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Author: Daniel Belasco
Publisher: Fondation Juan March
ISBN: 9788470756658
Category : Art
Languages : en
Pages : 0
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Book Description
"The fact that most modern and contemporary art is produced with the idea of it ending up in a museum seems so natural to us that we can hardly think about the relationship between museums and artists as anything other than a kind of productive symbiosis. We tend to think that artists create, and museums as a matter of course preserve what is created. But in fact modern museums are, above all, filled with art produced against the museum. The Irascibles: Painters Against the Museum (New York, 1950) examines one of the most significant episodes in this historical dialectic between the museum and artists, through the lens of the now iconic Nina Leen photograph published by Life magazine on January 15, 1951: that of the clash between some of the painters of the New York School and the Metropolitan Museum of Art, which was, according to the artists, hostile to "advanced art." The Irascibles were William Baziotes, James Brooks, Fritz Bultman, Willem de Kooning, Jimmy Ernst, Adolph Gottlieb, Hans Hofmann, Weldon Kees, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Ad Reinhardt, Mark Rothko, Theodoros Stamos, Hedda Sterne, Clyfford Still, and Bradley Walker Tomlin, although Bultman, Hofmann, and Kees were unable to attend the shoot. A quick glance at the history of modern art--with its succesion of salonniers and rejects--could lead us to think of this photo as a mere journalistic anecdote. But it is in fact a single frame in a much larger sequence: that of the institutional workings of modern art since the historical avant-gardes, caught in flagrante in one of the most compelling moments of those confrontations with the status quo. The Irascibles knew precisely what they were defending--the new--and they were aware that their demands would end up affecting the perception of the art of their time, and thus of the art that followed. And if they do indeed continue to affect our perception, it is--in what only appears to be a paradox--precisely because of the indisputable presence of their works in the very museum that once rejected them."--
Author: Daniel Belasco
Publisher: Fondation Juan March
ISBN: 9788470756658
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
"The fact that most modern and contemporary art is produced with the idea of it ending up in a museum seems so natural to us that we can hardly think about the relationship between museums and artists as anything other than a kind of productive symbiosis. We tend to think that artists create, and museums as a matter of course preserve what is created. But in fact modern museums are, above all, filled with art produced against the museum. The Irascibles: Painters Against the Museum (New York, 1950) examines one of the most significant episodes in this historical dialectic between the museum and artists, through the lens of the now iconic Nina Leen photograph published by Life magazine on January 15, 1951: that of the clash between some of the painters of the New York School and the Metropolitan Museum of Art, which was, according to the artists, hostile to "advanced art." The Irascibles were William Baziotes, James Brooks, Fritz Bultman, Willem de Kooning, Jimmy Ernst, Adolph Gottlieb, Hans Hofmann, Weldon Kees, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Ad Reinhardt, Mark Rothko, Theodoros Stamos, Hedda Sterne, Clyfford Still, and Bradley Walker Tomlin, although Bultman, Hofmann, and Kees were unable to attend the shoot. A quick glance at the history of modern art--with its succesion of salonniers and rejects--could lead us to think of this photo as a mere journalistic anecdote. But it is in fact a single frame in a much larger sequence: that of the institutional workings of modern art since the historical avant-gardes, caught in flagrante in one of the most compelling moments of those confrontations with the status quo. The Irascibles knew precisely what they were defending--the new--and they were aware that their demands would end up affecting the perception of the art of their time, and thus of the art that followed. And if they do indeed continue to affect our perception, it is--in what only appears to be a paradox--precisely because of the indisputable presence of their works in the very museum that once rejected them."--
Author: Jackson Pollock
Publisher: Skira
ISBN:
Category : Architecture
Languages : en
Pages : 268
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Book Description
Exhibition to commemorate the 50th anniversary of Pollock's first major European exhibit. The exhibit brings together many of the 23 works from the 1950 exhibit, along with other examples from major museums and private collections from around the world. 1950 exhibit as marking the start of a transition period in Pollock's life where he began to explore the use of the action art. The current exhibition, organized by the Centro Italiano per le Arti e la Cultura and the Musei Civici Venezia, continue through June and span Pollock's career.
