The Little Tycoon: the 1886 American Operetta PDF Download
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Author: Willard Spenser
Publisher: Createspace Independent Pub
ISBN: 9781508684879
Category : Drama
Languages : en
Pages : 58
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Book Description
Considered the first successful American operetta influenced by Gilbert and Sullivan, “The Little Tycoon” is one of the lost gems of the American musical theatre. It also ranks as one of the first American musicals to have the book, lyrics and music all produced by the same person. Written three years before “The Mikado,” the plot revolves around Alvin, a young man, who pretends to be a Japanese nobleman in order to impress the father of his dream girl. After its Broadway engagement in 1886, where its run was extended by popular demand, the operetta went on to be produced across the country with over 2,000 performances and continued to be produced into the 20th century.
Author: Willard Spenser
Publisher: Createspace Independent Pub
ISBN: 9781508684879
Category : Drama
Languages : en
Pages : 58
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Book Description
Considered the first successful American operetta influenced by Gilbert and Sullivan, “The Little Tycoon” is one of the lost gems of the American musical theatre. It also ranks as one of the first American musicals to have the book, lyrics and music all produced by the same person. Written three years before “The Mikado,” the plot revolves around Alvin, a young man, who pretends to be a Japanese nobleman in order to impress the father of his dream girl. After its Broadway engagement in 1886, where its run was extended by popular demand, the operetta went on to be produced across the country with over 2,000 performances and continued to be produced into the 20th century.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443885088
Category : Music
Languages : en
Pages : 500
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Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).
Author: William A. Everett
Publisher: Cambridge University Press
ISBN: 1107114748
Category : Music
Languages : en
Pages : 503
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Book Description
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
Author: Nicholas Everett
Publisher: Cambridge University Press
ISBN: 9780521796392
Category : Music
Languages : en
Pages : 334
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Book Description
The Cambridge Companion to the Musical provides an accessible introduction to one of the liveliest and most popular forms of musical performance. Written by a team of specialists in the field of musical theatre especially for students and theatregoers, it offers a guide to the history and development of the musical in England and America (including coverage of New York s Broadway and London s West End traditions). Starting with the early history of the musical, the volume comes right up to date and examines the latest works and innovations, and includes information on the singers, audience and critical reception, and traditions. There is fresh coverage of the American musical theatre in the eighteenth and nineteenth centuries, the British musical theatre in the middle of the twentieth century, and the rock musical. The Companion contains an extensive bibliography and photos from key productions.
Author: Julian Mates
Publisher: Bloomsbury Publishing USA
ISBN: 0313389705
Category : Music
Languages : en
Pages : 286
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Book Description
"[This book is] a comprehensive illustrated history of the U.S. musical from its colonial origins to the present, tracing the connections and influences of the minstrel show, operetta, burlesque, melodrama, revues, circus, dance, musical comedy, the Broadway opera, the book musical and other forms. . . . Further, Mates introduces readers to inside stuff--the various types of musical performers." Variety Mates shows the musical stage in all its guises--from burlesque to musical comedy to grand opera--from its beginnings in pre-Revolutionary America to the present day. He deals sensitively with the recurrent aesthetic question of popular versus highbrow art and also looks at critical reactions to popular theatrical forms of musical entertainment. He introduces the reader to various types of theatrical companies, the changing repertory, and the many kinds of musical performers who have animated the stage. Mates focuses on the creative relationships between the different forms of opera, the minstrel show and circus, melodrama and dance, burlesque, revue, vaudeville, and musical comedy.
Author: Steven Porter
Publisher: Routledge
ISBN: 1135897824
Category : Performing Arts
Languages : en
Pages : 147
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Book Description
First Published in 1987. Split into four parts, this book seeks to inform the reader, teachers, directors and students about American Musical Theatre. Part I is a brief history of the American Musical Theatre, for it is only in the context of history that the material on which you work can be fully judged and mastered. Part II is a brief discussion of the elements of production. Knowing what ought to take place in a well-planned show can go a long way toward counteracting what does not take place in a poorly planned one. Part III is a brief discussion of how to evaluate the elements of craftmanship one expects to find in the writing and performing of a musical. The knowledge here is indispensable to the performer. It is the feel of the plane to the pilot, the touch of the key to the pianist. It is, in fact, the very life blood of the art form. Finally, Part IV provides an opportunity to put into practice what previous study has taught.
Author: Elise Kuhl Kirk
Publisher: University of Illinois Press
ISBN: 9780252026232
Category : Music
Languages : en
Pages : 492
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Book Description
A treasure trove of information, "American Opera" sketches musical traits and provides plot summaries, descriptions of sets and stagings, and biographical details on performers, composers, and librettists for more than 100 American operas. 86 photos.
Author: Andrew Lamb
Publisher: Yale University Press
ISBN: 9780300075380
Category : Music
Languages : en
Pages : 400
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Book Description
Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.
Author: Josephine Lee
Publisher: Bloomsbury Publishing
ISBN: 1350248231
Category : Drama
Languages : en
Pages : 121
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Book Description
While most discussions of race in American theater emphasize the representation of race mainly in terms of character, plot, and action, Race in American Musical Theater highlights elements of theatrical production and reception that are particular to musical theater. Examining how race functions through the recurrence of particular racial stereotypes and storylines, this introductory volume also looks at casting practices, the history of the chorus line, and the popularity of recent shows such as Hamilton. Moving from key examples such as Show Boat! and South Pacific through to all-Black musicals such as Dreamgirls, Bring in 'da Noise, Bring in 'da Funk, and Jelly's Last Jam, this concise study serves as a critical survey of how race is presented in the American musical theater canon. Providing readers with historical background, a range of case studies and models of critical analysis, this foundational book prompts questions from how stereotypes persist to “who tells your story?”
Author: Gerald Martin Bordman
Publisher: New York : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
This book provides an overview of American operetta. It discusses how operetta has been used as an art form and its influences and its construction. Includes Viennese operetta, Herbert, Friml, Kern, Oklahoma, Fiddler on the Roof.
