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Author: Edmund Spenser
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 176
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Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
Author: Edmund Spenser
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 176
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Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
Author: Edmund Spenser
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 1253
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Book Description
The Faerie Queene is Edmund Spenser’s magnum opus, composed for Queen Elizabeth I. The epic poem is incomplete, as only six of the intended twelve books were published before his death. Despite that, it stands as one of the longest poems in the English language. During its composition, Spenser invented a new type of verse form: the Spenserian stanza. The form consists of eight lines in iambic pentameter followed by a line in iambic hexameter, with the rhyme scheme ababbcbcc. He purposely included archaic language and spelling to make the work feel comparable to the Arthurian myths written during the Middle Ages. Spenser used Aristotle’s list of virtues as the foundation for his work. Each of the six books follows a different knight who symbolize a unique virtue: the Knight of the Redcross for Holiness, Guyon for Temperance, Britomartis for Chastity, Cambell and Telamond for Friendship, Artegall for Justice, and Calidore for Courtesy. Fragments of an unfinished seventh book—the “Cantos of Mutability”—would have centered on the virtue of Constancy. In a letter to Sir Walter Raleigh, Spenser reveals that King Arthur represents the virtue of Magnificence, “the perfection of all the rest.” The first book opens with the Redcross Knight on a quest ordered by Queen Gloriana to defeat a horrible dragon. Traveling with him is Lady Una and her dwarf servant, who are leading the knight to the land where the dragon dwells. A terrible storm forces the travelers to shelter in the nearest cave—and a monster’s den. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: Edmund Spenser
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 390
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Book Description
Author: Gordon Teskey
Publisher: Belknap Press
ISBN: 0674988442
Category : Literary Criticism
Languages : en
Pages : 553
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Book Description
From the distinguished literary scholar Gordon Teskey comes an essay collection that restores Spenser to his rightful prominence in Renaissance studies, opening up the epic of The Faerie Queene as a grand, improvisatory project on human nature, and arguing—controversially—that it is Spenser, not Milton, who is the more important and relevant poet for the modern world. There is more adventure in The Faerie Queene than in any other major English poem. But the epic of Arthurian knights, ladies, and dragons in Faerie Land, beloved by C. S. Lewis, is often regarded as quaint and obscure, and few critics have analyzed the poem as an experiment in open thinking. In this remarkable collection, the renowned literary scholar Gordon Teskey examines the masterwork with care and imagination, explaining the theory of allegory—now and in Edmund Spenser’s Elizabethan age—and illuminating the poem’s improvisatory moments as it embarks upon fairy tale, myth, and enchantment. Milton, often considered the greatest English poet after Shakespeare, called Spenser his “original.” But Teskey argues that while Milton’s rigid ideology in Paradise Lost has failed the test of time, Spenser’s allegory invites engagement on contemporary terms ranging from power, gender, violence, and virtue ethics, to mobility, the posthuman, and the future of the planet. The Faerie Queene was unfinished when Spenser died in his forties. It is the brilliant work of a poet of youthful energy and philosophical vision who opens up new questions instead of answering old ones. The epic’s grand finale, “The Mutabilitie Cantos,” delivers a vision of human life as dizzyingly turbulent and constantly changing, leaving a future open to everything.
Author: Jane Grogan
Publisher: Manchester University Press
ISBN: 9780719082245
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
This is the first collection of essays devoted to Edmund Spenser’s Mutabilitie Cantos (1609), and it celebrates the 400th anniversary of the first publication of that intriguing, posthumously-published fragment of his unfinished epic, The Faerie Queene (1590-96). It brings together leading and emerging Spenser scholars from the US, UK, Ireland and India to asses and assert the significance of the Mutabilitie Cantos to Spenser’s work and thought. All eleven essays are origional and specially commissioning for this substantial volume with contributions from James Nohrnberg, Gordon Teskey and Judith Anderson. Although broadly historical, in keeping the principles with The Manchester Spenser series, the collections encompasses an impressive variety of approaches and interests, ranging from historical allegory and material, political, philosophical and literary contexts of the Mutabilitie Cantos, as well as their commanding place in early modern English and Irish literature and history. The collection also includes a full bibliography of scholarly criticism of the Mutabilitie Cantos. This collection will be of interest to undergraduate and graduate students, to scholars of Spenser and scholars of renaissance studies.
Author: Catherine Bates
Publisher: John Wiley & Sons
ISBN: 1118585194
Category : Literary Criticism
Languages : en
Pages : 671
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Book Description
The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.
Author: Edmund Spenser
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
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Book Description
Author: Gordon Teskey
Publisher: Cornell University Press
ISBN: 9780801429958
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
The only form of monumental artistic expression practiced from antiquity to the Enlightenment, allegory evolved to its fullest complexity in Dante's Commedia and Spenser's Faerie Queene. Drawing on a wide range of literary, visual, and critical works in the European tradition, Gordon Teskey provides both a literary history of allegory and a theoretical account of the genre which confronts fundamental questions about the violence inherent in cultural forms. Approaching allegory as the site of intense ideological struggle, Teskey argues that the desire to raise temporal experience to ever higher levels of abstraction cannot be realized fully but rather creates a "rift" that allegory attempts to conceal. After examining the emergence of allegorical violence from the gendered metaphors of classical idealism, Teskey describes its amplification when an essentially theological form of expression was politicized in the Renaissance by the introduction of the classical gods, a process leading to the replacement of allegory by political satire and cartoons. He explores the relationship between rhetorical voice and forms of indirect speech (such as irony) and investigates the corporeal emblematics of violence in authors as different as Machiavelli and Yeats. He considers the large organizing theories of culture, particularly those of Eliot and Frye, which take the place in the modern world of earlier allegorical visions. Concluding with a discussion of the Mutabilitie Cantos, Teskey describes Spenser's metaphysical allegory, which is deconstructed by its own invocation of genealogical struggle, as a prophetic vision and a form of warning.
Author: Edmund Spenser
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 176
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Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
Author: Edmund Spenser
Publisher: Hackett Publishing
ISBN: 1603840265
Category : Poetry
Languages : en
Pages : 263
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Book Description
Book Six and the incomplete Book Seven of The Faerie Queene are the last sections of the unfinished poem to have been published. They show Spenser inflecting his narrative with an ever more personal note, and becoming an ever more desperate and anxious author, worried that things were falling apart as Queen Elizabeth failed in health and the Irish crisis became ever more terrifying. The moral confusion and uncertainty that Calidore, the Knight of Courtesy, has to confront are symptomatic of the lack of control that Spenser saw everywhere around him. Yet, within such a troubling and disturbing work there are moments of great beauty and harmony, such as the famous dance of the Graces that Colin Clout, the rustic alter ego of the poet himself, conjures up with his pipe. Book Seven, the Two Cantos of Mutabilitie, is among the finest of Spenser's poetic works, in which he explains the mythical origins of his world, as the gods debate on the hill opposite his Irish house. Whether order or chaos triumphs in the end has been the subject of most subsequent critical debate.
