The International Film Index, 1895-1990: Film titles

The International Film Index, 1895-1990: Film titles PDF Author: Alan Goble
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 998

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The International Film Index, 1895-1990: Film titles

The International Film Index, 1895-1990: Film titles PDF Author: Alan Goble
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 998

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Book Description


The International Film Index, 1895-1990: Directors' filmography and indexes

The International Film Index, 1895-1990: Directors' filmography and indexes PDF Author: Alan Goble
Publisher: London ; New Jersey : Bowker-Saur
ISBN: 9780862916336
Category : Performing Arts
Languages : en
Pages : 744

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The International Film Index: Film titles

The International Film Index: Film titles PDF Author: Alan Goble
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : de
Pages : 0

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Film – An International Bibliography

Film – An International Bibliography PDF Author: Malte Hagener
Publisher: Springer
ISBN: 3476036863
Category : Performing Arts
Languages : en
Pages : 489

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Book Description
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.

Prehistoric Humans in Film and Television

Prehistoric Humans in Film and Television PDF Author: Michael Klossner
Publisher: McFarland
ISBN: 1476609144
Category : Performing Arts
Languages : en
Pages : 331

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Book Description
From the early days of the movies, "cavemen" have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works.

Authentic Fictions

Authentic Fictions PDF Author: Tom Genrich
Publisher: Peter Lang
ISBN: 9783039102853
Category : History
Languages : en
Pages : 296

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Book Description
This comparative study examines the prose writings of the best-known cosmopolitan authors of the Third French Republic: the modernists Jean Giraudoux, Valery Larbaud and Paul Morand, and the best-selling popular writer Maurice Dekobra. It investigates what constituted the 'cosmopolitanism' that they publicly proclaimed between the World Wars, a classification which has been widely accepted by commentators ever since. In particular, it considers whether conventional definitions of cosmopolitanism - as an unproblematic attitude of xenophilia coupled with wanderlust, or as an ecumenical humanism - can co-exist with the blind spots and prejudices of its practitioners. This book offers a comprehensive reinterpretation of the writers' identity politics based on their approach to Otherness (gender, race, nationality, political affiliation) as well as to formal innovation. It argues that cosmopolitanism is the organizing principle for their literary and existential attempts at cultivating authentic Selfhood. Through its socio-political embeddedness, this cosmopolitanism reveals the ideological and cultural preoccupations of the day.

The Griffith Project, Volume 8

The Griffith Project, Volume 8 PDF Author: Paolo Cherchi Usai
Publisher: Bloomsbury Publishing
ISBN: 1839020164
Category : Performing Arts
Languages : en
Pages : 202

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Book Description
No other silent film director has been as extensively studied as D. W. Griffith. However, only a small group of his more than five hundred films has been the subject of a systematic analysis, and the vast majority of his other works still await proper examination. For the first time in film studies, the complete creative output of Griffith - from 'Professional Jealousy '(1907) to 'The' 'Struggle '(1931) - will be explored in this multivolume collection of contributions from an international team of leading scholars in the field. Created as a companion to the ongoing retrospective held by the Pordenone Silent Film Festival, the Griffith Project is an indispensable guide to the work of a crucial figure in the arts of the nineteenth century. The latest volume assesses Griffith's work in 1914-15. It includes an extensive, multi-authored evaluation of 'The Birth of' 'a Nation.'

Dante's Inferno, The Indiana Critical Edition

Dante's Inferno, The Indiana Critical Edition PDF Author: Dante Alighieri
Publisher: Indiana University Press
ISBN: 0253012406
Category : Literary Criticism
Languages : en
Pages : 429

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Book Description
This new critical edition, including Mark Musa's classic translation, provides students with a clear, readable verse translation accompanied by ten innovative interpretations of Dante's masterpiece.

Silent Cinema

Silent Cinema PDF Author: Paolo Cherchi Usai
Publisher: Bloomsbury Publishing
ISBN: 1911239139
Category : Performing Arts
Languages : en
Pages : 465

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Book Description
Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison's and Lumière's first experiments to the dawn of 'talkies'; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.

A Feminist Reader in Early Cinema

A Feminist Reader in Early Cinema PDF Author: Jennifer M. Bean
Publisher: Duke University Press
ISBN: 9780822329992
Category : Literary Criticism
Languages : en
Pages : 604

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Book Description
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen