Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 PDF full book. Access full book title Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 by David Adelman. Download full books in PDF and EPUB format.
Author: David Adelman
Publisher: Taylor & Francis
ISBN: 1040052169
Category : Art
Languages : en
Pages : 337
Get Book Here
Book Description
This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history.
Author: David Adelman
Publisher: Taylor & Francis
ISBN: 1040052169
Category : Art
Languages : en
Pages : 337
Get Book Here
Book Description
This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 916
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 920
Get Book Here
Book Description
Author: Julie F. Codell
Publisher: Associated University Presse
ISBN: 9780838641682
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
"Political economy is defined in this volume as collective state or corporate support for art and architecture in the public sphere intended to be accessible to the widest possible public, raising questions about the relationship of the state to cultural production and consumption. This collection of essays explores the political economy of art from the perspective of the artist or from analysis of art's production and consumption, emphasizing the art side of the relationship between art and state. This volume explores art as public good, a central issue in political economy. Essays examine specific cultural spaces as points of struggle between economic and cultural processes. Essays focus on three areas of conflict: theories of political economy put into practices of state cultural production, sculptural and architectural monuments commissioned by state and corporate entities, and conflicts and critiques of state investments in culture by artists and the public."--amazon.com edit. desc.
Author: Marion Harry Spielmann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 576
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 548
Get Book Here
Book Description
Author: Andrea Korda
Publisher: Routledge
ISBN: 1351553240
Category : Art
Languages : en
Pages : 218
Get Book Here
Book Description
Printing and Painting the News in Victorian London offers a fresh perspective on Social Realism by contextualizing it within the burgeoning new media environment of Victorian London. Paintings labelled as Social Realist by Luke Fildes, Frank Holl and Hubert Herkomer are frequently considered to typify the sentimental Victorian genre painting that quickly became outdated with the development of modernism. Yet this book argues that the paintings must be considered as the result of the new experiences of modernity-the urban poverty that the paintings represent and, most importantly, the advent of the mass-produced illustrated news. Fildes, Holl and Herkomer worked for The Graphic, a publication launched in 1869 as a rival to the dominant Illustrated London News. The artists? illustrations, which featured the growing problem of urban poverty, became the basis for large-scale paintings that provoked controversy among their contemporaries and later became known as Social Realism. This first in-depth study of The Graphic and Social Realism uses the approach of media archaeology to unearth the modernity of these works, showing that they engaged with the changing notions of objectivity and immediacy that nineteenth-century new media cultivated. In doing so, this book proposes an alternative trajectory for the development of modernism that allows for a richer understanding of nineteenth-century visual culture.
Author: Arts Council of Great Britain
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
Get Book Here
Book Description
The pictures shown in this exhibition represent a cross-section through the wide spectrum of Victorian art, to show how an artist achieved success, and what form that success could take. The artists range from those still famous today to those who dropped into total obscurity after the end of the Victorian era.
Author: William Cosmo Monkhouse
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Get Book Here
Book Description
