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Author: Walter Carter
Publisher: Rowman & Littlefield
ISBN: 1493079271
Category : Music
Languages : en
Pages : 154
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Book Description
When large numbers of students from Spain arrived in New York in 1880, they introduced the American public to a new instrument – the mandolin. Spanning more than a century, this book chronicles the national mandolin craze that swept across the nation and the evolution of the instrument in America to the present day. Eclipsing the banjo and guitar as the most popular fretted instrument in the late 19th century, the mandolin inspired the formation of the Gibson company. After World War I, the mandolin went into a long period of decline, during which it found sanctuary in rural string bands and bluegrass music. By the 1980s, a revival was underway, with adventurous players using mandolins in all types of musical settings, including symphonic, semi-classical ensembles, jazz, klezmer, Irish, choro, and all the branches emanating from bluegrass. The Mandolin in America profiles all the significant makers, including Bigsby, Epiphone, Fender, Flatiron, Giacomel, Gibson, Gilchrist, Lyon & Healy, Martin, Monteleone, National, Nugget, Vega, Vinaccia, and Washburn. Lavishly illustrated with color photos throughout, this is a must-have volume for collectors and music enthusiasts alike.
Author: Walter Carter
Publisher: Rowman & Littlefield
ISBN: 1493079271
Category : Music
Languages : en
Pages : 154
Get Book
Book Description
When large numbers of students from Spain arrived in New York in 1880, they introduced the American public to a new instrument – the mandolin. Spanning more than a century, this book chronicles the national mandolin craze that swept across the nation and the evolution of the instrument in America to the present day. Eclipsing the banjo and guitar as the most popular fretted instrument in the late 19th century, the mandolin inspired the formation of the Gibson company. After World War I, the mandolin went into a long period of decline, during which it found sanctuary in rural string bands and bluegrass music. By the 1980s, a revival was underway, with adventurous players using mandolins in all types of musical settings, including symphonic, semi-classical ensembles, jazz, klezmer, Irish, choro, and all the branches emanating from bluegrass. The Mandolin in America profiles all the significant makers, including Bigsby, Epiphone, Fender, Flatiron, Giacomel, Gibson, Gilchrist, Lyon & Healy, Martin, Monteleone, National, Nugget, Vega, Vinaccia, and Washburn. Lavishly illustrated with color photos throughout, this is a must-have volume for collectors and music enthusiasts alike.
Author: Walter Carter
Publisher: Rowman & Littlefield
ISBN: 1493079271
Category : Music
Languages : en
Pages : 154
Get Book
Book Description
When large numbers of students from Spain arrived in New York in 1880, they introduced the American public to a new instrument – the mandolin. Spanning more than a century, this book chronicles the national mandolin craze that swept across the nation and the evolution of the instrument in America to the present day. Eclipsing the banjo and guitar as the most popular fretted instrument in the late 19th century, the mandolin inspired the formation of the Gibson company. After World War I, the mandolin went into a long period of decline, during which it found sanctuary in rural string bands and bluegrass music. By the 1980s, a revival was underway, with adventurous players using mandolins in all types of musical settings, including symphonic, semi-classical ensembles, jazz, klezmer, Irish, choro, and all the branches emanating from bluegrass. The Mandolin in America profiles all the significant makers, including Bigsby, Epiphone, Fender, Flatiron, Giacomel, Gibson, Gilchrist, Lyon & Healy, Martin, Monteleone, National, Nugget, Vega, Vinaccia, and Washburn. Lavishly illustrated with color photos throughout, this is a must-have volume for collectors and music enthusiasts alike.
Author: Paul Ruppa
Publisher:
ISBN:
Category : Mandolin
Languages : en
Pages : 436
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Book Description
Author: Jeffrey Noonan
Publisher: Univ. Press of Mississippi
ISBN: 1604733020
Category : Electronic books
Languages : en
Pages : 239
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Book Description
The Guitar in America offers a history of the instrument from America\'s late Victorian period to the Jazz Age. The narrative traces America\'s BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America\'s elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement\'s heyday, tracing the guitar\'s transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement\'s impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America\'s musicians. This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America\'s larger musical scene, examining its efforts as manifestations of this country\'s uneasy coupling of musical art and commerce. Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review .
Author: Jeffrey Noonan
Publisher: A-R Editions, Inc.
ISBN: 9780895796448
Category : Music
Languages : en
Pages : 344
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Book Description
In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.
Author: Thomas D. Rossing
Publisher: Springer Science & Business Media
ISBN: 1441971106
Category : Science
Languages : en
Pages : 469
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Book Description
Thomas D. Rossing String instruments are found in almost all musical cultures. Bowed string instruments form the backbone of symphony orchestras, and they are used widely as solo inst- ments and in chamber music as well. Guitars are used universally in pop music as well as in classical music. The piano is probably the most versatile of all musical inst- ments, used widely not only in ensemble with other musical instruments but also as a solo instrument and to accompany solo instruments and the human voice. In this book, various authors will discuss the science of plucked, bowed, and hammered string instruments as well as their electronic counterparts. We have tried to tell the fascinating story of scienti?c research with a minimum of mathematics to maximize the usefulness of the book to performers and instrument builders as well as to students and researchers in musical acoustics. Sometimes, however, it is dif?cult to “translate” ideas from the exact mathematical language of science into words alone, so we include some basic mathematical equations to express these ideas. It is impossible to discuss all families of string instruments. Some instruments have been researched much more than others. Hopefully, the discussions in this book will help to encourage further scienti?c research by both musicians and scientists alike. 1.1 A Brief History of the Science of String Instruments Quite a number of good histories of acoustics have been written (Lindsay 1966, 1973; Hunt 1992; Beyer 1999), and these histories include musical acoustics.
Author: Robert Carl Hartman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 214
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Book Description
Author: Paul Sparks
Publisher:
ISBN: 0195173376
Category : Mandolin
Languages : en
Pages : 241
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Book Description
A "hidden" instrument in the classical music world, the mandolin's repertoire of original music remains largely unknown. This book examines the lives and works of the mandolin's great composers and, together with Sparks's earlier The Early Mandolin (Oxford 1989), provides the firstcomprehensive survey of the instrument's history. The book also explores aspects of technique and looks at present-day orchestras and soloists.
Author:
Publisher:
ISBN:
Category : Exports
Languages : en
Pages : 200
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Book Description
Author: Scott Hambly
Publisher:
ISBN:
Category : Mandolin
Languages : en
Pages : 1242
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Book Description
