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Author: Joyelle McSweeney
Publisher: University of Michigan Press
ISBN: 0472052411
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
An exploration of poetry as an expression of biology
Author: Joyelle McSweeney
Publisher: University of Michigan Press
ISBN: 0472052411
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
An exploration of poetry as an expression of biology
Author: Claudia Rankine
Publisher: Graywolf Press
ISBN: 1644451190
Category : Literary Collections
Languages : en
Pages : 295
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Book Description
FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION Claudia Rankine’s Citizen changed the conversation—Just Us urges all of us into it As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces—the airport, the theater, the dinner party, the voting booth—where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect. This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend’s explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine’s own text, complicating notions of authority and who gets the last word. Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine’s most intimate work, less interested in being right than in being true, being together.
Author: Sarah Dowling
Publisher: Northwestern University Press
ISBN: 0810147920
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
A study of supine, prone, and recumbent figures in contemporary literature The prostitute, the protester, the murder victim, the invalid, the layabout, the depressive: all are associated with lying down. Skewing and flattening the perpendicular axis that defines the human in Western philosophy, art, and humanist inquiry, these downward-directed figures’ refusals or failures to hew to the moral and postural logics of uprightness enable a reassessment of subjectivity, ecological relation, and representation—that last of which is, after all, a process of standing-in-for. Here Is a Figure: Grounding Literary Form works across an array of well-known and counter-canonical texts, showing that recumbent figures saturate the literary arts of the present and respond to the proliferation of contemporary forms of grounding, in all its meanings. Reading these figures in dialogue with critical Indigenous studies, disability studies, and horizontalist feminisms, Sarah Dowling reveals the potential in thinking with and through a position stretched out across, dependent on, and undetachable from the earth.
Author: Annabel L. Kim
Publisher: U of Minnesota Press
ISBN: 1452965404
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Exploring why there is so much fecal matter in literary works that matter Cacaphonies takes fecal matter and its place in literature seriously. Readers and critics have too long overlooked excrement’s vital role in the twentieth- and twenty-first-century French canon. In a stark challenge to the tendency to view this literature through sanitizing abstractions, Annabel L. Kim undertakes close readings of key authors to argue for feces as a figure of radical equality, both a literary object and a reflection on literature itself, without which literary studies is impoverished and sterile. Following the fecal through line in works by Céline, Beckett, Genet, Sartre, Duras, and Gary and the contemporary authors Anne Garréta and Daniel Pennac, Kim shows that shit, far from vanishing from the canon after the early modern period, remains present in the modern and contemporary French literature that follows. She argues that all the shit in the canon expresses a call to democratize literature, making literature for all, just as shit is for (or of) all. She attends to its presence in this prized element of French identity, treating it as a continually uttered desire to manifest the universality France aspires to—as encapsulated by the slogan Liberté, égalité, fraternité—but fails to realize. In shit there is a concrete universalism that traverses bodies with disregard for embodied differences. Cacaphonies reminds us that literature, and the ideas to be found therein, cannot be separated from the corporeal envelopes that create and receive them. In so doing, it reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life.
Author: Adrian Daub
Publisher: Boydell & Brewer
ISBN: 1571139273
Category : Literary Collections
Languages : en
Pages : 332
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Book Description
Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on environmentalism. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 22 features a special section on environmentalism, edited by Dalia Nassar and Luke Fischer, with contributions on: the metaphor of music in Goethe's scientific work and its influence on Deleuze, Merleau-Ponty, Uexküll, and Zuckerkandl (Frederick Amrine); his conceptualization of modern civilization in Faust (Gernot Böhme); a non-anthropocentricvision of nature in his writings on the intermaxillary bone (Ryan Feigenbaum); his geopoetics of granite (Jason Groves); the historical antecedents of biosemiotics in "Die Metamorphose der Pflanzen" (Kate Rigby); and the conceptof the "Dark Pastoral" in Werther (Heather I. Sullivan). In addition, there are articles on Goethe as a spiritual predecessor of phenomenology (Iris Hennigfeld); concepts of the "hermaphrodite" in contributions to theEncyclopédie by Louis de Jaucourt and Albrecht von Haller (Stephanie Hilger); on Goethe's poem "Nähe des Geliebten" (David Hill); on the link between commerce and culture in West-östlicher Divan (Daniel Purdy); on Goethe's thoughts on collecting and museums (Helmut Schneider); and on intrigues in the works of J. M. R. Lenz (Inge Stephan). Contributors: Frederick Amrine, Gernot Böhme, Ryan Feigenbaum, Luke Fischer, Jason Groves, Iris Hennigfeld, Stephanie M. Hilger, David Hill, Dalia Nassar, Daniel Purdy, Kate Rigby, Helmut J. Schneider, Inge Stephan, Heather I. Sullivan. Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmeris Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College.
