The Mingqi Pottery Buildings of Han Dynasty China, 206 BC -AD 220 PDF Download
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Author: Qinghua Guo
Publisher: Liverpool University Press
ISBN: 1836241275
Category : History
Languages : en
Pages : 221
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Book Description
An enormous number of burial objects have been unearthed from ancient tombs in archaeological excavations in China. These mingqi were made in all kinds of materials and in a broad range of forms, techniques and craftsmanship. In this book Quinghua Guo examines a particular type of mingqi -- pottery building. The striking realism of the pottery buildings suggests that they were modelled after actual buildings. They bring to life courtyard houses, manors, towers, granaries and pigsty-privies, as well as cooking ranges and well pavilions. These pottery buildings, previously little known, preserve knowledge of antiquity and demonstrate the architectural quality and structural variety of the period. The author identifies the typology of the pottery buildings they signify in terms of ontology and semiology, in order to provide a conceptual map for classification, and identifies building systems reflected by the mingqi to detect architectonic systems of the Han dynasty. Key features of this volume include: Cross-disciplinary research -- architectural study interlocking with archaeological study; architectural study interlocking with graphic study. The Han pottery buildings are important architectural models from the ancient world, and are contrasted with wooden houses of Middle-Kingdom Egypt and brick buildings of the Minor civilisation, Crete, allowing cross-cultural comparisons.
Author: Qinghua Guo
Publisher: Liverpool University Press
ISBN: 1836241275
Category : History
Languages : en
Pages : 221
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Book Description
An enormous number of burial objects have been unearthed from ancient tombs in archaeological excavations in China. These mingqi were made in all kinds of materials and in a broad range of forms, techniques and craftsmanship. In this book Quinghua Guo examines a particular type of mingqi -- pottery building. The striking realism of the pottery buildings suggests that they were modelled after actual buildings. They bring to life courtyard houses, manors, towers, granaries and pigsty-privies, as well as cooking ranges and well pavilions. These pottery buildings, previously little known, preserve knowledge of antiquity and demonstrate the architectural quality and structural variety of the period. The author identifies the typology of the pottery buildings they signify in terms of ontology and semiology, in order to provide a conceptual map for classification, and identifies building systems reflected by the mingqi to detect architectonic systems of the Han dynasty. Key features of this volume include: Cross-disciplinary research -- architectural study interlocking with archaeological study; architectural study interlocking with graphic study. The Han pottery buildings are important architectural models from the ancient world, and are contrasted with wooden houses of Middle-Kingdom Egypt and brick buildings of the Minor civilisation, Crete, allowing cross-cultural comparisons.
Author: Qinghua Guo
Publisher: Liverpool University Press
ISBN: 1836242255
Category : History
Languages : en
Pages : 507
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Book Description
An enormous number of burial objects have been unearthed from ancient tombs in archaeological excavations in China. These mingqi were made in all kinds of materials and in a broad range of forms, techniques and craftsmanship. In this book Quinghua Guo examines a particular type of mingqi -- pottery building. The striking realism of the pottery buildings suggests that they were modelled after actual buildings. They bring to life courtyard houses, manors, towers, granaries and pigsty-privies, as well as cooking ranges and well pavilions. These pottery buildings, previously little known, preserve knowledge of antiquity and demonstrate the architectural quality and structural variety of the period. The author identifies the typology of the pottery buildings they signify in terms of ontology and semiology, in order to provide a conceptual map for classification, and identifies building systems reflected by the mingqi to detect architectonic systems of the Han dynasty. Key features of this volume include: Cross-disciplinary research -- architectural study interlocking with archaeological study; architectural study interlocking with graphic study. The Han pottery buildings are important architectural models from the ancient world, and are contrasted with wooden houses of Middle-Kingdom Egypt and brick buildings of the Minor civilisation, Crete, allowing cross-cultural comparisons.
Author: Chen Li
Publisher: Archaeopress Publishing Ltd
ISBN: 1789690781
Category : Social Science
Languages : en
Pages : 234
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Book Description
Han Dynasty (206 BC–AD 220) stone carved tombs were constructed from carved stone slabs or a combination of moulded bricks and carved stones, and were distributed in Central and Eastern China. In this book, the origins, meanings and influences of these tombs are presented as a part of the history of interactions between different parts of Eurasia.
