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Author: Hÿman Michelson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 206
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Book Description
Author: Hÿman Michelson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 206
Get Book Here
Book Description
Author: Hijman Michelson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 210
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Book Description
Published also as author's proefschrift, Amsterdam, 1926. Bibliography: p. [174]-175.
Author: Hÿman Michelson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Author: Hyman Michelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Hyman Michelson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: H. MICHELSON
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Matthew Biberman
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 288
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Book Description
This study argues that modern antisemitism is a by-product of tensions between received Classical conceptions of masculinity and Christianity's strident critique of that ideal. Utilizing works by Shakespeare, Milton, Marlowe and others, Biberman illustrates how antisemitism develops as a way to stigmatize hypermasculine behavior, thus facilitating the transformation of the culture's gender ideal from knight to businessman. Subsequently, the function of antisemitism changes, becoming instead the mark of effeminate behavior. Consequently, the central antisemitic image changes from Jew-Devil to Jew-Sissy. Biberman traces this shift's repercussions, both in Renaissance culture and what follows it. He also contends that as a result of this linkage between Jewishness and the limits of masculine behavior, the image of the Jewish woman remains especially unstable. In concluding, Biberman argues that the Gothic resurrects the Jew-Devil (bequeathing it to the Nazis), and that the horror genre is often a rewriting of Renaissance discourse about Jews.
Author: Kathy Lavezzo
Publisher: Cornell University Press
ISBN: 1501706705
Category : Literary Criticism
Languages : en
Pages : 393
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England during the Middle Ages was at the forefront of European antisemitism. It was in medieval Norwich that the notorious "blood libel" was first introduced when a resident accused the city's Jewish leaders of abducting and ritually murdering a local boy. England also enforced legislation demanding that Jews wear a badge of infamy, and in 1290, it became the first European nation to expel forcibly all of its Jewish residents. In The Accommodated Jew, Kathy Lavezzo rethinks the complex and contradictory relation between England’s rejection of "the Jew" and the centrality of Jews to classic English literature. Drawing on literary, historical, and cartographic texts, she charts an entangled Jewish imaginative presence in English culture. In a sweeping view that extends from the Anglo-Saxon period to the late seventeenth century, Lavezzo tracks how English writers from Bede to Milton imagine Jews via buildings—tombs, latrines and especially houses—that support fantasies of exile. Epitomizing this trope is the blood libel and its implication that Jews cannot be accommodated in England because of the anti-Christian violence they allegedly perform in their homes. In the Croxton Play of the Sacrament, Marlowe’s The Jew of Malta, and Shakespeare’s The Merchant of Venice, the Jewish house not only serves as a lethal trap but also as the site of an emerging bourgeoisie incompatible with Christian pieties. Lavezzo reveals the central place of "the Jew" in the slow process by which a Christian "nation of shopkeepers" negotiated their relationship to the urban capitalist sensibility they came to embrace and embody. In the book’s epilogue, she advances her inquiry into Victorian England and the relationship between Charles Dickens (whose Fagin is the second most infamous Jew in English literature after Shylock) and the Jewish couple that purchased his London home, Tavistock House, showing how far relations between gentiles and Jews in England had (and had not) evolved.
Author: Abba Rubin
Publisher: Praeger
ISBN: 0313237794
Category : Education
Languages : en
Pages : 0
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Ch. 1 (pp. 3-46) surveys the history of the return of the Jews to England, from the Marranos in the 16th century to the debate on the readmission of the Jews in Cromwell's time, and the debate on the "Jew Bill" in 1753 which rekindled latent antisemitism. The rest of the book examines numerous novels and plays which reflected the current attitude towards Jews. The negative stereotype predominated at first - e.g. in works by Dryden, Defoe, Smollett (in particular), Richardson, and in the revival of Shakespeare's "Merchant of Venice" in the mid-18th century - but a change occurred in 1793 when Richard Cumberland depicted the Jew as a positive character in his play "The Jew". Thereafter, more favorable portrayals appeared in English literature, based on knowledge and on experience of the Jewish reality rather than on ignorance and prejudice, until by 1830 the numbers of negative and positive portrayals were equal.
Author: Hijman Michelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