Author: Hedda Sterne
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Hedda Sterne's impressive art career began in the late 1930s when she exhibited with the Surrealists in Paris. She attained national prominence in the 1940s and 1950s, exhibiting with Abstract Expressionists such as Jackson Pollock, Willem de Kooning, Barnett Newman, and Mark Rothko, and her career continues into the present. This book documents Sterne's importance to the post-war American art scene. It highlights notable periods in her artistic career, including her Machine and Spray Roads paintings, portraits, installations, and recent drawings.
Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
ISBN: 1588396002
Category : Art
Languages : en
Pages : 162
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Book Description
In December 1950, the German Expressionist Max Beckmann set out from his Manhattan apartment to see his Self-Portrait in Blue Jacket, on view at The Met, when he suffered a fatal heart attack. Inspired by the poignant circumstances of the artist’s death, Max Beckmann in New York focuses on 40 beautifully illustrated works that Beckmann painted in the city during the last 16 months of his life, as well as earlier works in New York collections. An informative and accessible essay by art historian Sabine Rewald, as well as detailed catalogue entries for each work and generous excerpts from the artist’s letters, diaries, and ephemera, illuminate Beckmann’s difficult and tumultuous life and make this an essential volume for anyone interested in the artist.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author: Bonnie Clearwater
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Mark Rothko (1903-1970) was one of the greatest painters of the 20th century and a giant of Abstract Expressionism. Of interest to an art enthusiast, this is both a practical manual for discovering and understanding the artist, and an authoritative guide to his life and work.
Author: William Boyd
Publisher: A&C Black
ISBN: 1408824159
Category : Fiction
Languages : en
Pages : 74
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Book Description
The infamous literary prank that fooled a legion of art critics in the 1990s Artist Nathwell Tate was born in 1928 in Union Beach, New Jersey. On January 8 1960 he contrived to round up and burn almost his entire output of Abstract Expressionism. Four days later he killed himself. This book offers an account of Tate's life and work. --- When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself - an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s.
Author: Adolph Gottlieb
Publisher: Hudson Hills
ISBN: 9781555951252
Category : Art
Languages : en
Pages : 180
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Book Description
Covers the full scope of Gottlieb's achievement.
Author: J. Bogousslavsky
Publisher: Karger Medical and Scientific Publishers
ISBN: 3318063940
Category : Medical
Languages : en
Pages : 236
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Book Description
In this fourth volume of the popular series 'Neurological Disorders in Famous Artists' we once again delve into the minds of writers, painters, and poets in order to gain better insight on how neurological and psychiatric diseases can influence creativity. The issue of schizophrenia, the interaction between psychological instability and drug abuse, and the intricate association between organic wounds and shell-shock disorders are illustrated with the examples of Franz Kafka, Raymond Roussel, and Louis-Ferdinand Céline and their writings. Dementia has been specifically studied before, including in the previous volumes of Neurological Disorders in Famous Artists. It is revisited here in order to present the striking and well-documented case of Willem de Kooning, which inspired a new approach. Apart from issues that sometimes border on neuropsychiatry, purer neurological cases such as post-amputation limb pain (Arthur Rimbaud) or tabetic ataxia (Edouard Manet) are presented as well. Other fascinating life trajectories associated with cerebral or psychological changes include those of the writers Bjornsen, Tolstoi, Turgeniev, Mann, Ibsen, and Pavese.
Author: Daniel A. Siedell
Publisher: U of Nebraska Press
ISBN: 9780803242951
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Born in 1914 in Beatrice, Nebraska, and presumed dead in 1955 (when he apparently leapt from the Golden Gate Bridge), Weldon Kees has become one of the better-known ?unknown? American poets of the twentieth century, his fiction and poetry largely kept alive by other poets. But Kees was also that rare artist who excelled in many genres and media: a skillful painter, filmmaker, jazz musician, and composer. He was a gifted critic as well, and his criticism bears the marks of his own deep and broad engagement with the arts.øWeldon Kees and the Arts at Midcentury is the first book to reflect the full range and reach of Kees?s artistic activities. Bringing together writers from various disciplines?art historians, poets, literary critics, curators, and cultural scholars, including Dore Ashton, James Reidel, Dana Gioia, and Stephen C. Foster?this volume offers a wide variety of perspectives through which to evaluate the meaning and significance of Kees?s achievement. Although the essays themselves partake of the diversity of Kees?s impact on the culture, all agree on one fundamental point: any history of postwar American culture that neglects Kees?s multifaceted contribution is ultimately incomplete.
