Author: Roger Bacon
Publisher:
ISBN:
Category : Alchemy
Languages : en
Pages : 84
Book Description
The Mirror of Alchimy
Author: Roger Bacon
Publisher:
ISBN:
Category : Alchemy
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Alchemy
Languages : en
Pages : 84
Book Description
The Mirror of Alchimy
Author: Roger Bacon
Publisher:
ISBN:
Category : Alchemy
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Alchemy
Languages : en
Pages : 106
Book Description
The Mirror of Alchimy,
Author: Roger Bacon
Publisher:
ISBN:
Category : Alchemy
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Alchemy
Languages : en
Pages : 84
Book Description
The Mirror of Alchemy
Author: Roger Bacon
Publisher: Library of Alexandria
ISBN: 1465517197
Category : Fiction
Languages : en
Pages : 16
Book Description
Publisher: Library of Alexandria
ISBN: 1465517197
Category : Fiction
Languages : en
Pages : 16
Book Description
The Mutable Glass
Author: Herbert Grabes
Publisher: Cambridge University Press
ISBN: 0521222036
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.
Publisher: Cambridge University Press
ISBN: 0521222036
Category : Literary Criticism
Languages : en
Pages : 434
Book Description
A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.
Darke Hierogliphicks
Author: Stanton J. Linden
Publisher: University Press of Kentucky
ISBN: 0813182875
Category : Literary Criticism
Languages : en
Pages : 580
Book Description
The literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers—including Langland, Gower, Barclay, Eramus, Sidney, Greene, Lyly, and Shakespeare—were familiar with alchemy, and references to it appear in a wide range of genres. Yet the purposes it served in literature from Chaucer through Jonson were narrowly satirical. In literature of the seventeenth century, especially in the poetry of Donne, Herbert, Vaughan, and Milton, the functions of alchemy changed. Focusing on Bacon, Donne, Herbert, Vaughan, and Milton—in addition to Jonson and Butler—Linden demonstrates the emergence of new attitudes and innovative themes, motifs, images, and ideas. The use of alchemy to suggest spiritual growth and change, purification, regeneration, and millenarian ideas reflected important new emphases in alchemical, medical, and occultist writing. This new tradition did not continue, however, and Butler's return to satire was contextualized in the antagonism of the Royal Society and religious Latitudinarians to philosophical enthusiasm and the occult. Butler, like Shadwell and Swift, expanded the range of satirical victims to include experimental scientists as well as occult charlatans. The literary uses of alchemy thus reveal the changing intellectual milieus of three centuries.
Publisher: University Press of Kentucky
ISBN: 0813182875
Category : Literary Criticism
Languages : en
Pages : 580
Book Description
The literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers—including Langland, Gower, Barclay, Eramus, Sidney, Greene, Lyly, and Shakespeare—were familiar with alchemy, and references to it appear in a wide range of genres. Yet the purposes it served in literature from Chaucer through Jonson were narrowly satirical. In literature of the seventeenth century, especially in the poetry of Donne, Herbert, Vaughan, and Milton, the functions of alchemy changed. Focusing on Bacon, Donne, Herbert, Vaughan, and Milton—in addition to Jonson and Butler—Linden demonstrates the emergence of new attitudes and innovative themes, motifs, images, and ideas. The use of alchemy to suggest spiritual growth and change, purification, regeneration, and millenarian ideas reflected important new emphases in alchemical, medical, and occultist writing. This new tradition did not continue, however, and Butler's return to satire was contextualized in the antagonism of the Royal Society and religious Latitudinarians to philosophical enthusiasm and the occult. Butler, like Shadwell and Swift, expanded the range of satirical victims to include experimental scientists as well as occult charlatans. The literary uses of alchemy thus reveal the changing intellectual milieus of three centuries.
Books of Secrets
Author: Allison Kavey
Publisher: University of Illinois Press
ISBN: 0252091590
Category : History
Languages : en
Pages : 215
Book Description
How cultural categories shaped--and were shaped by--new ideas about controlling nature Ranging from alchemy to necromancy, "books of secrets" offered medieval readers an affordable and accessible collection of knowledge about the natural world. Allison Kavey's study traces the cultural relevance of these books and also charts their influence on the people who read them. Citing the importance of printers in choosing the books' contents, she points out how these books legitimized manipulating nature, thereby expanding cultural categories, such as masculinity, femininity, gentleman, lady, and midwife, to include the willful command of the natural world.
Publisher: University of Illinois Press
ISBN: 0252091590
Category : History
Languages : en
Pages : 215
Book Description
How cultural categories shaped--and were shaped by--new ideas about controlling nature Ranging from alchemy to necromancy, "books of secrets" offered medieval readers an affordable and accessible collection of knowledge about the natural world. Allison Kavey's study traces the cultural relevance of these books and also charts their influence on the people who read them. Citing the importance of printers in choosing the books' contents, she points out how these books legitimized manipulating nature, thereby expanding cultural categories, such as masculinity, femininity, gentleman, lady, and midwife, to include the willful command of the natural world.
Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale
Author: Martina Zamparo
Publisher: Springer Nature
ISBN: 303105167X
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.
Publisher: Springer Nature
ISBN: 303105167X
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.
The Alchemy Reader
Author: Stanton J. Linden
Publisher: Cambridge University Press
ISBN: 9780521796620
Category : History
Languages : en
Pages : 292
Book Description
Table of contents
Publisher: Cambridge University Press
ISBN: 9780521796620
Category : History
Languages : en
Pages : 292
Book Description
Table of contents
MIRROR OF ALCHIMY
Author: ROGER. BACON
Publisher:
ISBN: 9781033241950
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033241950
Category :
Languages : en
Pages : 0
Book Description