The Influence of Italian Culture on the Sevillian Golden Age of Painting

The Influence of Italian Culture on the Sevillian Golden Age of Painting PDF Author: Rafael Japón
Publisher:
ISBN: 9780367755485
Category : Art and society
Languages : en
Pages :

Get Book Here

Book Description
"This book explores the cultural exchange between Italy and Spain in the seventeenth century, examining Spanish collectors' predilection for Italian painting and Spanish painters' Italian influences. Focused on collecting and using a novel methodology, this volume studies how the painters of the Sevillian school, including Francisco Pacheco, Diego Velázquez, Alonso Cano and Bartolomé Esteban Murillo, perceived and were influenced by Italian painting. Through many examples, it is shown how the presence in Andalusia of various works and copies of artists such as Michelangelo, Caravaggio, and Guido Reni inspired famous compositions by these Spanish artists. In addition, the book delves into the historical, political and social context of this period. The book will be of interest to scholars working in art history, Renaissance studies, Italian history, and Spanish history"--

The Influence of Italian Culture on the Sevillian Golden Age of Painting

The Influence of Italian Culture on the Sevillian Golden Age of Painting PDF Author: Rafael Japón
Publisher:
ISBN: 9780367755485
Category : Art and society
Languages : en
Pages :

Get Book Here

Book Description
"This book explores the cultural exchange between Italy and Spain in the seventeenth century, examining Spanish collectors' predilection for Italian painting and Spanish painters' Italian influences. Focused on collecting and using a novel methodology, this volume studies how the painters of the Sevillian school, including Francisco Pacheco, Diego Velázquez, Alonso Cano and Bartolomé Esteban Murillo, perceived and were influenced by Italian painting. Through many examples, it is shown how the presence in Andalusia of various works and copies of artists such as Michelangelo, Caravaggio, and Guido Reni inspired famous compositions by these Spanish artists. In addition, the book delves into the historical, political and social context of this period. The book will be of interest to scholars working in art history, Renaissance studies, Italian history, and Spanish history"--

The Influence of Italian Culture on the Sevillian Golden Age of Painting

The Influence of Italian Culture on the Sevillian Golden Age of Painting PDF Author: Rafael Japón
Publisher: Routledge
ISBN: 1000543714
Category : Art
Languages : en
Pages : 252

Get Book Here

Book Description
This book explores the cultural exchange between Italy and Spain in the seventeenth century, examining Spanish collectors’ predilection for Italian painting and its influence on Spanish painters. Focused on collecting and using a novel methodology, this volume studies how the painters of the Sevillian school, including Francisco Pacheco, Diego Velázquez, Alonso Cano and Bartolomé Esteban Murillo, perceived and were influenced by Italian painting. Through many examples, it is shown how the presence in Andalusia of various works and copies of works by artists such as Michelangelo, Caravaggio and Guido Reni inspired famous compositions by these Spanish artists. In addition, the book delves into the historical, political and social context of this period. The book will be of interest to scholars working in art history, Renaissance studies, and Italian and Spanish history.

Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland

Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland PDF Author: Olga Maria Hajduk
Publisher: Taylor & Francis
ISBN: 1040023169
Category : Art
Languages : en
Pages : 374

Get Book Here

Book Description
The original research in this book analyzes the artistic activity of Santi Gucci (1533– c.1600), a Florentine sculptor active in Poland in the second half of the sixteenth century, and his workshop. Chapters examine the organization of the artistic workshop (sculpting and masonry) and the model of the artist’s functioning as an entrepreneur in Renaissance Poland, using Santi Gucci’s activity as an example. Gucci shaped the image of Polish sculpture in the sixteenth century for more than 50 years, even though his work has not yet been fully examined. The author sets Gucci’s emigration within the context of the cultural exchanges between Italy and Poland that contributed to the development of the Polish Renaissance. The book will be of interest to scholars working in art history, Renaissance studies, architectural history and economic history.

The Cults of Raphael and Michelangelo

The Cults of Raphael and Michelangelo PDF Author: Tamara Smithers
Publisher: Taylor & Francis
ISBN: 100062434X
Category : Art
Languages : en
Pages : 317

Get Book Here

Book Description
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.

