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Author: Girish Shambu
Publisher:
ISBN: 9780991830183
Category : DVDs
Languages : en
Pages : 0
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Book Description
Cinephilic practice today - viewing, thinking, reading and writing about films - is marked by an unprecedented amount of social interaction, made possible by dramatically lower economic barriers to publication through the Internet, giving rise to new hybrid forms and outlets of cinephilic writing that draw freely from scholarly, journalistic and literary models.
Author: Girish Shambu
Publisher:
ISBN: 9780991830183
Category : DVDs
Languages : en
Pages : 0
Get Book Here
Book Description
Cinephilic practice today - viewing, thinking, reading and writing about films - is marked by an unprecedented amount of social interaction, made possible by dramatically lower economic barriers to publication through the Internet, giving rise to new hybrid forms and outlets of cinephilic writing that draw freely from scholarly, journalistic and literary models.
Author: Christian Keathley
Publisher: Indiana University Press
ISBN: 9780253111470
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing. Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters -- a viewing practice marked by a drift in visual attention away from the primary visual elements on display -- in fact has clear links to the origins of film as defined by André Bazin, Roland Barthes, and others. Keathley explores the implications of this ontology and proposes the "cinephiliac anecdote" as a new type of criticism, a method of historical writing that both imitates and extends the experience of these fugitive moments.
Author: Geneviève Sellier
Publisher: Duke University Press
ISBN: 0822388979
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
Author: Jonathan Rosenbaum
Publisher: University of Chicago Press
ISBN: 0226726657
Category : Biography & Autobiography
Languages : en
Pages : 409
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Book Description
This book gathers examples of the author's criticism from the span of his writing career, each of which demonstrates his passion for the way we view movies, as well as how we write about them.
Author: Marijke de Valck
Publisher: Amsterdam University Press
ISBN: 9053567682
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel—they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
Author: Scott Balcerzak
Publisher: Wallflower Press
ISBN:
Category : Computers
Languages : en
Pages : 264
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Book Description
This title explores the increasing relevance of digital media in the consumption and analysis of film.
Author: B. Ruby Rich
Publisher: Duke University Press
ISBN: 0822399695
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries.
Author: Sarah Keller
Publisher: Columbia University Press
ISBN: 0231543301
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future.
Author: Jonathan Rosenbaum
Publisher: British Film Institute
ISBN: 9780851709840
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
In contrast to any talk of "the death of the cinema", this title pronounces the art form alive and well, and still developing in new and unforeseen directions. Using transnational discussions and debates, it shows why the idea of cinephilia is just as relevant today as it ever was.
Author: Chi-Yun Shin
Publisher:
ISBN: 9780748618514
Category : Business & Economics
Languages : en
Pages : 254
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Book Description
A wide-ranging analysis of modern South Korean cinema.
