The Mirror of Art, Critical Studies by Charles Baudelaire. Translated... by Jonathan Mayne PDF Download
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Author: Charles Baudelaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 377
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Book Description
Author: Charles Baudelaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 377
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Book Description
Author: Charles Baudelaire
Publisher: Legare Street Press
ISBN:
Category : Art
Languages : en
Pages : 476
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Book Description
A series of essays by the French poet and art critic Charles Baudelaire on various artists and art movements of his time, examining their cultural significance and aesthetic qualities. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Charles Pierre BAUDELAIRE
Publisher:
ISBN:
Category :
Languages : en
Pages : 361
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Book Description
Author: Charles Baudelaire
Publisher: Legare Street Press
ISBN: 9781022894648
Category :
Languages : en
Pages : 0
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Book Description
A series of essays by the French poet and art critic Charles Baudelaire on various artists and art movements of his time, examining their cultural significance and aesthetic qualities. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
![The Mirror of Art. Critical Studies. (The Salon of 1845 ... the Salon of 1846, [and Other Essays]) PDF](https://books.google.com/books/content/images/frontcover/2W_0XwAACAAJ?fife=w80-h100)
Author: Charles Baudelaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 361
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Book Description
Author: Charles Baudelaire
Publisher: Phaidon
ISBN:
Category : Art
Languages : en
Pages : 346
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Book Description
A selection of the 19th-century French poet's most celebrated critical writings.
Author: Charles Baudelaire
Publisher: David Zwirner Books
ISBN: 9781644230534
Category : Art
Languages : en
Pages : 112
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Book Description
In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix. Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. The Salon of 1846 expands upon the tenets of Romanticism as Baudelaire methodically takes his reader through paintings by Delecroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of Romanticism and the artist as creative genius. Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
Author: Isabelle Hervouet-Farrar
Publisher: Cambridge Scholars Publishing
ISBN: 1443874051
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
This book provides an overview of the literary grotesque in 19th-century Europe, with special emphasis on Charles Dickens, whose use of this complex aesthetic category is thus addressed in relation with other 19th-century European writers. The crossing of geographical boundaries allows an in-depth study of the different modes of the grotesque found in 19th-century fiction. It provides a comprehensive analysis of the reasons behind the extensive use of such a favoured mode of expression. Intertextuality and comparative or cultural analysis are thus used here to shed new light on Dickens’s influences (both given and received), as well as to compare and contrast his use of the grotesque with that of key 19th-century writers like Hugo, Gogol, Thackeray, Hardy and a few others. The essays of this volume examine the various forms taken by the grotesque in 19th-century European fiction, such as, for example, the fusion of the familiar and the uncanny, or of the terrifying and the comic; as well as the figures and narrative techniques best suited for the expression of a novelist’s grotesque vision of the world. These essays contribute to an assessment of the links between the grotesque, the gothic and the fantastic, and, more generally, the genres and aesthetic categories which the 19th-century grotesque fed on, like caricature, the macabre and tragicomedy. They also examine the novelists’ grotesque as contributing to the questioning of society in Victorian Britain and 19th-century Europe, echoing its raging conflicts and the shocks of scientific progress. This study naturally adopts as its theoretical basis the works of key theorists and critics of the grotesque: namely, Victor Hugo, Charles Baudelaire and John Ruskin in the 19th century, and Mikhail Bakhtin, Wolfgang Kayser, Geoffrey Harpham and Elisheva Rosen in the 20th century.
Author: Tracy Chevalier
Publisher: Routledge
ISBN: 1135314101
Category : Reference
Languages : en
Pages : 1032
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Book Description
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
Author: Charles Baudelaire
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
