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Author: Robert de Gretham
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 620
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Book Description
An anonymous Middle English translation of Robert's middle-13th-century Anglo-Norman Miroir, or Les Evangiles des Domnees . It is a collection of 60 prose sermons for Sundays and various saints days throughout the liturgical year. Blumreich (English, Grand Valley State U., Michigan) introduces the t
Author: Robert de Gretham
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 620
Get Book Here
Book Description
An anonymous Middle English translation of Robert's middle-13th-century Anglo-Norman Miroir, or Les Evangiles des Domnees . It is a collection of 60 prose sermons for Sundays and various saints days throughout the liturgical year. Blumreich (English, Grand Valley State U., Michigan) introduces the t
Author: Barbara W. Tuchman
Publisher: Random House Trade Paperbacks
ISBN: 0345349571
Category : History
Languages : en
Pages : 738
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Book Description
A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary
Author: Herbert Grabes
Publisher: Cambridge University Press
ISBN: 0521222036
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.
Author: Rosemarie McGerr
Publisher: Indiana University Press
ISBN: 0253356415
Category : History
Languages : en
Pages : 312
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Book Description
The Yale New statutes manuscript and medieval English statute books : similarities and differences -- Royal portraits and royal arms : the iconography of the Yale New statutes manuscript -- The Queen and the Lancastrian cause : the Yale New statutes manuscript and Margaret of Anjou -- Educating the prince : the Yale New statutes manuscript and Lancastrian mirrors for princes -- "Grace be our guide" : the cultural significance of a medieval law book.
Author: Nancy M. Frelick
Publisher: Brepols Publishers
ISBN: 9782503564548
Category : Mirrors
Languages : en
Pages : 0
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Book Description
Mirrors have always fascinated humankind. They collapse ordinary distinctions, making visible what is normally invisible, and promising access to hidden realities. Yet, these liminal objects also point to the limitations of human perception, knowledge, and wisdom. In this interdisciplinary volume, specialists in medieval and early modern science, cultural and political history, as well as art history, philosophy, and literature come together to explore the intersections between material and metaphysical mirrors in Europe and the Islamic world. During the time periods studied here, various technologies were transforming the looking glass as an optical device, scientific instrument, and aesthetic object, making it clearer and more readily available, though it remained a rare and precious commodity. While technical innovations spawned new discoveries and ways of seeing, belief systems were slower to change, as expressed in the natural sciences, mystical writings, literature, and visual culture. Mirror metaphors based on analogies established in the ancient world still retained significant power and authority, perhaps especially when related to Aristotelian science, the medieval speculum tradition, religious iconography, secular imagery, Renaissance Neoplatonism, or spectacular Baroque engineering, artistry, and self-fashioning. Mirror effects created through myths, metaphors, rhetorical strategies, or other devices could invite self-contemplation and evoke abstract or paradoxical concepts. Whether faithful or deforming, specular reflections often turn out to be ambivalent and contradictory: sometimes sources of illusion, sometimes reflections of divine truth, mirrors compel us to question the very nature of representation.
Author: Adam Roberts
Publisher: Open Book Publishers
ISBN: 1800641613
Category : Literary Criticism
Languages : en
Pages : 144
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Book Description
In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel – both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch.
Author: Frances Allen Foster
Publisher:
ISBN:
Category : Northern Passion
Languages : en
Pages : 124
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Book Description
Author: James I. Wimsatt
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Author: Władysław Witalisz
Publisher: Studies in English Medieval Language and Literature
ISBN: 9783631605936
Category : English literature
Languages : en
Pages : 0
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Book Description
The book examines four Middle English narratives of the Trojan War as examples of the medieval appropriations of classical history and classical narrative traditions as a discourse related to issues of contemporary politics and morality. The medieval stories of the fall of Troy are viewed as educational texts offering advice on moral and political conduct related in their aims to the genre of the medieval speculum. Four major verse narratives of the history of the Trojan War composed in Middle English at the end of the fourteenth and the beginning of the fifteenth century are discussed: the anonymous Gest Hystoriale of the Destruction of Troy, the Laud Troy Book, the Seege of Troye and John Lydgate's Troy Book.
Author: Kathryn Starkey
Publisher:
ISBN: 9780268041441
Category : Courts and courtiers in literature
Languages : en
Pages : 0
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Book Description
A Courtier's Mirror establishes the unique importance of Thomasin von Zerclaere's Welscher Gast as a document of social practices and concerns in medieval German-speaking court society. This epic-length illustrated didactic poem enjoyed immense popularity in the Middle Ages, resulting in twenty-five redactions produced over two hundred and fifty years. Through a detailed study of word and image, Kathryn Starkey argues that this poem offered instruction, affirmation, and an evolving image cycle in which courtly behaviors were effectively conveyed. As the first book-length study in English, A Courtier's Mirror not only provides a framework for understanding the Welscher Gast and its images, but further explores the rich manuscript reception of the poem and the careful cultivation of a distinct elite identity. Throughout its continued popularity, Starkey argues that the illustrated poem participates in the construction of elite secular identity for an audience that was concerned with distinguishing itself socially and emancipating itself from clerical society. As its audience shifts from rural ministerial family to urban burgher, so the staging of the poem also changes. Starkey selects redactions to show that while the text received only minor revisions over the years, the extensive illumination program and the poem's formatting changed significantly and with deliberate intent. She identifies the 1340 Gotha redaction as the most striking example of a redesigned and expanded image cycle intended to convey models of courtly behavior. Starkey places this manuscript, in particular, in its historical context and convincingly argues for its special place within the reception of Der Welsche Gast. Supported by extensive appendices and a full set of color illustrations of the Gotha manuscript, as well as select illustrations from other manuscripts, A Courtier's Mirror presents vital new research on the complexity of the interrelation of text and image. As such, it will be of interest to scholars of medieval studies, art history, manuscript illustration, and the history of the book. "Focusing on the visual program of the Welscher Gast in its manuscript transmissions, Starkey's superb research of previously unexplored materials offers fascinating new insights not only into the construction of aristocratic courtly identity, self-fashioning, and self-representation. In her analysis of medieval and late medieval versions of the texts she also gives us an entirely new understanding of audiences, ranging from aristocratic circles to urban burghers and ecclesiastical courts. Thus, this excellent and beautifully written book throws a truly new light on medieval courtly ideals, didactic and courtly literature, and its reception." --Niklaus Largier, University of California, Berkeley "A Courtier's Mirror outlines and explains the rich manuscript reception of the thirteenth-century didactic poem Der Welscher Gast. Kathryn Starkey shows how, while the text received only minor redactions over the years, the illumination program changes in significant and interesting ways. The images take on a new iconographic impact and a narrativizing style that is rooted not in ideas about religious virtue but in courtly virtue as outlined in twelfth- and thirteenth-century courtly literature." --Sara S. Poor, Princeton University "In A Courtier's Mirror, Kathryn Starkey has given us an original perspective on a medieval text little known among American scholars beyond specialists in German medieval literature. But her chosen text, with its twenty-five preserved manuscripts over two centuries, its extensive and relatively constant illustration cycle, and its tight fit into a well-known genre of didactic material, is a subject of considerable current interest--one begging for a thoroughgoing and updated treatment. Starkey gives us just that; she asks challenging questi
