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Author: Samuel N. Rosenberg
Publisher: U of Nebraska Press
ISBN: 9780803238985
Category : Music
Languages : en
Pages : 210
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Book Description
The Roman de Fauvel describes the career of Fauvel, a horse-like figure whose overweening ambitions lead the writer to lament the evils of the world. He excites the attentions of the rich and powerful, presumes to court Lady Fortune, and provokes allÿkinds of outrage and grief. His very name is an anagram for Flaterie, Avarice, Vilanie, Varit (fickleness), Envie, and Lachet (cowardice). A long poetic narrative enlivened by polyphonic and monophonic songs, chants, and pictures, the Roman makes use of allegory and satire to express vehement moral criticism of the late medieval royal court and Church. This is the first modern, critical edition of the monophonic songs collected in the Roman de Fauvel in the early fourteenth century. Samuel N. Rosenberg and Hans Tischler set out to establish and interpret the lyrics and music of all the monophonic pieces, some seventy in all. Accompanying the full poetic and music texts are their English translations from the original Latin and French. This edition represents the kinds of close collaboration between philologist and musicologist that the Fauvel songs call fro but have never before received. Illustrating a wide variety of form and styles?including chivalric love songs, dance pieces, ballades, rondeaux, and nonsense compositions?The Monophonic Songs in the Roman de Fauvel is an extraordinary valuable anthology of music and a treasure trove of information about the period.
Author: Samuel N. Rosenberg
Publisher: U of Nebraska Press
ISBN: 9780803238985
Category : Music
Languages : en
Pages : 210
Get Book Here
Book Description
The Roman de Fauvel describes the career of Fauvel, a horse-like figure whose overweening ambitions lead the writer to lament the evils of the world. He excites the attentions of the rich and powerful, presumes to court Lady Fortune, and provokes allÿkinds of outrage and grief. His very name is an anagram for Flaterie, Avarice, Vilanie, Varit (fickleness), Envie, and Lachet (cowardice). A long poetic narrative enlivened by polyphonic and monophonic songs, chants, and pictures, the Roman makes use of allegory and satire to express vehement moral criticism of the late medieval royal court and Church. This is the first modern, critical edition of the monophonic songs collected in the Roman de Fauvel in the early fourteenth century. Samuel N. Rosenberg and Hans Tischler set out to establish and interpret the lyrics and music of all the monophonic pieces, some seventy in all. Accompanying the full poetic and music texts are their English translations from the original Latin and French. This edition represents the kinds of close collaboration between philologist and musicologist that the Fauvel songs call fro but have never before received. Illustrating a wide variety of form and styles?including chivalric love songs, dance pieces, ballades, rondeaux, and nonsense compositions?The Monophonic Songs in the Roman de Fauvel is an extraordinary valuable anthology of music and a treasure trove of information about the period.
Author: Emma Dillon
Publisher: Cambridge University Press
ISBN: 9780521813716
Category : Music
Languages : en
Pages : 334
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Book Description
Publisher Description
Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618
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Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Author: Phillip R. Rehfeldt
Publisher: Phillip Rehfeldt/MillCreekPublishing
ISBN: 0933251114
Category : Biography & Autobiography
Languages : en
Pages : 141
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Book Description
This text was developed for use in a standard college-level "introduction to graduate studies" course in musicology that I taught for thirty-three years at the University of Redlands.
Author: Archibald Thompson Davison
Publisher: Harvard University Press
ISBN: 9780674393004
Category : Music
Languages : en
Pages : 278
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Book Description
This great anthology of music literature makes available to all music lovers a wonderful storehouse of hitherto inaccessible treasure. The volume includes the development of Oriental, Medieval, and Renaissance music from the beginning to 1600. Its more than 200 representative examples are individually complete compositions, each of sufficient length to illustrate clearly a form or style. The authors provide an explanatory commentary with bibliography, English translations of foreign texts, and an index. The Library Journal says of it, "in short, Volume 1 of the music historian's classic dreams…No competitors on the market. Highly recommended."
Author: James Grier
Publisher: Cambridge University Press
ISBN: 9780521558631
Category : Music
Languages : en
Pages : 288
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Book Description
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501771892
Category : History
Languages : en
Pages : 324
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Book Description
Medieval Sex Lives examines courtly song as a complex cultural product and social force in the early fourteenth century, exploring how it illuminates the relationship between artistic production and the everyday lives of the elites for whom this music and poetry was composed and performed. In a focused analysis of the Oxford Bodelian Library's Douce 308 manuscript—a fourteenth-century compilation that includes over five hundred Old French lyrics composed over two centuries alongside a narrative account of elaborate courtly festivities centered on a week-long tournament—Elizabeth Eva Leach explores two distinct but related lines of inquiry: first, why the lyric tradition of "courtly love" had such a long and successful history in Western European culture; and, second, why the songs in the Bodleian manuscript would have been so important to the book's compilers, owners, and readers. The manuscript's lack of musical notation and authorial attributions make it unusual among Old French songbooks; its arrangement of the lyrics by genre invites inquiry into the relationship between this long musical tradition and the emotional and sexual lives of its readers. Combining an original account of the manuscript's contents and their likely social milieu with in-depth musical and poetic analyses, Leach proposes that lyrics, whether read or heard aloud, provided a fertile means of propagating and enabling various sexual scripts in the Middle Ages. Drawing on musicology, literary history, and the sociology and psychology of sexuality, Medieval Sex Lives presents a provocative hypothesis about the power of courtly songs to model, inspire, and support sexual behaviors and fantasies.
Author: Yolanda Plumley
Publisher: Oxford University Press
ISBN: 0199915091
Category : Music
Languages : en
Pages : 485
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Book Description
Just as our society delights in citations, quotations, and allusions in myriad contexts, not least in popular song, late medieval poets and composers knew well that such references could greatly enrich their own works. In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric. Working across disciplinary boundaries, Plumley traces creative appropriations in the burgeoning "fixed forms" of this new tradition to build a more intimate understanding of the shared experience of poetry and music in the generations leading up to, and including, Guillaume de Machaut. Exploring familiar and less studied collections of songs as well as lyrics without music, this book sheds valuable light on the poetic and musical knowledge of authors and their audiences, and on how poets and composers devised their works and engaged their readers or listeners. It presents fresh insights into when and in which milieus the classic Ars nova polyphonic chanson took root and flourished, and into the artistic networks of which Machaut formed a part. As Plumley reveals, old songs lingered alongside the new in the collective imagination well beyond what the written sources imply, reminding us of the continued importance of memory and orality in this age of increasing literacy. The first detailed study of citational practice in the French fourteenth-century song-writing tradition, The Art of Grafted Song will appeal to students and scholars of medieval French music and literature, cultural historians, and others interested in the historical and social context of music and poetry in the late Middle Ages.
Author: Bryan Gillingham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 336
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Book Description
Author: Lawrence Earp
Publisher: Routledge
ISBN: 1136781773
Category : Music
Languages : en
Pages : 680
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Book Description
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
