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Author: Richard Penn Smith
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 112
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Book Description
Author: Richard Penn Smith
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 112
Get Book Here
Book Description
Author: Richard Penn Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Get Book Here
Book Description
Author: Richard Penn Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
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Book Description
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521472043
Category : Drama
Languages : en
Pages : 554
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Book Description
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Author: Richard Penn Smith
Publisher: Penguin
ISBN: 1440684421
Category : Biography & Autobiography
Languages : en
Pages : 214
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Book Description
David "Davy" Crockett (1786–1836) was born in Tennessee, fought alongside Andrew Jackson in the War of 1812, and later served three terms in the House of Representatives before heading to Texas, where he died defending the Alamo. Col. Crockett’s Exploits and Adventures in Texas, first published after Crockett’s death and disingenuously attributed to him, was written by Richard Penn Smith as a narrative that promoted a sanitized account of the Alamo as a heroic effort by Americans to stem the Mexican "invasion" of Texas. The story, which was a huge success in its day, created a myth of the battle that pervaded the collective American memory for more than 150 years and reinforced the image of Davy Crockett as the "King of the Frontier."
Author: Arthur Hobson Quinn
Publisher: Ardent Media
ISBN:
Category : American literature
Languages : en
Pages : 1200
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Book Description
Author: Richard T. Kelly
Publisher:
ISBN: 9780571215492
Category : Actors
Languages : en
Pages : 472
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Book Description
'The riveting Sean Penn by Richard Kelly which tells a story of America and politics, publicity and character, is a book nobody should miss.' Andrew O'Hagan 'A fascinating 'oral history' of the actor-director, with countless interviews with family, friends and colleagues (Nicholson, Huston, Walken) and the ex-Mr Madonna himself.' Time Out 'A relentlessly entertaining insight to the most talented actor of his generation.' Guardian 'Revealing... comprehensive and impressive... Richard Kelly has done an excellent job.' Sunday Telegraph 'Highly readable... Essential reading for any admirer of the actor but also for those seeking a front-line account of American cinema over the past 25 years.' The Herald
Author: David Grimsted
Publisher: Univ of California Press
ISBN: 9780520059962
Category : History
Languages : en
Pages : 312
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Book Description
David Grimsted's Melodrama Unveiled explores early American drama to try to understand why such severely limited plays were so popular for so long. Concerned with both the plays and the dramatic settings that gave them life, Grimsted offers us rich descriptions of the interaction of performers, audiences, critics, managers, and stage mechanics. Because these plays had to appeal immediately and directly to diverse audiences, they provide dramatic clues to the least common denominator of social values and concerns. In considering both the context and content of popular culture, Grimsted's book suggests how theater reflected the rapidly changing society of antebellum America.
Author: Marwan M. Obeidat
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3112401530
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
The series Islamkundliche Untersuchungen was founded in 1969 by the Klaus Schwarz Verlag. Since then, it has become one of the most important venues for publications in Islamic and Middle Eastern Studies. Its more than 350 volumes cover a wide range of topics from the history, culture and societies of the Middle East and North Africa as well as neighboring regions in central, south and southeast Asia.
Author: Francis Hodge
Publisher: University of Texas Press
ISBN: 0292761546
Category : Performing Arts
Languages : en
Pages : 373
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Book Description
The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.
