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Author: Cleveland Museum of Art
Publisher: Hudson Hills Press
ISBN: 9781555953645
Category : Art
Languages : en
Pages : 0
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Book Description
Traces the Cleveland Museum of Art's collection of Japenese and Korean Art.
Author: Cleveland Museum of Art
Publisher: Hudson Hills Press
ISBN: 9781555953645
Category : Art
Languages : en
Pages : 0
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Book Description
Traces the Cleveland Museum of Art's collection of Japenese and Korean Art.
Author: Yves Bonnefoy
Publisher: University of Chicago Press
ISBN: 9780226064444
Category : Art
Languages : en
Pages : 270
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Book Description
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
Author: Carrie Able
Publisher:
ISBN: 9781364353087
Category :
Languages : en
Pages :
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Book Description
"Painted Poetry" beautifully juxtaposes a selection of poems and paintings by artist Carrie Able.
Author: Alan Robinson
Publisher: Springer
ISBN: 1349071900
Category : Art
Languages : en
Pages : 305
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Book Description
Author: Michael Thurston
Publisher: John Wiley & Sons
ISBN: 1118619811
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
Combining detailed explorations of both mainstream and experimental poets with a clear historical and literary overview, Reading Postwar British and Irish Poetry offers readers at all levels an ideal guide to the rich body of poetic works published in Britain and Ireland over the last half-century. Features detailed discussions of individual poems that are widely available in anthologies and selected poems volumes Pays explicit attention to how to read the poems, focusing on language and form and the institutional conditions of literary possibility in which poets worked Includes poets of all types and styles from throughout the post-war period, including canonical and mainstream poets alongside experimental poets, women, and poets of color
Author: Mary Jacobus
Publisher: Princeton University Press
ISBN: 1400883288
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The first book on the central importance of literary sources in the paintings of Cy Twombly Many of Cy Twombly's paintings and drawings include handwritten words and phrases—naming or quoting poets ranging from Sappho, Homer, and Virgil to Mallarmé, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation? Reading Cy Twombly is the first book to focus specifically on the artist’s use of poetry. Twombly’s library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus’s account—richly illustrated with more than 125 color and black-and-white images—unlocks an important aspect of Twombly’s practice. Jacobus shows that poetry was an indispensable source of reference throughout Twombly’s career; as he said, he "never really separated painting and literature." Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly’s fondness for Greek pastoral poetry and Virgil’s Eclogues; the inspiration of the Iliad and Ovid’s Metamorphoses; and Twombly’s love of Keats and his collaboration with Octavio Paz. Twombly’s art reveals both his distinctive relationship to poetry and his use of quotation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century.
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 9780393052053
Category : Architecture
Languages : en
Pages : 664
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Book Description
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
Author: Jane Potter
Publisher: Cambridge University Press
ISBN: 1009302620
Category : Literary Criticism
Languages : en
Pages : 1030
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Book Description
Situating First World War poetry in a truly global context, this book reaches beyond the British soldier-poet canon. A History of World War One Poetry examines popular and literary, ephemeral and enduring poems that the cataclysm of 1914-1918 inspired. Across Europe, poets wrestled with the same problem: how to represent a global conflict, dominated by modern technology, involving millions of combatants and countless civilians. For literary scholars this has meant discovering and engaging with the work of men and women writing in other languages, on other fronts, and from different national perspectives. Poems are presented in their original languages and in English translations, some for the very first time, while a Coda reflects on the study and significance of First World War poetry in the wake of the Centenary. A History of World War One Poetry offers a new perspective on the literary and human experience of 1914-1918.
Author: Henry Miller
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 136
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Book Description
New and expanded edition of the title, first published in 1960.
Author: Mary Page Evans
Publisher: Hudson Hills Press
ISBN: 9781555953744
Category :
Languages : en
Pages : 0
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Book Description
"Cezanne once said, 'Painting from nature is not copying the object, but realizing one's sensations.' When I paint the landscape, I feel like singing." Mary Page Evans Wilmington-based painter Mary Page Evans works directly from nature, en plein air, seeking to capture a specific landscape, figure, tree, or sky. She is engaged by particularity, making an effort to establish the locale, the time of day, and the quality of light. Not surprisingly, her influences include the French impressionists and post-impressionists, as well as the abstract expressionist Joan Mitchell. Evans has worked at Claude Monet's garden in Giverny and names Cezanne as an inspiration. The painter Gene Davis described Evans's paintings as "hymns of unadulterated joy," and her accompanying exhibition, Painted Poetry: The Art of Mary Page Evans, promises to be a gorgeous celebration of nature and the human form, as well as a retrospective covering more than forty years of the painter's distinguished career. "Art history has always played an important role in my work," explains Evans. "Having absorbed the structural lessons of Cezanne and the 'push-pull' principle of Hans Hofmann, I try to loosen the form and let color determine the structure and create the space. I strive for a visual back-and-forth in the space resulting from forms and colors reacting to each other--like music." Evans is widely collected and has works in the Delaware Art Museum, Wilmington, DE; National Museum of Women in the Arts, Washington, DC; and the State Museum of Pennsylvania, Harrisburg, PA, among others. AUTHOR: Bill Scott is a Philadelphia-based painter and critic. 75 colour illustrations
