Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Musical Quarterly 1986
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Musical Quarterly
Author: Oxford University Press
Publisher: Oxford University Press, USA
ISBN: 9780195097931
Category :
Languages : en
Pages : 204
Book Description
Publisher: Oxford University Press, USA
ISBN: 9780195097931
Category :
Languages : en
Pages : 204
Book Description
The Musical Quarterly
Author: Oscar George Sonneck
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 750
Book Description
The Musical Quarterly
Author: Oscar George Sonneck
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 756
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 756
Book Description
The Musical Quarterly 1985
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Musical Quarterly
Author: Oxford University Press
Publisher: Oxford University Press, USA
ISBN: 9780195107395
Category : Music
Languages : en
Pages : 150
Book Description
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of virtually every important musicologist of this century including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. In 1993, Leon Botstein assumed editorship of The Musical Quarterly. Botstein, who is music director and principal conductor of the American Symphony Orchestra, has guest-conducted orchestras around the world and recorded new works by the American composers Meyer Kupferman, Richard Wilson, and Robert Starer. President of Bard College since 1975, he has published extensively in The New York Times, Harper's, and The New Republic, as well as The Musical Quarterly. Under his direction, MQ focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced. Regular sections include "American Musics," "Music and Culture," "The Twentieth Century," and an "Institutions, Industries, Technologies" section which examines music and the ways it is created and consumed. In addition, a fifth section entitled "Primary Sources" features discussions on issues of biography, texts, and manuscripts; reflections on leading figures; personal statements by noted performers and composers; and essays on performances and recordings. And along with discussions of important new books, MQ publishes review essays on a wide variety of significant new music performances and recordings"
Publisher: Oxford University Press, USA
ISBN: 9780195107395
Category : Music
Languages : en
Pages : 150
Book Description
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of virtually every important musicologist of this century including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. In 1993, Leon Botstein assumed editorship of The Musical Quarterly. Botstein, who is music director and principal conductor of the American Symphony Orchestra, has guest-conducted orchestras around the world and recorded new works by the American composers Meyer Kupferman, Richard Wilson, and Robert Starer. President of Bard College since 1975, he has published extensively in The New York Times, Harper's, and The New Republic, as well as The Musical Quarterly. Under his direction, MQ focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced. Regular sections include "American Musics," "Music and Culture," "The Twentieth Century," and an "Institutions, Industries, Technologies" section which examines music and the ways it is created and consumed. In addition, a fifth section entitled "Primary Sources" features discussions on issues of biography, texts, and manuscripts; reflections on leading figures; personal statements by noted performers and composers; and essays on performances and recordings. And along with discussions of important new books, MQ publishes review essays on a wide variety of significant new music performances and recordings"
Musical Quarterly, LVI/4 (Oct. 1970)
Author: Paul Henry Lang
Publisher:
ISBN:
Category :
Languages : en
Pages : 395
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 395
Book Description
The Musical Quarterly
Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
American Experimental Music 1890-1940
Author: David Nicholls
Publisher: Cambridge University Press
ISBN: 9780521424646
Category : Music
Languages : en
Pages : 256
Book Description
From the end of the nineteenth century a national musical consciousness gradually developed in the USA as composers began to turn away from the European conventions on which their music had hitherto been modelled. It was in this period of change that experimentation was born. In this book, the composer and scholar David Nicholls considers the most influential figures in the development of American experimental music, including Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell, and the young John Cage. He analyses the music and ideas of this group, explaining the compositional techniques invented and employed by them and the historical and cultural context in which they emerged.
Publisher: Cambridge University Press
ISBN: 9780521424646
Category : Music
Languages : en
Pages : 256
Book Description
From the end of the nineteenth century a national musical consciousness gradually developed in the USA as composers began to turn away from the European conventions on which their music had hitherto been modelled. It was in this period of change that experimentation was born. In this book, the composer and scholar David Nicholls considers the most influential figures in the development of American experimental music, including Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell, and the young John Cage. He analyses the music and ideas of this group, explaining the compositional techniques invented and employed by them and the historical and cultural context in which they emerged.
The Musical Quarterly
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description