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Author: Richard Butsch
Publisher: Cambridge University Press
ISBN: 9780521664837
Category : Social Science
Languages : en
Pages : 494
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Book Description
In The Making of American Audiences, Richard Butsch provides a comprehensive survey of American entertainment audiences from the Colonial period to the present. Providing coverage of theater, opera, vaudeville, minstrelsy, movies, radio and television, he examines the evolution of audience practices as each genre supplanted another as the primary popular entertainment. Based on original historical research, this volume exposes how audiences made themselves through their practices--how they asserted control over their own entertainments and their own behavior.
Author: Richard Butsch
Publisher: Cambridge University Press
ISBN: 9780521664837
Category : Social Science
Languages : en
Pages : 494
Get Book Here
Book Description
In The Making of American Audiences, Richard Butsch provides a comprehensive survey of American entertainment audiences from the Colonial period to the present. Providing coverage of theater, opera, vaudeville, minstrelsy, movies, radio and television, he examines the evolution of audience practices as each genre supplanted another as the primary popular entertainment. Based on original historical research, this volume exposes how audiences made themselves through their practices--how they asserted control over their own entertainments and their own behavior.
Author: Richard Butsch
Publisher:
ISBN: 9781139469302
Category :
Languages : en
Pages : 438
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Book Description
Author: Richard Butsch
Publisher: Psychology Press
ISBN: 9780415977906
Category : Social Science
Languages : en
Pages : 186
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Book Description
"Americans spend a remarkable amount of time as audiences: adults spent over nine hours per day using media in 2004, more than half of all waking hours; and this does not include unmediated live performances and spectator sports, let alone church and school where people act largely as audiences. It is important therefore what is said about these audiences. Today, as in the past, people have been criticized for how they play their role as entertainment audiences. Audiences have been depicted variously as good or bad, threatening public order or politically disengaged, culitvated or cultural dupes, ideal citizens or pathological, and so on. This book seeks to make sense out of the profusion of representations of audiences in the historical record and the political implications of those representations."--p. 1.
Author: Richard Butsch
Publisher: Routledge
ISBN: 1135043051
Category : Social Science
Languages : en
Pages : 220
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Book Description
In today’s thoroughly mediated societies people spend many hours in the role of audiences, while powerful organizations, including governments, corporations and schools, reach people via the media. Consequently, how people think about, and organizations treat, audiences has considerable significance. This ground-breaking collection offers original, empirical studies of discourses about audiences by bringing together a genuinely international range of work. With essays on audiences in ancient Greece, early modern Germany, Soviet and post-Soviet Russia, Zimbabwe, contemporary Egypt, Bengali India, China, Taiwan, and immigrant diaspora in Belgium, each chapter examines the ways in which audiences are embedded in discourses of power, representation, and regulation in different yet overlapping ways according to specific socio-historical contexts. Suitable for both undergraduate and postgraduate students, this book is a valuable and original contribution to media and communication studies. It will be particularly useful to those studying audiences and international media.
Author: Jon Paul Klancher
Publisher:
ISBN:
Category : Authors and readers
Languages : en
Pages : 474
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Book Description
Author: Jason Mittell
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 484
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Book Description
Television and American Culture: An Overview introduces students to the study of television by looking at American television from a cultural perspective. The book is written for intermediate undergraduate and beginning graduate students for a range of television studies courses. Specifically, Mittell discusses television within the following contexts: the economics of the television industry, television's role within American democracy, the formal attributes of a variety of television genres, television as a site of gender and racial identity formation, television's role in everyday life, and the medium's technological and social impacts. The topical arrangement and comprehensive scope of the book differs from other television textbooks, arguing that we must incorporate a range of economic, political, aesthetic, and sociological perspectives to fully comprehend the medium of television.
Author: Ryan C. Black
Publisher: Cambridge University Press
ISBN: 1107137144
Category : Law
Languages : en
Pages : 197
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Book Description
An investigation of how US Supreme Court justices alter the clarity of their opinions based on expected reactions from their audiences.
Author: Richard Butsch
Publisher: Cambridge University Press
ISBN: 9780521662536
Category : Social Science
Languages : en
Pages : 448
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Book Description
In The Making of American Audiences, Richard Butsch provides a comprehensive survey of American entertainment audiences from the Colonial period to the present. Providing coverage of theater, opera, vaudeville, minstrelsy, movies, radio and television, he examines the evolution of audience practices as each genre supplanted another as the primary popular entertainment. Based on original historical research, this volume exposes how audiences made themselves through their practices--how they asserted control over their own entertainments and their own behavior.
Author: Harry Levi Hollingworth
Publisher:
ISBN: 9781258447212
Category :
Languages : en
Pages : 242
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Book Description
Author: Tom Stempel
Publisher: University Press of Kentucky
ISBN: 081318875X
Category : Performing Arts
Languages : en
Pages : 407
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Book Description
A unique perspective on half a century of American cinema—from the audience's point of view. Tom Stempel goes beyond the comments of professional reviewers, concentrating on the opinions of ordinary people. He traces shifting trends in genre and taste, examining and questioning the power films have in American society. Stempel blends audience response with his own observations and analyzes box office results that identify the movies people actually went to see, not just those praised by the critics. Avoiding statistical summary, he presents the results of a survey on movies and moviegoing in the respondents' own words—words that surprise, amuse, and irritate. The moviegoers respond: "Big bad plane, big bad motorcycle, and big bad Kelly McGillis."—On Top Gun "All I can recall were the slave girls and the Golden Calf sequence and how it got me excited. My parents must have been very pleased with my enthusiasm for the Bible."—On why a seven-year-old boy stayed up to watch The Ten Commandments "I learned the fine art of seduction by watching Faye Dunaway smolder."—A woman's reaction to seeing Bonnie and Clyde "At age fifteen Jesus said he would be back, he just didn't say what he would look like."—On E.T. "Quasimodo is every seventh grader."—On why The Hunchback of Notre Dame should play well with middle-schoolers "A moronic, very 'Hollywoody' script, and a bunch of dancing teddy bears."—On Return of the Jedi "I couldn't help but think how Mad magazine would lampoon this." —On The Exorcist