Author: Kate Marshall
Publisher: University of Chicago Press
ISBN: 0226827836
Category : Extraterrestrial beings in literature
Languages : en
Pages : 226
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Book Description
"Twenty-first century fiction and literary study have taken a decidedly weird turn: they show a marked interest in the nonhuman and in the preternatural moods that the nonhuman often evokes. Writers of fiction and criticism are avidly experimenting with strange, even alien perspectives and protagonists. Kate Marshall's Novels by Aliens explores this development broadly while focusing on problems of genre fiction. She identifies three key generic hybrids that harness a longing for the nonhuman: The Old Weird, an alternative tradition within naturalism and modernism for the twenty-first century's cowboys and aliens; Cosmic Realism, the reach for words legible only from space in otherwise terrestrial narratives; and Pseudoscience Fiction, which imagines speculative futures beyond human life on earth. Marshall's book offers sharp and surprising insights about a breathtaking range of authors, from Edgar Rice Burroughs to Kazuo Ishiguro, Willa Cather to Maggie Nelson"--
Author: Milena Droumeva
Publisher: Amherst College Press
ISBN: 1943208824
Category : Games & Activities
Languages : en
Pages : 185
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Book Description
Game streamers and live commentators are producing increasingly comprehensive analyses of gameplay, yet scholarship still tends to flatten the experiential media of video games into text for close reading. By shifting focus toward the immersiveness of video games, Playthrough Poetics makes the case for gameplay as a necessary, alternate method. Contributors to this volume engage widely with the activity of play through autoethnographies, meta-analyses of self-broadcasting, new procedural methods like gamespace soundwalking, as well as the affective aspects of games research. In doing so, they model new possibilities for academic players and gamers alike. Rigorous scholarship meets cultural practice in this innovative, multi-modal edited collection that includes video essays and offers transcripts of the playthroughs themselves. Readers (and viewers) will come away with a toolkit of models, case studies, and conceptual frameworks for analyzing video games through gameplay. This volume is a fresh return to the joy of play: the poetics of games as contemporary forms of storytelling and interactivity. With contributions from Ashlee Bird, Brandon Blackburn, Milena Droumeva, Kishonna Gray, Robyn Hope, Ben Scholl, Maria Sommers, Ashlyn Sparrow, Christine Tran, and Aaron Trammell.
Author: Joseph C. Russo
Publisher: Duke University Press
ISBN: 1478023686
Category : Social Science
Languages : en
Pages : 148
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Book Description
In Hard Luck and Heavy Rain Joseph C. Russo takes readers into the everyday lives of the rural residents of Southeast Texas. He encounters the region as a kind of world enveloped in on itself, existing under a pall of poverty, illness, and oil refinery smoke. His informants’ stories cover a wide swath of experiences, from histories of LGBTQ+ life and the local petrochemical industries to religiosity among health food store employees and the suffering of cancer patients living in the Refinery Belt. Russo frames their hard-luck stories as forms of verbal art and poetic narrative that render the region a mythopoetic landscape that epitomizes the impasse of American late capitalism. He shows that in this severe world, questions of politics and history are not cut and dry, and its denizens are not simply backward victims of circumstances. Russo demonstrates that by challenging classist stereotypes of rural Americans as passive, ignorant, and uneducated, his interlocutors offer significant insight into the contemporary United States.
Author: Emily Pérez
Publisher: University of Georgia Press
ISBN: 0820368679
Category : Literary Collections
Languages : en
Pages : 248
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Book Description
Author: Marianne Boruch
Publisher: University of Michigan Press
ISBN: 0472122770
Category : Literary Collections
Languages : en
Pages : 191
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Book Description
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation. The line between poetry (the delicate, surprising not-quite) and the essay (the emphatic so-there!) is thin, easily crossed. Both welcome a deep mulling-over, endlessly mixing image and idea and running with scissors; certainly each distrusts the notion of premise or formulaic progression. Marianne Boruch’s essays in The Little Death of Self emerged by way of odd details or bothersome questions that would not quit—Why does the self grow smaller as the poem grows enormous? Why does closure in a poem so often mean keep going? Must we stalk the poem or does the poem stalk us until the world clicks open? Boruch’s intrepid curiosity led her to explore fields of expertise about which she knew little: aviation, music, anatomy, history, medicine, photography, fiction, neuroscience, physics, anthropology, painting, and drawing. There’s an addiction to metaphor here, an affection for image, sudden turns of thinking, and the great subjects of poetry: love, death, time, knowledge. There’s amazement at the dumb luck of staying long enough in an inkling to make it a poem at all. Poets such as Keats, Stevens, Frost, Plath, Auden, and Bishop, along with painters, inventors, doctors, scientists, composers, musicians, neighbors, friends, and family—all traffic blatantly or under the surface—and one gets a glimpse of such fellow travelers now and then.
