The Madan Family and Maddens in Ireland and England. A Historical Account, Etc. [With Genealogical Tables.]. PDF Download
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Author: Falconer Madan
Publisher:
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Category :
Languages : en
Pages :
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![The Madan Family and Maddens in Ireland and England. A Historical Account, Etc. [With Genealogical Tables.]. PDF](https://books.google.com/books/content/images/frontcover/7MbucQAACAAJ?fife=w80-h100)
Author: Falconer Madan
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Falconer Madan
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Book Description
Author: Marion J. Kaminkow
Publisher: Genealogical Publishing Com
ISBN: 9780806316697
Category : History
Languages : en
Pages : 980
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Book Description
Vol 1 905p Vol 2 961p.
Author: Toby Christopher Barnard
Publisher: Yale University Press
ISBN: 9780300101140
Category : History
Languages : en
Pages : 532
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Book Description
What was life like for Irish Protestants between the mid-17th and the late-18th centuries? Toby Barnard scrutinizes social attitudes and structures in every segment of Protestant society during this formative period.
Author: National Library of Ireland
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 868
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Book Description
Author: John Richetti
Publisher: Cambridge University Press
ISBN: 9780521781442
Category : Literary Criticism
Languages : en
Pages : 974
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Book Description
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
Author: Catherine Ingrassia
Publisher: University of Virginia Press
ISBN: 081394810X
Category : Literary Criticism
Languages : en
Pages : 407
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Book Description
In seventeenth- and eighteenth-century Britain, captivity emerged as a persistent metaphor as well as a material reality. The exercise of power on both an institutional and a personal level created conditions in which those least empowered, particularly women, perceived themselves to be captive subjects. This "domestic captivity" was inextricably connected to England’s systematic enslavement of kidnapped Africans and the wealth accumulation realized from those actions, even as early fictional narratives suppressed or ignored the experience of the enslaved. Domestic Captivity and the British Subject, 1660–1750 explores how captivity informed identity, actions, and human relationships for white British subjects as represented in fictional texts by British authors from the period. This work complicates interpretations of canonical authors such as Aphra Behn, Richard Steele, and Eliza Haywood and asserts the importance of authors such as Penelope Aubin and Edward Kimber. Drawing on the popular press, unpublished personal correspondence, and archival documents, Catherine Ingrassia provides a rich cultural description that situates literary texts from a range of genres within the material world of captivity. Ultimately, the book calls for a reevaluation of how literary texts that code a heretofore undiscussed connection to the slave trade or other types of captivity are understood.
Author: Roz Southey
Publisher: Routledge
ISBN: 131716833X
Category : Music
Languages : en
Pages : 390
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Book Description
Despite recent interest in music-making in the so-called ’provinces’, the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison’s life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.
Author: Samuel Wesley
Publisher: OUP Oxford
ISBN: 9780198164234
Category : Biography & Autobiography
Languages : en
Pages : 588
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Book Description
Samuel Wesley (1766-1837) was the son of the hymn-writer Charles Wesley and the nephew of John Wesley, the founder of Methodism. He was one of the leading composers in late eighteenth- and early nineteenth-century England, and the finest organist of his day. He was also a misfit and a rebel, renowned for his outspoken views, his frequently wild behavior, and his irregular personal life. His music has become increasingly well known in recent years, and these letters to his friends and fellow musicians, over 400 of which are gathered together here for the first time, present both a witty, perceptive, and unparalleled portrait of Wesley the man, and an insiders view of life in the music profession in London in the early nineteenth-century.
Author: Nicholas Temperley
Publisher: Taylor & Francis
ISBN: 1000940993
Category : History
Languages : en
Pages : 368
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Book Description
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
