The Laces of Ipswich PDF Download
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Author: Marta Cotterell Raffel
Publisher: UPNE
ISBN: 9781584651635
Category : Art
Languages : en
Pages : 180
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Book Description
Richly illustrated study of the central role of lace making in defining a colonial American community.
Author: Marta Cotterell Raffel
Publisher: UPNE
ISBN: 9781584651635
Category : Art
Languages : en
Pages : 180
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Book Description
Richly illustrated study of the central role of lace making in defining a colonial American community.
Author: Frances Morris
Publisher:
ISBN:
Category : Lace and lace making
Languages : en
Pages : 92
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Book Description
Author: Daneen Wardrop
Publisher: UPNE
ISBN: 1584657804
Category : Business & Economics
Languages : en
Pages : 278
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Book Description
A history of nineteenth-century fashion through the works of Emily Dickinson
Author: Pat Earnshaw
Publisher: Courier Corporation
ISBN: 048640482X
Category : Crafts & Hobbies
Languages : en
Pages : 258
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Book Description
Handy reference of more than 400 lace-related terms (Florentine knots, lappets, spangles, reticella, honiton, Tuscan filet, etc.) plus discussions of the origin, nomenclature, dating, and development of more controversial lace forms. Over 250 illustrations depict such lovely creations as Queen Victoria's wedding veil and the bridal tulle worn by Diana, Princess of Wales.
Author: Máire Treanor
Publisher:
ISBN: 9781891656903
Category : Clones (Ireland)
Languages : en
Pages : 126
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Book Description
Preface to second edition -- Réamhrá - foreword --The story of clones lace -- How to make clones lace -- Twenty-one motifs -- Some edgings -- Working with linen -- Irish crochet -- Twelve projects -- Footnotes.
Author: Gertrude Whiting
Publisher: Courier Corporation
ISBN: 9780486225173
Category : Crafts & Hobbies
Languages : en
Pages : 386
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Book Description
Describes the forms and uses of winders, bobbins, hoops, frames, bodkins, and other sewing implements used in various world cultures
Author: Kathleen A. Staples
Publisher: Bloomsbury Publishing USA
ISBN: 0313084602
Category : History
Languages : en
Pages : 482
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Book Description
This study of clothing during British colonial America examines items worn by the well-to-do as well as the working poor, the enslaved, and Native Americans, reconstructing their wardrobes across social, economic, racial, and geographic boundaries. Clothing through American History: The British Colonial Era presents, in six chapters, a description of all aspects of dress in British colonial America, including the social and historical background of British America, and covering men's, women's, and children's garments. The book shows how dress reflected and evolved with life in British colonial America as primitive settlements gave way to the growth of towns, cities, and manufacturing of the pre-Industrial Revolution. Readers will discover that just as in the present day, what people wore in colonial times represented an immediate, visual form of communication that often conveyed information about the real or intended social, economic, legal, ethnic, and religious status of the wearer. The authors have gleaned invaluable information from a wide breadth of primary source materials for all of the colonies: court documents and colonial legislation; diaries, personal journals, and business ledgers; wills and probate inventories; newspaper advertisements; paintings, prints, and drawings; and surviving authentic clothing worn in the colonies.
Author: Ann Buermann Wass
Publisher: Bloomsbury Publishing USA
ISBN: 0313084599
Category : History
Languages : en
Pages : 423
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Book Description
Learn what men, women, and children have worn—and why—in American history, beginning with the classical styles worn in the early American republic through the hoop skirts and ready-made clothes worn before the Civil War. Authors Ann Buermann Wass and Michelle Webb Fandrich provide information on fabrics, materials, and manufacturing; a discussion of levels of society, daily life, and dress; and the types of clothes worn by men, women, and children, including American Indians and enslaved people. The authors have painstakingly researched such primary sources as diaries, letters, and wills of the people of the time, in addition to secondary resources. Just a few of the topics include: • The constant problems of getting fabrics, such as wool, or cotton, in the late eighteenth centuries • The types of clothes that slave men, women, and children were allowed to wear • The beginnings of patterns and the mass production of clothing in the mid nineteenth century. The volume features numerous illustrations, helpful timelines, resource guides recommending websites, videos, and print publications, and extensive glossaries.
Author: Nathaniel Philbrick
Publisher: Penguin
ISBN: 0525562192
Category : History
Languages : en
Pages : 401
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Book Description
NEW YORK TIMES BESTSELLER “Travels with George . . . is quintessential Philbrick—a lively, courageous, and masterful achievement.” —The Boston Globe Does George Washington still matter? Bestselling author Nathaniel Philbrick argues for Washington’s unique contribution to the forging of America by retracing his journey as a new president through all thirteen former colonies, which were now an unsure nation. Travels with George marks a new first-person voice for Philbrick, weaving history and personal reflection into a single narrative. When George Washington became president in 1789, the United States of America was still a loose and quarrelsome confederation and a tentative political experiment. Washington undertook a tour of the ex-colonies to talk to ordinary citizens about his new government, and to imbue in them the idea of being one thing—Americans. In the fall of 2018, Nathaniel Philbrick embarked on his own journey into what Washington called “the infant woody country” to see for himself what America had become in the 229 years since. Writing in a thoughtful first person about his own adventures with his wife, Melissa, and their dog, Dora, Philbrick follows Washington’s presidential excursions: from Mount Vernon to the new capital in New York; a monthlong tour of Connecticut, Massachusetts, New Hampshire, and Rhode Island; a venture onto Long Island and eventually across Georgia, South Carolina, and North Carolina. The narrative moves smoothly between the eighteenth and twenty-first centuries as we see the country through both Washington’s and Philbrick’s eyes. Written at a moment when America’s founding figures are under increasing scrutiny, Travels with George grapples bluntly and honestly with Washington’s legacy as a man of the people, a reluctant president, and a plantation owner who held people in slavery. At historic houses and landmarks, Philbrick reports on the reinterpretations at work as he meets reenactors, tour guides, and other keepers of history’s flame. He paints a picture of eighteenth-century America as divided and fraught as it is today, and he comes to understand how Washington compelled, enticed, stood up to, and listened to the many different people he met along the way—and how his all-consuming belief in the union helped to forge a nation.
Author: MaureenDaly Goggin
Publisher: Routledge
ISBN: 135153677X
Category : Art
Languages : en
Pages : 313
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Book Description
Rejecting traditional notions of what constitutes art, this book brings together essays on a variety of fiber arts to recoup women's artistic practices by redefining what counts as art. Although scholars over the last twenty years have turned their attention to fiber arts, redefining the conditions, practices, and products as art, there is still much work to be done to deconstruct the stubborn patriarchal art/craft binary. With essays on a range of fiber art practices, including embroidery, knitting, crocheting, machine stitching, rug making, weaving, and quilting, this collection contributes to the ongoing scholarly redefinition of women's relationship to creative activity. Focusing on women as producers of cultural products and creators of social value, the contributors treat women as active subjects and problematize their material practices and artifacts in the complex world of textiles. Each essay also examines the ways in which needlework both performs gender and, in turn, constructs gender. Moreover, in concentrating on and theorizing material practices of textiles, these essays reorient the study of fiber arts towards a focus on process?the making of the object, including the conditions under which it was made, by whom, and for what purpose?as a way to rethink the fiber arts as social praxis.
