha (literally, 'Sketches by Hutom the Owl'), a set of satirical portraits in Bengali about ordinary life in the nineteenth century, is so popular that it has never been out of print since its publication in 1861-2. The author of the sketches, Kaliprasanna Sinha (1840-70), ran several literary journals, founded the Bidyotsahini Sabha (Association for the Cultivation of Knowledge), established a theatre house named Bidyotsahini Theatre to promote Bengali drama, published the Bengali translation of the Mahabharata, and donated generously to social causes and projects of social reform. The Observant Owl, originally published in 2008, is the first ever English translation of Kaliprasanna's work. It presents a joyously irreverent portrait of the city he lived in. The writing is so vivid that one finds within these pages a sense of walking through a nineteenth-century city as fishwives call out their wares, housewives hurry to the river for baths, thieves pick pockets, and carriages creak through slush and rotting banana peels, carting passengers high on ganja.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: Partha Chatterjee
Publisher: Princeton University Press
ISBN: 0691152012
Category : Business & Economics
Languages : en
Pages : 440
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Book Description
When Siraj, the ruler of Bengal, overran the British settlement of Calcutta in 1756, he allegedly jailed 146 European prisoners overnight in a cramped prison. Of the group, 123 died of suffocation. While this episode was never independently confirmed, the story of "the black hole of Calcutta" was widely circulated and seen by the British public as an atrocity committed by savage colonial subjects. The Black Hole of Empire follows the ever-changing representations of this historical event and founding myth of the British Empire in India, from the eighteenth century to the present. Partha Chatterjee explores how a supposed tragedy paved the ideological foundations for the "civilizing" force of British imperial rule and territorial control in India. Chatterjee takes a close look at the justifications of modern empire by liberal thinkers, international lawyers, and conservative traditionalists, and examines the intellectual and political responses of the colonized, including those of Bengali nationalists. The two sides of empire's entwined history are brought together in the story of the Black Hole memorial: set up in Calcutta in 1760, demolished in 1821, restored by Lord Curzon in 1902, and removed in 1940 to a neglected churchyard. Challenging conventional truisms of imperial history, nationalist scholarship, and liberal visions of globalization, Chatterjee argues that empire is a necessary and continuing part of the history of the modern state.
Author: Sandeep Banerjee
Publisher: Routledge
ISBN: 0429686390
Category : Social Science
Languages : en
Pages : 308
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Book Description
The book illuminates the spatial utopianism of South Asian anti-colonial texts by showing how they refuse colonial spatial imaginaries to re-imagine the British Indian colony as the postcolony in diverse and contested ways. Focusing on the literary field of South Asia between, largely, the 1860s and 1920s, it underlines the centrality of literary imagination and representation in the cultural politics of decolonization. This book spatializes our understanding of decolonization while decoupling and complicating the easy equation between decolonization and anti-colonial nationalism. The author utilises a global comparative framework and reads across the English-vernacular divide to understand space as a site of contested representation and ideological contestation. He interrogates the spatial desire of anti-colonial and colonial texts across a range of genres, namely, historical romances, novels, travelogues, memoirs, poems, and patriotic lyrics. The book is the first full-length literary geographical study of South Asian literary texts and will be of interest to an interdisciplinary audience in the fields of Postcolonial and World Literature, Asian Literature, Victorian Literature, Modern South Asian Historiography, Literature and Utopia, Literature and Decolonization, Literature and Nationalism, Cultural Geography, and South Asian Studies.
Author: Samir Kumar Das
Publisher: Springer Nature
ISBN: 9811602638
Category : Social Science
Languages : en
Pages : 240
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Book Description
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.
Author: Jennifer Dubrow
Publisher: University of Hawaii Press
ISBN: 0824872703
Category : History
Languages : en
Pages : 194
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Book Description
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.
Author: Priyanka Basu
Publisher: Taylor & Francis
ISBN: 1000960889
Category : Social Science
Languages : en
Pages : 274
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Book Description
This book explores the ‘folk’ performance genre of Kobigaan, a dialogic song-theatre form in which performers verse-duel, in contemporary West Bengal in India and Bangladesh. Thought to be a nearly extinct form, the book shows how the genre is still prevalent in the region. The author shows how like many other ‘folk’ practices in South and South-East Asia, the content and format of this genre has undergone vital changes thus raising questions of authenticity, patronage and cultural politics. She captures live performances of Kobigaan through ethnographies spread across borders — from village rituals to urban festivals, and from Bengali cinema to television and new media. While understanding Kobigaan from the practitioners’ points-of-view, this book also explores the crucial issues of gender, marginalization and representation that is true of any performance genre. Drawing on case studies, it underlines the issues of artistic agency, empowerment, cultural labour and heritage, ritual, authenticity, creative industries, media, gender, and identity politics. Part of the ‘South Asian History and Culture’ series, this book is a major intervention in South Asian folklore and performance studies. It also expands into the larger disciplines of literature, social and cultural movements in South Asia, ethnomusicology and the politics of performance.
Author: K. Moti Gokulsing
Publisher: Routledge
ISBN: 1134023065
Category : Social Science
Languages : en
Pages : 539
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Book Description
As India celebrated the sixtieth anniversary of its independence, much praise was lavished on its emergence as a major player on the global stage. Its economic transformation and geopolitical significance as a nuclear power are matched by its globally resonant cultural resources. This book explores India’s rich popular culture. Chapters provide illuminating insights into various aspects of the social, cultural, economic and political realities of contemporary globalised India. Structured thematically and drawing on a broad range of academic disciplines, the book deals with critical issues including: - Film, television and TV soaps - Folk theatre, Mahabharata-Ramayana ,myths, performance, ideology and religious nationalism - Music, dance and fashion - Comics, cartoons, photographs, posters and advertising - Cyberculture and the software industry - Indian feminisms - Sports and tourism - Food culture Offering comprehensive coverage of the emerging discipline of popular culture in India, this book is essential reading for courses on Indian popular culture and a useful resource for more general courses in the field of cultural studies, media studies, history, literary studies and communication studies.