Author: Richard A. Pegg
Publisher: Simon and Schuster
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
A thorough and stunning look at The MacLean Collection Asian Art Museum, which consists of more than five thousand objects, from Neolithic times to the present, focused in three media--pottery, bronze, and stone from primarily China and Southeast Asia. A selection of Chinese pottery from the MacLean Collection of Asian art, dating from the Neolithic period (ca. 10, 000-2000 BCE) to the Tang dynasty (618-906), providing insights into the material culture, belief systems, and social development of early to medieval China. Nowhere in the world has such a rich, distinguished, and continuous tradition of pottery production developed as in China. From the Neolithic period (ca. 10, 000-2000 BCE) to the Tang dynasty (618-906), the art of Chinese pottery making has developed as much in response to functional and aesthetic considerations as to technological improvement. The forty-eight objects selected from the MacLean Collection Asian Art Museum represent some of the most important stages of this unparallel tradition when the forms, the artistic styles, and the techniques of pottery making emerged, improved, and sophisticated. They also provide insights into the material culture, belief systems, and social development of early and medieval China. OFFICIAL MUSEUM COLLECTION: An inside look into the rare collection of Asian Art both achived pieces and those currently on display in the museum located in Chicago, Illinois PERFECT FOR ART LOVERS: With enthralling photography and it's sleek hardcover, this book makes an exquisite gift for museum and art lovers everywhere CURATED FOR YOU BY THE BEST: Authored by three of the finest doctors and curators of ancient, modern, and contemporary Chinese art and pottery
Author: Rafe de Crespigny
Publisher: BRILL
ISBN: 9004325204
Category : History
Languages : en
Pages : 591
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Book Description
Winner of the 2017 Choice Outstanding Academic Title Award The Later Han dynasty, also known as Eastern Han, ruled China for the first two centuries of the Christian era. Comparable in extent and power to the early Roman empire, it dominated east Asia from present-day Vietnam to the Mongolian steppe. Rafe de Crespigny presents here the first full account of this period in Chinese history to be found in a Western language. Commencing with a detailed account of the imperial capital, the history describes the nature of government, the expansion of the Chinese people to the south, the conflicts of scholars and officials with eunuchs at court, and the final collapse which followed the rebellion of the Yellow Turbans and the rise of regional warlords.
Author: Xing Ruan
Publisher: Bloomsbury Publishing
ISBN: 1350217646
Category : Architecture
Languages : en
Pages : 369
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Book Description
For more than three thousand years, Chinese life – from the city and the imperial palace, to the temple, the market and the family home – was configured around the courtyard. So too were the accomplishments of China's artistic, philosophical and institutional classes. Confucius' Courtyard tells the story of how the courtyard – that most singular and persistent architectural form – holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese view of the world, and reveals the extent to which this is inextricably intertwined with the ancient concept of the courtyard, a place and a way of life which, it appears, has been almost entirely overlooked in China since the middle of the 20th century, and in the West for centuries. Along the way, it provides an accessible introduction to the Confucian idea of zhongyong ('the Middle Way'), the Chinese moral universe and the virtuous good life in the absence of an awesome God, and shows how these can only be fully understood through the humble courtyard – a space which is grounded in the earth, yet open to the heavens. Erudite, elegant and illustrated throughout by the author's own architectural drawings and sketches, Confucius' Courtyard weaves together architecture, philosophy and cultural history to explore what lies at the very heart of Chinese civilization.
Author: Juliette Leeb-du Toit
Publisher: NYU Press
ISBN: 1776147707
Category : Art
Languages : en
Pages : 381
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Book Description
China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field. Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category. The collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.
Author: Anthony J. Barbieri-Low
Publisher: University of Washington Press
ISBN: 0295748907
Category : History
Languages : en
Pages : 348
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Book Description
Although they existed more than a millennium apart, the great civilizations of New Kingdom Egypt (ca. 1548–1086 BCE) and Han dynasty China (206 BCE–220 CE) shared intriguing similarities. Both were centered around major, flood-prone rivers—the Nile and the Yellow River—and established complex hydraulic systems to manage their power. Both spread their territories across vast empires that were controlled through warfare and diplomacy and underwent periods of radical reform led by charismatic rulers—the “heretic king” Akhenaten and the vilified reformer Wang Mang. Universal justice was dispensed through courts, and each empire was administered by bureaucracies staffed by highly trained scribes who held special status. Egypt and China each developed elaborate conceptions of an afterlife world and created games of fate that facilitated access to these realms. This groundbreaking volume offers an innovative comparison of these two civilizations. Through a combination of textual, art historical, and archaeological analyses, Ancient Egypt and Early China reveals shared structural traits of each civilization as well as distinctive features.
Author: Nancy Steinhardt
Publisher: Princeton University Press
ISBN: 0691240167
Category : Architecture
Languages : en
Pages : 336
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Book Description
A monumental illustrated survey of the architecture of thirteenth- and fourteenth-century China The Yuan dynasty endured for a century, leaving behind an architectural legacy without equal, from palaces, temples, and pagodas to pavilions, tombs, and stages. With a history enlivened by the likes of Khubilai Khan and Marco Polo, this spectacular empire spanned the breadth of China and far, far beyond, but its rulers were Mongols. Yuan presents the first comprehensive study in English of the architecture of China under Mongol rule. In this richly illustrated book, Nancy Shatzman Steinhardt looks at cities such as the legendary Shangdu—inspiration for Samuel Taylor Coleridge’s Xanadu—as well as the architecture the Mongols encountered on their routes of conquest. She examines the buildings and monuments of diverse faiths in China during the period, from Buddhist and Daoist to Confucian, Islamic, and Christian, as well as unusual structures such as observatories, archways, stone and metal buildings, and sarcophaguses. Steinhardt dispels long-standing views of the Mongols as destroyers of cities and architecture across Asia, showing how the khans and their families built more than they tore down. She demonstrates that the stipulations of the Chinese building system were powerful and resilient enough to guide the architecture that rose under Mongolian rule. Drawing on Steinhardt’s groundbreaking textual research in numerous languages as well as her pioneering fieldwork at sites across East Asia, Yuan will become the standard reference on this critical period of cultural and artistic exchange.
Author: Margaret S. Graves
Publisher: Oxford University Press
ISBN: 0190695927
Category : Art
Languages : en
Pages : 353
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Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
