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Author: William Burdett
Publisher:
ISBN:
Category : Brigands and robbers
Languages : en
Pages : 72
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Book Description
Author: William Burdett
Publisher:
ISBN:
Category : Brigands and robbers
Languages : en
Pages : 72
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: William Burdett
Publisher: Graphic Arts Books
ISBN: 1513210750
Category : Fiction
Languages : en
Pages : 37
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Book Description
The Life and Exploits of Three-Finger’d Jack (1801) is a book by William Burdett. Inspired by tales of legendary slave-turned-rebel Jack Mansong, as well as by a popular pantomime based on Jack’s life, Burdett published his book to popular acclaim in England. In late eighteenth-century Jamaica, a runaway slave named Jack “Three-Fingered Jack” Mansong defied British law to establish a community of runaways in the densely forested Blue Mountains of what is now Sant Thomas Parish. Because his actions violated a controversial treaty between the Jamaican Maroons and the colonial authority, Jack and his comrades faced persecution from both groups. Knowing that his only choice was between freedom or death, Jack fought valiantly to the bitter end. In Burdett’s version of events, Jack’s story begins in Africa, where he goes by the name Mansong. Stolen into slavery and taken to the Caribbean, the war hero prepares to make his break for the mountains. The Life and Exploits of Three-Finger’d Jack also features a romantic subplot between the planter’s daughter Rosa and Captain Orford, an Englishman newly arrived in Jamaica. With a beautifully designed cover and professionally typeset manuscript, this edition of William Burdett’s The Life and Exploits of Three-Finger’d Jack is a classic of British-Jamaican literature reimagined for modern readers.
Author: William Burdett
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Author: Frances R. Botkin
Publisher: Rutgers University Press
ISBN: 0813587409
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
The fugitive slave known as “Three-Fingered Jack” terrorized colonial Jamaica from 1780 until vanquished by Maroons, self-emancipated Afro-Jamaicans bound by treaty to police the island for runaways and rebels. A thief and a killer, Jack was also a freedom fighter who sabotaged the colonial machine until his grisly death at its behest. Narratives about his exploits shed light on the problems of black rebellion and solutions administered by the colonial state, creating an occasion to consider counter-narratives about its methods of divide and conquer. For more than two centuries, writers, performers, and storytellers in England, Jamaica, and the United States have “thieved" Three Fingered Jack's riveting tale, defining black agency through and against representations of his resistance. Frances R. Botkin offers a literary and cultural history that explores the persistence of stories about this black rebel, his contributions to constructions of black masculinity in the Atlantic world, and his legacies in Jamaican and United States popular culture.
Author: William Earle
Publisher: Broadview Press
ISBN: 1770482083
Category : Fiction
Languages : en
Pages : 257
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Book Description
“Three-Fingered Jack,” the protagonist of this 1800 novel, is based on the escaped slave and Jamaican folk hero Jack Mansong, who was believed to have gained his strength from the Afro-Caribbean religion of obeah, or “obi.” His story, told in an inventive mix of styles, is a rousing and sympathetic account of an individual’s attempt to combat slavery while defending family honour. Historically significant for its portrayal of a slave rebellion and of the practice of obeah, Obi is also a fast-paced and lively novel, blending religion, politics, and romance. This Broadview edition includes a critical introduction and a selection of contemporary documents, including historical and literary treatments of obeah and accounts of an eighteenth-century slave rebellion.
Author: Michael Warner
Publisher: Princeton University Press
ISBN: 1942130635
Category : Social Science
Languages : en
Pages : 156
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Book Description
Publics and Counterpublics revolves around a central question: What is a public? The idea of a public is a cultural form, a kind of practical fiction, present in the modern world in a way that is very different from other or earlier societies. Like the idea of rights, or nations, or markets, it can now seem universal. But it has not always been so. Publics exist only by virtue of their imagining. They are a kind of fiction that has taken on life, and very potent life at that. Publics have some regular properties as a form, with powerful implications for the way our social world takes shape; but much of modern life involves struggles over the nature of publics and their interrelation. There are ambiguities, even contradictions in the idea of a public. As it is extended to new contexts and media, new polities and rhetorics, its meaning can be seen to change, in ways that we have scarcely begun to appreciate. By combining historical analysis, theoretical reflection, and extended case studies, Publics and Counterpublics shows how the idea of a public works as a formal device in modern culture and traces its implications for contemporary life. Michael Warner offers a revisionist account at the junction of two intellectual traditions with which he has been associated: public-sphere theory and queer theory. To public-sphere theory, this book brings a new emphasis on cultural forms, and a new focus on the dynamics of counterpublics. To queer theory, it brings a new way of seeing how queer culture (among other examples) is shaped by the counterpublic environment.
Author: Sharon Worley
Publisher: Ethics International Press
ISBN: 180441333X
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This study examines how authors responded to the Haitian Revolution with revisionist narratives that seek to support empire or rebellion, while focusing on the ethical ramifications of colonialism and slavery in the Americas. Narrative texts include Leonora Sansay’s Secret History, or the Horrors of Santo Domingo, Germaine de Stael’s Mirza, Fanny Burney’s The Wanderer, Jane Austen’s Mansfield Park and Sanditon, Harriet Martineau’s The Hour and the Man, and Elizabeth Barrett Browning’s poems, "A Curse for a Nation" and "The Runaway Slave at Pilgrim’s Point." Additional authors include Lucien Bonaparte, Chateaubriand, Raynal, Edmund Burke and Rousseau. Each author’s narrative is examined within the context of the cultural and political factors that influenced the author, as well as their personal ties to the abolitionist movement or to the institution of slavery.
Author: Grégory Pierrot
Publisher: University of Georgia Press
ISBN: 0820354910
Category : Social Science
Languages : en
Pages : 275
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Book Description
With the Ta-Nehisi Coates-authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker's cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel's Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values-honor, loyalty, love-reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot's The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
Author: Elizabeth A Bohls
Publisher: Edinburgh University Press
ISBN: 0748678743
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
This book examines the relationship between Romantic writing and the rapidly expanding British Empire. Literature played a crucial role in constructing and contesting the modern culture of empire that was fully in place by the start of the Victorian period. Postcolonial criticism's concern with issues of geopolitics, race and gender, subalternity and exoticism shape discussions of works by major authors such as Blake, Coleridge, both Shelleys, Austen and Scott, as well as their less familiar contemporaries.