A Patron Family Between Renaissance Florence, Rome, and Naples

A Patron Family Between Renaissance Florence, Rome, and Naples PDF Author: Vincenzo Sorrentino
Publisher: Taylor & Francis
ISBN: 1000569047
Category : Art
Languages : en
Pages : 277

Get Book Here

Book Description
This book tells the story of the Del Riccio family in Florence in the early modern period, investigating the cultural mediations fostered by the family between Florence, Rome, and Naples, as well as shedding light on the intellectual and social exchanges between different regions of Italy and on the creation of foreign nations within the main Italian cities. These social and cultural dimensions are further explored through the study of the obsessive persistence of the family’s relationship with Michelangelo Buonarroti, exhibited both publicly, in the Florentine and Neapolitan family chapels, and privately in their homes. The main achievement of this study is to move the focus from the ruling power, the Medici family and the immediate members of their court, to a Florentine middle-class family and its social mobility: this shift from the conventional narrative to a distributed microhistory is fundamental to better assess the use of images and artworks in early modern Florence and abroad. The aesthetic and stylistic choices in the use of art and art display made by the Del Riccio reveal a deep awareness of the substantial differences in taste and meaning between different cities of the Italian peninsula. The book will be of interest to scholars working in art history, visual culture, and Renaissance studies.

Portraiture, Gender, and Power in Sixteenth-Century Art

Portraiture, Gender, and Power in Sixteenth-Century Art PDF Author: Noelia García Pérez
Publisher: Taylor & Francis
ISBN: 1003856519
Category : Art
Languages : en
Pages : 271

Get Book Here

Book Description
This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance. Chapters examine the creation, promotion, and display of the image of women in power, and how the artistic and cultural patronage they developed helped them craft a self-image that greatly contributed to strengthening their power, consolidating their political legitimacy, and promoting their authority. Contributors cover diverse models of sixteenth-century female power: from ruling queens, regents, and governors, to consorts of sovereigns and noblewomen outside the court. The women selected were key political figures and patrons of art in England, France, Castile, the Low Countries, the Holy Roman Empire, and Italian city states. The volume engages with crucial and controversial debates regarding the nature and use of portraiture as well as the changing patterns of how portraits were displayed, building a picture of the principal iconographic solutions and representational strategies that artists used. The book will be of interest to scholars working in art history, gender studies, women’s studies, and Renaissance studies.

Art, Patronage, and Nepotism in Early Modern Rome

Art, Patronage, and Nepotism in Early Modern Rome PDF Author: Karen J. Lloyd
Publisher: Taylor & Francis
ISBN: 1000636984
Category : Art
Languages : en
Pages : 396

Get Book Here

Book Description
Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid social status. Through politically savvy frescos and emotionally evocative displays of paintings, sculptures, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fuelling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics. The book will be of interest to scholars working in art history, early modern studies, religious history, and political history.

Polychrome Art in the Early Modern World

Polychrome Art in the Early Modern World PDF Author: Ilenia Colón Mendoza
Publisher: Taylor & Francis
ISBN: 1040043348
Category : Art
Languages : en
Pages : 271

Get Book Here

Book Description
This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.

Diego Velázquez's Early Paintings and the Culture of Seventeenth-century Seville

Diego Velázquez's Early Paintings and the Culture of Seventeenth-century Seville PDF Author: Tanya J. Tiffany
Publisher: Penn State Press
ISBN: 0271053798
Category : Art
Languages : en
Pages : 255

Get Book Here

Book Description
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.

A Patron Family Between Renaissance Florence, Rome and Naples

A Patron Family Between Renaissance Florence, Rome and Naples PDF Author: Vincenzo Sorrentino
Publisher: Routledge
ISBN: 9781003166443
Category : Art
Languages : en
Pages : 258

Get Book Here

Book Description
"This book tells the story of the Del Riccio family in Florence in the early modern period, investigating the cultural mediations fostered by the family between Florence, Rome, and Naples, as well as shedding light on the intellectual and social exchanges between different regions of Italy and on the creation of foreign nations within the main Italian cities. These social and cultural dimensions are further explored through the study of the obsessive persistence of the family's relationship with Michelangelo Buonarroti, exhibited both publicly, in the Florentine and Neapolitan family chapels, and privately in their homes. The main achievement of this study is to move the focus from the ruling power, the Medici family and the immediate members of their court, to a Florentine middle class family and its social mobility: this shift from the conventional narrative to a distributed microhistory is fundamental to better assess the use of images and artworks in early modern Florence and abroad. The aesthetic and stylistic choices in the use of art and art display made by the Del Riccios reveal a deep awareness of the substantial differences in taste and meaning between different cities of the Italian peninsula. The book will be of interest to scholars working in art history, visual culture, and Renaissance studies"--