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Author: William Burdett
Publisher:
ISBN:
Category : Brigands and robbers
Languages : en
Pages : 72
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Book Description
Author: William Burdett
Publisher:
ISBN:
Category : Brigands and robbers
Languages : en
Pages : 72
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: William Burdett
Publisher: Graphic Arts Books
ISBN: 1513210750
Category : Fiction
Languages : en
Pages : 37
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Book Description
The Life and Exploits of Three-Finger’d Jack (1801) is a book by William Burdett. Inspired by tales of legendary slave-turned-rebel Jack Mansong, as well as by a popular pantomime based on Jack’s life, Burdett published his book to popular acclaim in England. In late eighteenth-century Jamaica, a runaway slave named Jack “Three-Fingered Jack” Mansong defied British law to establish a community of runaways in the densely forested Blue Mountains of what is now Sant Thomas Parish. Because his actions violated a controversial treaty between the Jamaican Maroons and the colonial authority, Jack and his comrades faced persecution from both groups. Knowing that his only choice was between freedom or death, Jack fought valiantly to the bitter end. In Burdett’s version of events, Jack’s story begins in Africa, where he goes by the name Mansong. Stolen into slavery and taken to the Caribbean, the war hero prepares to make his break for the mountains. The Life and Exploits of Three-Finger’d Jack also features a romantic subplot between the planter’s daughter Rosa and Captain Orford, an Englishman newly arrived in Jamaica. With a beautifully designed cover and professionally typeset manuscript, this edition of William Burdett’s The Life and Exploits of Three-Finger’d Jack is a classic of British-Jamaican literature reimagined for modern readers.
Author: Frances R. Botkin
Publisher: Rutgers University Press
ISBN: 0813587409
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
The fugitive slave known as “Three-Fingered Jack” terrorized colonial Jamaica from 1780 until vanquished by Maroons, self-emancipated Afro-Jamaicans bound by treaty to police the island for runaways and rebels. A thief and a killer, Jack was also a freedom fighter who sabotaged the colonial machine until his grisly death at its behest. Narratives about his exploits shed light on the problems of black rebellion and solutions administered by the colonial state, creating an occasion to consider counter-narratives about its methods of divide and conquer. For more than two centuries, writers, performers, and storytellers in England, Jamaica, and the United States have “thieved" Three Fingered Jack's riveting tale, defining black agency through and against representations of his resistance. Frances R. Botkin offers a literary and cultural history that explores the persistence of stories about this black rebel, his contributions to constructions of black masculinity in the Atlantic world, and his legacies in Jamaican and United States popular culture.
Author: Paul Youngquist
Publisher: Routledge
ISBN: 1317072189
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
In highlighting the crucial contributions of diasporic people to British cultural production, this important collection defamiliarizes prevailing descriptions of Romanticism as the expression of a national character or culture. The contributors approach the period from the perspective of the Atlantic maritime economy, making a strong case for viewing British Romanticism as the effect of myriad economic and cultural exchanges occurring throughout a circum-Atlantic world driven by an insatiable hunger for sugar and slaves. Typically taken for granted, the material contributions of slaves, sailors, and servants shaped Romanticism both in spite of and because of the severe conditions they experienced throughout the Atlantic world. The essays range from Sierra Leone to Jamaica to Nova Scotia to the metropole, examining not only the desperate circumstances of diasporic peoples but also the extraordinary force of their creativity and resistance. Of particular importance is the emergence of race as a category of identity, class, and containment. Race, Romanticism, and the Atlantic explores that process both economically and theoretically, showing how race ensures the persistence of servitude after abolition. At the same time, the collection never loses sight of the extraordinary contributions diasporic peoples made to British culture during the Romantic era.
Author: Diana Paton
Publisher: Cambridge University Press
ISBN: 1107025656
Category : History
Languages : en
Pages : 377
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Book Description
A study of the importance of debates about obeah, and state suppression of it, for Caribbean struggles about freedom and citizenship.
Author: Julia Swindells
Publisher: Oxford Handbooks
ISBN: 0199600309
Category : Drama
Languages : en
Pages : 786
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Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
Author: William Burdett
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author: Marianna D’Ezio
Publisher: Cambridge Scholars Publishing
ISBN: 1443814695
Category : Biography & Autobiography
Languages : en
Pages : 180
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Book Description
Culture and literature, indeed intellectual life as a whole, in eighteenth-century Britain were characterized by complex internal tensions as well as influenced by the unprecedented atmosphere of major political, cultural and social change which led to the revolutions at end of the century. Furthermore, the diffusion of periodicals and newspapers, which formed the basis of public conversation in urban coffee-houses, functioned as a vehicle for the dispersion of works which publicly mirrored a private society in the process of transformation. The focus on this change and the circulation of new ideas on taste and polite society as well as on culture and literature can be found in the continual intertwining between the public and the private spheres of society. The aim of the first part of this collection of original, unpublished essays by young international scholars is to investigate the dynamics of these “overlapping” spheres through new readings of eighteenth-century literary works which not only analysed the mechanisms of the private and public spheres, but also highlighted some remarkable cultural features, such as clothing and fashion, gossip and gender issues. As suggested by the title, the second part of the collection will expand on the principal idea of “intersections” in eighteenth-century English literature: from the intersections linking the private and public spheres of British society, to those between eighteenth-century works within the British literary canon, taking into account the influence of European thought. The purpose of the second group of essays is thus that of offering fresh perspectives and a re-evaluation of literary and cultural reciprocal exchanges, in order to better locate or re-locate canonical works and authors within the eighteenth-century literary tradition.
Author: Sarah J. Lauro
Publisher: Rutgers University Press
ISBN: 0813575648
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat.
