The Negro Music Journal PDF Download
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Author: Washington Conservatory of Music
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 259
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Book Description
Author: Washington Conservatory of Music
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 259
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Book Description
Author: Richard Kitson
Publisher: Nisc
ISBN:
Category : African American musicians
Languages : en
Pages : 196
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Book Description
Author:
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages :
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Book Description
Author: Donald G. Gíslason
Publisher:
ISBN: 9781932069167
Category :
Languages : en
Pages : 136
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Book Description
Author:
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 424
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Book Description
![Encyclopedia of African American Music [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/fEPPEAAAQBAJ?fife=w80-h100)
Author: Tammy L. Kernodle
Publisher: Bloomsbury Publishing USA
ISBN: 0313342008
Category : Music
Languages : en
Pages : 1267
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Book Description
African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
Author: Evelyn Brooks Higginbotham
Publisher: Harvard University Press
ISBN: 9780674002760
Category : Biography & Autobiography
Languages : en
Pages : 968
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Book Description
Compiles information and interpretations on the past 500 years of African American history, containing essays on historical research aids, bibliographies, resources for womens' issues, and an accompanying CD-ROM providing bibliographical entries.
Author: Geneva H. Southall
Publisher: Scarecrow Press
ISBN: 9780810845459
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Blind Tom was the stage name of Thomas Greene Wiggins, a blind black pianist born into slavery in 1849. In this focused, consequential study, Southall reformulates the debate surrounding Blind Tom and expands its dimensions significantly.
Author: Sarah Carr Liggett Schmalenberger
Publisher:
ISBN:
Category : African American musicians
Languages : en
Pages : 608
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Book Description
In 1903, Harriett Gibbs Marshall, the first African-American woman graduate of the Oberlin Conservatory of Music, opened the Washington Conservatory of Music. This was the first private conservatory owned and operated exclusively by black Americans. Most of the instructors were female graduates of leading music schools, and the majority of the students were women. This project examines the repertoire studied and performed at the Washington Conservatory in order to suggest that its program of study supported the genesis of a "black canon" developing in the United States. Several concert programs from the school thematize racial accomplishment by featuring works by prominent black composers. An investigation of repertoire, courses, letters, and financial records of the school describe the means by which Marshall negotiated a place within white dominated society using the cultural currency of "high" concert music. In addition, Marshall's career illustrates the contributions that black American women have made in shaping musical practice in the United States through their work as teachers and administrators.
Author: Samuel A. Floyd Jr.
Publisher: Oxford University Press
ISBN: 0198024371
Category : Social Science
Languages : en
Pages : 329
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Book Description
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.
