The musical language employed in the "Konzert für Orgel und Streichorchester" of Josef Friedrich Doppelbauer PDF Download
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Author: Donald Lee Armitage
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 376
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Book Description
Author: Donald Lee Armitage
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 376
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Book Description
Author: Corliss Richard Arnold
Publisher: Scarecrow Press
ISBN: 1461670268
Category : Music
Languages : en
Pages : 399
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Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Author: Corliss Richard Arnold
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 406
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Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 602
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Book Description
Author: Corliss Richard Arnold
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 628
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Book Description
Author: Bernhard Günther
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 1282
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 768
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Book Description
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 658
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
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Book Description
Author: David Dalton
Publisher: OUP Oxford
ISBN: 0191039217
Category : Music
Languages : en
Pages : 259
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Book Description
`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartók and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.
