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Author:
Publisher:
ISBN: 9780448121864
Category : Motion pictures
Languages : en
Pages : 162
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Book Description
Author:
Publisher:
ISBN: 9780448121864
Category : Motion pictures
Languages : en
Pages : 162
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
Author: Mark C. Carnes
Publisher: Macmillan
ISBN: 9780805037609
Category : History
Languages : en
Pages : 324
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Book Description
Essays that consider how classic movies have reflected history include the writings of such noted historians as Paul Fussell, Antonia Fraser, and Gore Vidal.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2708
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Book Description
A world list of books in the English language.
Author: Editors of Phaidon Press
Publisher: Phaidon Press
ISBN: 9780714838472
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
An A-Z guide to 500 landmark individuals working in film.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
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Book Description
Includes entries for maps and atlases.
Author: David Thomson
Publisher: Macmillan
ISBN: 0374191891
Category : Art
Languages : en
Pages : 611
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Book Description
Explores movies and media across time, and asks about the role of movies in modern life, from imitations of life to culture changing, as escapes from everyday reality and its responsibilities, or as guides on how to live.
Author: Robert Sklar
Publisher: Prentice Hall Art History
ISBN: 9780810906068
Category : Motion pictures
Languages : en
Pages : 600
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Book Description
'A World History of Film' presents the entire history of motion pictures, from pre-cinema to the present. Providing a complete analysis of the principal films, directors, and national cinemas, it supplies a thorough grounding in the social, economic, and political circumstances critical to an understanding of film as both art and industry. In a highly readable narrative, Robert Sklar, one of the field's most eminent scholars, covers all significant periods and styles -- not only commercial films and classical Hollywood cinema but also animation, documentaries, international art cinema, and the cinematic avant-garde. With emphasis on the international relationships among film communities, chapters are devoted to such critical nodes of film history as early cinema, Soviet silent cinema, Hollywood genres, Italian neorealism, and the French New Wave. Substantial sections are also devoted to the films of Eastern Europe, Latin America, Japan, China, Africa, the Middle East, and India. Informative sidebars complement the main text, and cross-cultural timelines introduce the book's seven main parts.
Author: Philip Kemp
Publisher:
ISBN: 9780500289471
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
Cinema: The Whole Story takes a close look at the key time periods, genres and key works in world cinema. It places the burgeoning world of cinema in the context of social and cultural developments that have taken place since its beginnings. Organized chronologically, the book traces the evolution of cinematic development, from the earliest days of film projection to the multiscreen cinemas and super-technology of today. Illustrated, in-depth text charts every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and groundbreaking effects of the 21st century. Cinema: The Whole Story is an indispensable book for all those who love watching and reading about films and who want to understand more about the world of cinema.
Author: Hideaki Fujiki
Publisher: Bloomsbury Publishing
ISBN: 1844576817
Category : Performing Arts
Languages : en
Pages : 625
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Book Description
The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions
