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Author: Raymond Fearn
Publisher: Boydell & Brewer
ISBN: 9781580460781
Category : Music
Languages : en
Pages : 344
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Book Description
"Most prominent of these is the three-movement Canti di prigionia (Songs of imprisonment), in which the composer created a powerful piece of "protest music" against the oppressions of fascism by setting prayers by three prisoners awaiting execution: Mary Stuart, Boethius, and Savonarola. Dallapiccola also set texts by writers as diverse as James Joyce, Salvatore Quasimodo, Antonio Machado, Goethe, and Heine."
Author: Raymond Fearn
Publisher: Boydell & Brewer
ISBN: 9781580460781
Category : Music
Languages : en
Pages : 344
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Book Description
"Most prominent of these is the three-movement Canti di prigionia (Songs of imprisonment), in which the composer created a powerful piece of "protest music" against the oppressions of fascism by setting prayers by three prisoners awaiting execution: Mary Stuart, Boethius, and Savonarola. Dallapiccola also set texts by writers as diverse as James Joyce, Salvatore Quasimodo, Antonio Machado, Goethe, and Heine."
Author: Ben Earle
Publisher: Cambridge University Press
ISBN: 0521844037
Category : History
Languages : en
Pages : 321
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Book Description
Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Author: Brian Alegant
Publisher: University Rochester Press
ISBN: 1580463258
Category : Music
Languages : en
Pages : 338
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Book Description
Reveals the great twentieth-century Italian composer's innovative handling of harmony, form, and text setting.
Author: Vivienne Suvini-Hand
Publisher: MHRA
ISBN: 1904350607
Category : Music
Languages : en
Pages : 305
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Book Description
This book offers a detailed examination of the literary influences behind the experimental music of five twentieth-century Italian composers: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni and Armando Gentilucci.
Author: Mark Berry
Publisher: Boydell & Brewer Ltd
ISBN: 1843839687
Category : Music
Languages : en
Pages : 327
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Book Description
This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.
Author: Luigi Nono
Publisher: University of California Press
ISBN: 0520291204
Category : Music
Languages : en
Pages : 502
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Book Description
Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.
Author: Raymond Fearn
Publisher:
ISBN:
Category :
Languages : en
Pages : 303
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Book Description
Author: Roberto Illiano
Publisher: Brepols Publishers
ISBN: 9782503597393
Category : Performing arts
Languages : en
Pages : 0
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Book Description
This volume addresses multiple facets of the artistic expression of a live performance, with a particular focus on the technical issues, people, and institutions related to it. Dance, musical theatre, mime, puppetry, and other performing arts are investigated through the lens of their various components, as well as their protagonists--impresarios, companies, designers, conductors and directors. Specific sections of the book are devoted to lighting, scenography and costume design, staging, but also on circus, puppetry, dance, and entertainers. A number of articles are dedicated to single artists: Diaghilev, Massenet, Pacini, Poulenc, Verdi, and Wagner. With contributions by (in alphabetical order): Mathias Auclair, Raphael Bortolotti, Michael Burden, Maria Birbili, Simone Ciolfi, Francesc Cortez, Maria Encina Cortizo, Nathalie Coutelet, Petra Dotlacilova, Catrina Flint, Federico Gon, Vesa Kurkela, Jurgen Maheder, Scott Palmer, Bertrand Porot, Manuela Rita, Ramon Sobrino, Valeriya Zharkova.
Author: Martin Iddon
Publisher: Cambridge University Press
ISBN: 1107033292
Category : Art
Languages : en
Pages : 355
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Book Description
The first full-length English-language discussion of the Darmstadt New Music Courses, showing the rise and fall of the 'Darmstadt School'.
Author: Axel Körner
Publisher: Cambridge University Press
ISBN: 1108843867
Category : Music
Languages : en
Pages : 341
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Book Description
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
