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Author:
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Category : Flour industry
Languages : en
Pages : 648
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Book Description
Author:
Publisher:
ISBN:
Category : Flour industry
Languages : en
Pages : 648
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Book Description
Author:
Publisher:
ISBN:
Category : Feed industry
Languages : en
Pages : 1374
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Author:
Publisher:
ISBN:
Category : Flour industry
Languages : en
Pages : 646
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Author: Ross Miller
Publisher:
ISBN:
Category : History
Languages : en
Pages : 356
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Book Description
The plan was to transform Block 37 - an area of "urban commercial blight" - into a glittering tower that would not only be architecturally worth of its neighbors, but would also throw off millions of tax and rental dollars annually. Here's the Deal is the intricately told tale of how that plan failed, leaving the city of Chicago with 2 million empty square feet of office space and a pocket book $200 million dollars lighter.
Author: Hillary Miller
Publisher: Northwestern University Press
ISBN: 0810133903
Category : Performing Arts
Languages : en
Pages : 447
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Book Description
Winner, 2017 American Theater and Drama Society John W. Frick Book Award Winner, 2017 ASTR Barnard Hewitt Award for Outstanding Research in Theater History Hillary Miller’s Drop Dead: Performance in Crisis, 1970s New York offers a fascinating and comprehensive exploration of how the city’s financial crisis shaped theater and performance practices in this turbulent decade and beyond. New York City’s performing arts community suffered greatly from a severe reduction in grants in the mid-1970s. A scholar and playwright, Miller skillfully synthesizes economics, urban planning, tourism, and immigration to create a map of the interconnected urban landscape and to contextualize the struggle for resources. She reviews how numerous theater professionals, including Ellen Stewart of La MaMa E.T.C. and Julie Bovasso, Vinnette Carroll, and Joseph Papp of The Public Theater, developed innovative responses to survive the crisis. Combining theater history and close readings of productions, each of Miller’s chapters is a case study focusing on a company, a production, or an element of New York’s theater infrastructure. Her expansive survey visits Broadway, Off-, Off-Off-, Coney Island, the Brooklyn Academy of Music, community theater, and other locations to bring into focus the large-scale changes wrought by the financial realignments of the day. Nuanced, multifaceted, and engaging, Miller’s lively account of the financial crisis and resulting transformation of the performing arts community offers an essential chronicle of the decade and demonstrates its importance in understanding our present moment.
Author: Mark Crispin Miller
Publisher: Northwestern University Press
ISBN: 9780810107922
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
Informed, controversial, ranging from a melancholy study of rock and roll's descent into show business to a hilarious look at the spectacle that is the Jerry Lewis Telethon, these twenty essays offer an unusual and (ironically) entertaining study of American media by one of its foremost critics.
Author: Matthew D. Miller
Publisher: Northwestern University Press
ISBN: 0810137348
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Matthew Miller’s The German Epic in the Cold War explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany. Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union. Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures.
Author:
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ISBN:
Category : Millers
Languages : en
Pages : 1298
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Author:
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ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Louis Armand
Publisher: Northwestern University Press
ISBN: 0810123606
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
Exploring the boundaries of one of the most contested fields of literary study—a field that in fact shares territory with philology, aesthetics, cultural theory, philosophy, and even cybernetics—this volume gathers a body of critical writings that, taken together, broadly delineate a possible poetics of the contemporary. In these essays, the most interesting and distinguished theorists in the field renegotiate the contours of what might constitute "contemporary poetics," ranging from the historical advent of concrete poetry to the current technopoetics of cyberspace. Concerned with a poetics that extends beyond our own time, as a mere marker of present-day literary activity, their work addresses the limits of a writing "practice"—beginning with Stéphane Mallarmé in the late nineteenth century—that engages concretely with what it means to be contemporary. Charles Bernstein's Swiftian satire of generative poetics and the textual apparatus, together with Marjorie Perloff's critical-historical treatment of "writing after" Bernstein and other proponents of language poetry, provides an itinerary of contemporary poetics in terms of both theory and practice. The other essays consider "precursors," recognizable figures within the histories or prehistories of contemporary poetics, from Kafka and Joyce to Wallace Stevens and Kathy Acker; "conjunctions," in which more strictly theoretical and poetical texts enact a concerted engagement with rhetoric, prosody, and the vicissitudes of "intelligibility"; "cursors," which points to the open possibilities of invention, from Augusto de Campos's "concrete poetics" to the "codework" of Alan Sondheim; and "transpositions," defining the limits of poetic invention by way of technology.
